Timothy Morton spoke with artist and Art Books in Review Editor Greg Lindquist to discuss his new
book Hyperobjects (University of Minnesota Press, 2013).
Not exact matches
Hyperobjects takes its name and organizing principles from Morton's 2013
book.
In his 2013
book,
Hyperobjects: Philosophy and Ecology After the End of the World, Morton defines hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incom
Hyperobjects: Philosophy and Ecology After the End of the World, Morton defines
hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incom
hyperobjects as entities that are bewilderingly huge — global warming, plastic in the ocean, nuclear waste — and seemingly incomprehensible.
The show is a group exhibition inspired by the ideas in his
book about his invented term: «the
hyperobject,» which he writes, «describe [s] all kinds of things that you can study and think about and compute, but that are not so easy to see directly... not just a styrofoam cup or two, but all the styrofoam on Earth, ever.»
This year it's
Hyperobjects, a collaboration between philosopher Timothy Morton — a fellow Texan, who wrote a
book called
Hyperobjects — and Laura Copelin, executive director and curator of Ballroom Marfa.