Sentences with phrase «book agent or publisher»

And, when it comes to trying to get a book agent or publisher, talking about them.

* Author Agency does not guarantee a response from any representatives of Author Agency or any Book Agents or Publishers.

Not exact matches

The Power of Nice describes an exercise from the authors» seminars, in which attendees are paired off, each playing either the «agent» or the «publisher» in working out a book deal.

But if you're trying to sell a story or a book to a publisher / agent, let me assure you, the work doesn't even begin until you've finished writing the story.

Other days she works on her book series, talking to publishers, agents, and marketers, or lectures at Hillel Academy.

When it comes time to pitch the concept of your book - or a full length manuscript - make sure you get it into the hands of the agents and publishers who would be most drawn to and excited about your content.

If literary agents or book publishers don't want to know what happens at the end of your book, they won't read your book synopsis until they're finished reading your manuscript.

Drawing on university training and journalism experience as a copy editor, as well as more than twenty - five years as a professional writer, editor, photographer, designer and videographer, I can give you the assistance you need to self - publish your book or get your manuscript ready to submit to agents and publishers.

Perhaps in a few days or weeks from now, you'll write to tell me that you just got a top literary agent, publisher, and book deal.

An agent query is simply a «pitch letter» that writers submit to literary agents, book publishers, and / or magazine editors.

And literary agents meet with editors and publishers first (or call them on the phone), to tell them what the book is about.

If the book becomes a big seller in ebookland, I suppose it's possible an agent or even a big publisher might come calling.

That data will be KEY when presenting your book to an agent, a publisher, or a retailer.

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

You can still submit your book, and if an agent cares enough about the idea or story, they may edit it for free, and sell it to a publisher, and the publisher may support it and market it.

As you finish your work and get it ready to send to an agent or a publisher — or as you prepare to self - publish, I'll work with you on making your book great.

There's still no guarantee you're going to get a top agent, publisher, and / or book deal though.

And, Publishers Marketplace only gives literary agents 21 book genres or categories to choose from when specifying areas of interest (in contrast, our Directory of Book Agents gives you 116 book genres or categories to choose agents 21 book genres or categories to choose from when specifying areas of interest (in contrast, our Directory of Book Agents gives you 116 book genres or categories to choose frbook genres or categories to choose from when specifying areas of interest (in contrast, our Directory of Book Agents gives you 116 book genres or categories to choose frBook Agents gives you 116 book genres or categories to choose Agents gives you 116 book genres or categories to choose frbook genres or categories to choose from).

As we've written a number of times at GigaOM, the traditional book - publishing business continues to be disrupted, with some self - published authors such as Amanda Hocking making millions of dollars without using a traditional agent or publisher, by selling their own books through Amazon's (s amzn) Kindle platform.

But in those rejections, there's hope for the indie writer — if you can develop your own platform and show that you've sold a few thousand copies of your self - published book, it's very likely that you will catch an agent or publisher's attention.

Attending and / or participating in trade shows and conferences, etc. (see below) Reading industry newsletters and blogs Publishers Marketplace Publishers Weekly Monitoring media World news and trends National news and trends Niche news and trends Reading books / articles about the industry and / or craft of writing Reading books in genres the agent represents, written by authors he or she doesn't represent

Agents and / or publishers KNOW based on your numbers that you'll be able to help sell a lot of books.

You see, a book needs to come to life with its author knowing what audience is expected to read it, or else most publishers (and literary agents) won't be interested in it.

«While writing a great book is the first step, getting it in front of the right people — be they readers or agents or traditional publishers — is also a critical part of making an indie book a success,» Edelman explained in a release on this year's presentation.

«While writing a great book is the first step, getting it in front of the right people — be they readers or agents or traditional publishers — is also a critical part of making an indie book a success.

There are * some * self - published authors whose books are excellent and who spent years looking for the right «fit» with an agent or publisher before they decided to take their case to the only jury that matters — the readers.

Whether you choose to self publish through a vanity publisher, or search for an agent to submit your book to reputable companies, or go the route of ebook publishing, the marketing work doesn't fall directly into the lap of the company.

My favorite publishing resources for authors include books and articles on querying agents, submitting to publishers, finding a great cover artist, self - publishing tasks and schedules, marketing and promoting your commercially published or self - published book, and more.

While these niche topics won't interest traditional publishers or literary agents — it's still possible there's an audience waiting for you to publish that unique book!

Once you sign with a literary agent, he or she will try to sell your book to publishers, a process called «going on submission.»

But just as if you don't need a buggy whip to start your car, you don't need an agent to sell a book, or a traditional publisher to make a living at fiction writing.

So do agents, editors, publishers, book reviewers, book sales people — and those all - important people who decide whether to carry your book or not: bookstore buyers.

Agents and most publishers want to invest in career authors who write multiple books, mostly within the same or similar genre.

Meet as many authors and editors and publishers and agents as you can, take them to coffee if you can, and ask them every question that you can (do not ask them to read your book, help you get a contract, or help you sell it — just ask them to share what they know, and thank them with coffee and a nice hand - written note).

Most authors who find success have written several books before they get picked up by an agent or publisher.

Several of my editing clients have landed book contracts with commercial publishers and / or agent representation after working with me.

Some authors (who've gotten NO positive responses from literary agents and / or hundreds of rejections) have written new Query Letters that Worked... resulting in full manuscript requests, representation offers from top literary agencies, and book deals with major publishers.

The standard agency commission doesn't just pertain to domestic book sales, but any and all of the book's subsidiary rights sales, whether sold by the agent, author, or publisher.

These books are overflowing with information to help you in preparing your manuscript, and finding an agent or a publisher.

Writers who have been requested by an interested agent or publisher to give the book a polish.

Editors, authors, agents, and publishers may submit more than one book, in the same categories or different ones, but an entry fee is charged for each book entered.

However, if you create a proposal that's divided into the following four sections, in the following order, every agent or publisher that you submit fiction book proposal to will be happy.

If a self - published book sells 5,000 copies in its first six months, an agent or publisher is not going to let first rights issues stand in their way (always assuming that the book is well - written [I've known self - pubbed authors who've managed to sell large numbers of really pretty bad books] and the sales suggest a market that could be tapped, rather than one that has been exhausted, as with some niche products).

Much like a cover letter or a book query to an agent or publisher, being personal and professional with your pitch to a blogger is important.

Publishers aren't printing as many new books, especially from debut authors, and agents aren't able to sell as many new books or authors.

Trade (Mainstream, Traditional Publishing) Traditional way of publishing a book in which an author must find a literary agent or a publisher willing to review the manuscript.

Not that long ago, there was only one way to get published: find an agent; hope he or she would represent you; pray they sell your book proposal to a publisher; trust the publisher to get behind the book and believe in the project; and hope that readers would go to their local bookstore and buy your book.

Publishers will only consider your book or manuscript if it's submitted to them by a literary agent.

* Top literary agents have the ability to navigate any challenges that come up during the pre-publication, publication, or post-publication process without losing their cool or damaging relationships: i.e. editors that are difficult, fired, laid - off, or decide to retire; bad book cover designers; your book being cut from the publisher's list before it's even published; bad reviews or publicity; poor book sales; changes in the industry or marketplace; etc..

Now in its 30th edition, CWIM contains more than 500 listings for children's book markets, including publishers, literary agents, magazines, contests, and more, making it the definitive guide for anyone seeking to write or illustrate for kids and young adults.