Slice each rib to
the bone at scored cuts.
Not exact matches
Grant is still developing his outside / midrange shot,
bone is still learning how to find his shot /
score over talller guys, Bowden can become better
at creating his own shot, Alexander will get stronger / add to his offensive game, Turner can get better
at D, and Schofield can become a better ball handler.
Paleontologists have found
scores of
bones from
at least four individuals
at a single site.
Best
Scores and Soundtracks of the Year (some of them talked about in depth here) Michael Andrews» «Jeff Who Lives
At Home» (he's criminally underrated), Nick Urata's score for «Ruby Sparks» (beautiful and heartrending, maybe my fave of the year), «Beasts of the Southern Wild» (anthemic, celebratory, overwhelmingly burst - into - tear inducing), Hans Zimmer's «The Dark Knight Rises» (typically thrilling and towering), Howard Shore and Metric — «Cosmopolis» (sinisterly futuristic; we overlooked by accident), the soundtrack to «The Comedy» (poignantly wistful soul), the soundtrack to «Take This Waltz,» «Rust & Bone,» «Nobody Walks» and «Keep The Lights On» (an excellent soundtrack of forlorn Arthur Russell songs that we regrettably failed to mention at length in our music piece
At Home» (he's criminally underrated), Nick Urata's
score for «Ruby Sparks» (beautiful and heartrending, maybe my fave of the year), «Beasts of the Southern Wild» (anthemic, celebratory, overwhelmingly burst - into - tear inducing), Hans Zimmer's «The Dark Knight Rises» (typically thrilling and towering), Howard Shore and Metric — «Cosmopolis» (sinisterly futuristic; we overlooked by accident), the soundtrack to «The Comedy» (poignantly wistful soul), the soundtrack to «Take This Waltz,» «Rust &
Bone,» «Nobody Walks» and «Keep The Lights On» (an excellent soundtrack of forlorn Arthur Russell songs that we regrettably failed to mention
at length in our music piece
at length in our music piece).
Following its strong showing
at the Sundance Film Festival this year, «Winter's
Bone» director Debra Granik's new drama «Leave No Trace» is set to
score a limited release this summer.
But in the final layer, sitting on a throne of
bone marrow and Warcraft accounts, is Satan himself, playing both
Score Rush and Decimation X3
at the same time.»
These more contemplative sequences — accompanied by a free - floating voiceover and new musical
score — are punctuated by explosively violent chunks of internet footage,
at once comical and wince - inducing, featuring
bone - crunching indignities visited on the human body.