Wan has made
his bones on films like Saw and Insidious, and you can really see his style start to develop.
Not exact matches
Because octopuses have no
bones, they are able to squeeze through some incredibly small spaces,
like a tiny vent in the side of a fishing boat that Chance Miller of Millers Landing Alaska caught
on film.
I find it fascinating when writers and directors and even producers of
films about real people in the Bible read into what the people were
like and how they fill in the gaps of the dialog, some I
like, others I disagree with, but it allows me to put flesh and blood
on their
bones.
And you're choosing to ignore all the female - centered dramas and comedies that have been SUCCESSFUL compared to budget: Lady Bird, Winter's
Bone, Wild, Girls Trip, Trainwreck, Bridesmaids, Mean Girls, Clueless, Pitch Perfect, and
on and
on (not including the huge box office of the female - led action / sci - fi / Disney
films like Frozen, Hunger Games, Gravity, Wonder Woman, etc).
More importantly than anything, it cuts close to the
bone, with much of the
film feeling
like Gilliam confronting his own mortality: «for all the
film's flaws, it feels
like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time
on Earth will be brief in the grand scale of things... it's not so much a
film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»
On the other hand, its bouts of lurid violence and voyeuristic sex feel as if they've been dragged in from somewhere trashier,
like the Taken
films or something with Sylvester Stallone in it.Jennifer plays Dominika Egorova, formerly a star dancer at Moscow's Bolshoi Ballet who is forced to quit after a
bone - crunching onstage collision.
Despite my feelings
on the
film, Carey Mulligan really settles into a next - level groove in «Never Let Me Go,» and Jennifer Lawrence, of course (
like Mulligan last year), has already become the year's star - in - the - making story in «Winter's
Bone.»
For me it was
like trying to find a feminist
bone in a giant candyfloss, yet apparently this
film spoke more to the women of today than Tracey Emin's searing comment
on the modern world