But in trying to sell
the book as a sequel, well, that wasn't going to work.
Not exact matches
Disney has also announced that Favreau is developing a
sequel to «The Jungle
Book,» and neither the
sequel nor «The Lion King» have release dates
as of yet.
While the top 20 most downloaded films included some prestigious movies like 12 Years a Slave (at number 10) and Gravity (at number four), the majority of the most pirated flicks were largely big blockbuster franchises, adapted from
books — Divergent, Hunger Games: Catching Fire and The Hobbit: The Desolation of Smaug — superhero
sequels and reboots like Godzilla and Robocop, although Excipio was unclear
as to how many of the more than 29 million illegal downloads were for the»87 original.
The Acts of the Apostles, also simply referred to
as the «
book of Acts» or «Acts», is a narrative of the apostles» ministry after Christ's death and resurrection, from which point it resumes and functions
as a
sequel to the Gospel of Luke.
My son keeps re-reading all Riordan's
books as he waits for
sequels.
Bummer about the
sequel though: / Funny though, because I thought the
sequels of the Hunger Games weren't
as good
as the original either — mainly the third
book.
Star Wars: Tales of the Jedi, abbreviated
as TotJ, is a comic
book series covering eight story... 25 Star Wars Memes To Get You Pumped For Any
Sequel, Prequel Or Spin - Off May the farce be with you.
Then a new
Book of Prophecy turns up
as a
sequel to the original, with the direst of predictions in it.
Though Pixar has never acknowledged
as much publicly, its cinematic philosophy (and business model) has shifted notably: Where the studio once aspired to excellence with every single picture — Pixar president Ed Catmull wrote an entire
book expressing this ideal, Creativity, Inc. — it now seems content to roll out a few profitable, hyper - merchandise - friendly
sequels for every genuinely original feature it unveils.
Readers of the original comic -
book will already know that the
sequel to Mark Millar's original hyper - violent vigilante caper that KA2 -
as no - one is calling it - is very much HG's baby, giving her a lot of time to explore who she really is after Big Daddy shuffled off this mortal coil last time around.
As hinted in a post-credits scene, Deadpool will likely be joined by the comic
book character Sable in the
sequel, the filmmakers said at CinemaCon.
As far as book sequels go, «Catching Fire» isn't exactly the most original, which is why I was pleasantly surprised by the film adaptatio
As far
as book sequels go, «Catching Fire» isn't exactly the most original, which is why I was pleasantly surprised by the film adaptatio
as book sequels go, «Catching Fire» isn't exactly the most original, which is why I was pleasantly surprised by the film adaptation.
You see, while Monolift Soft's Xenoblade Chronicles 2, is stated
as being a
sequel to 2010's Xenoblade Chronicles, it's not because it's a continuation,
as Xenoblade Chronicles 2 features an entirely different world that tells a new story, but because Xenoblade Chronicles 2 is more like the original game
as opposed to Xenoblade Chronicles X. Xenoblade X was met with some disdain due to tearing a couple of pages out of the rule
book that was used to define Xenoblade Chronicles, before burning them.
One wonders why Garland — who read the
book once, wrote the script based on his «dream memory» of it, and completely ignored its
sequels (both of which were published in the same year
as Annihilation)-- felt the need to give Lena some of the most prosaic motivation you can give to a cinematic character, but its very irrelevance forgives it.
And, in the end, the whole thing feels like a set - up for a
sequel, which it of course is,
as there are three more
books in the series.
My research for my
book, «Eastwood: Evolution of a Filmmaker,» due in November from Greenwood Publishers, has taught me that he made deals with the studios: one for them (a Dirty Hary
sequel or some silly action flick that would make them a fortune), and then in return they had to agree to finance one for him (a personal project such
as «Breezy» or «The Outlaw Josey Wales»).
As you were making the Pusher
sequels and Bronson, were you learning the craft from
books, from other people, just from experimenting?
Elizabeth Olsen looks set to star
as superhero the Scarlet Witch in the forthcoming
sequel to last year's box office comic
book megalith The Avengers.
Halperin and Heilemann's
book «Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime» was widely hailed
as the definitive account of the historic 2008 presidential election, and was followed four years later by the New York Times bestselling
sequel «Double Down: Game Change 2012.»
So we're really rather glad that Frank Miller, otherwise known in the screenwriting world for the «Robocop»
sequels and for gifting other screenwriters with comic
book fodder in «Elektra,» «Sin City,» «300» and his gritty take on Batman, chose «The Spirit»
as his solo directorial debut (he's credited
as co-director with Robert Rodriguez on «Sin City» but we believe that even less now having seen what he did when left to his own devices).
But Sony is approaching this follow - up
as more of a reboot than a
sequel, recasting The Crown's Claire Foy
as hacker Lisbeth Salander and leaping ahead to the fourth
book in the Millennium series (itself a kind of reboot, given that it was written by David Lagercrantz, who took over after Larsson died of a heart attack in 2004).
The 3
books become jointly referred to
as the Millennium sequence, and feature since been adopted by way of two extra
sequels written by way of David Lagercrantz.
The game's success spawned multiple
sequels and spinoffs, a 40 - episode 3D animated series, a chapter
book adaptation, manga adaptations in Mario - related publications such
as Kodansha's Super Mario manga and Super Mario - Kun, and many toys and other merchandise.
Though the finale is left just
as open - ended
as in the
book (which may be a sore point for viewers unfamiliar with the source material), «Catching Fire» is everything you could want from a
sequel without many of the usual failings.
Openly trolling the ambitions of other modern comic -
book movies, the
sequel to Deadpool, the surprise hit that cast Ryan Reynolds
as the self - destructive and puerile Bugs Bunny figure of the present superhero blockbuster landscape, mostly outdoes its predecessor in terms of style and satirical intent: Now that he's...
Instead, the
sequel is about Wade Wilson wanting to have a kid even though he can't, which Reynolds says makes it «kind of a family film masquerading
as a comic
book film.»
Functioning more
as a mythology - expanding spinoff than a proper
sequel, this fifth installment (the first directed by longtime series writer Christopher Landon) smartly moves the setting away from airy suburbs to overcrowded working - class apartments, and introduces a winning sense of humor that almost compensates for its relentless reliance on every terror trope in the
book.
He described Days of Future Past
as «X-Men meets The Terminator,» and continued, saying that for fans of the
books, it's «no spoiler» to reveal that the First Class
sequel will explore an apocalyptic future.
It's not
as evident that the movies are related to one another,
as the makers of the film version of Jumanji left out a key component of the
book that eventually became the inspiration for the
sequel.
Based on the
sequel book by original author Warren Adler, it should at least keep the same tone
as it explores the cyclical nature of children making the same mistakes
as their parents.
«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The
Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient
Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different
as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea
While Turtle Power could have segued straight into the hasty
sequels, which were subjected to the usual diminishing returns and aren't very well - regarded, it wisely instead chooses to celebrate the impact of the franchise at large, which has far exceeded the three - year lifespan anticipated
as a best - case scenario back when Eastman and Laird were developing their comic
book series into a toy line (there are even priceless video clips of a meeting at Playmates).
So many were surprised last week by the news that Redford would be appearing in the Marvel Studios comic -
book action
sequel «Captain America: The Winter Soldier»
as a senior leader in the secret government agency of S.H.I.E.L.D.
This is the second
sequel for the Jumanji franchise of the 1981 kids»
book of similar name and this serves
as the stand - alone installment of the 1995 Jumanji.
The «Iron Man» villain gives CBR News the scoop on the film's hidden comic
book references, his possible return for the
sequel, and his role
as a federation Captain in J.J. Abraham's forthcoming «Star Trek.»
After creating an eye - catching (and cleverly ironic) ball gown for Diane Kruger
as Abigail Chase in the original film, Judianna Makovsky returned to design for
sequel National Treasure 2:
Book of Secrets (2007, directed Jon Turteltaub).
This
sequel isn't
as unexpectedly brilliant
as the original, but it makes for a very funny comic
book viewing experience.
She's currently lensing the highly anticipated
sequel, «Sin City: A Dame To Kill For,» she leads Danny Boyle «s spring thriller «Trance» (more on that in a second) and now she's
booking a gig in a very promising drama
as well.
One would think that after successfully re-launching the X-Men with a new A-list cast a couple of years ago, the studio would stick to that cast but
as is common with comic
books, it seems that creators are always jumping around timelines, characters and stories, it's only appropriate that a
sequel that brings director Bryan Singer back into the fold would not only involve time travel but also include nearly every member, past and present, of the X-Men movie franchise.
And while the subject matter of children and young teenagers fighting one another to the death may lead some parents to think twice about bringing their own kids to the picture, the movie is sure to top the box office
as well
as produce
sequels (two
books remain to be adapted) in the future.
Once again starring Ryan Reynolds
as the titular comic
book mutant who just doesn't have what it takes to be a member of the X-Men, this
sequel is certain to please fans of the first film.
For a film that's success hinged on comic
book accuracy
as well
as the simplicity of its narrative, Deadpool painted itself in a corner during the post-credits scene by promising the time traveling mutant from the future, Cable (Josh Brolin), for the
sequel.
Although not
as bubbly or user - friendly
as its predecessor, James Gunn's
sequel manages an incredible feat: it's a narratively free - floating, visually sumptuous, grown - up comic
book movie that exists in — and perhaps stands atop — the increasingly insipid Marvel Cinematic Universe.
The result is another loosely plotted multi-character-study from director Richard Linklater,
as well
as a spiritual
sequel to Hal Ashby's 1973 film The Last Detail, based on a follow - up
book by Darryl Ponicsan, who wrote the source novel for the Ashby movie.
With solid characterizations, fantastic action, provocative subtexts, bold directions, major reveals, and just good, smart comic
book thrills, Captain America: The Winter Soldier easily goes down
as one of the best Marvel movies yet,
as well
as one of the best blockbuster
sequels of any variety.
For what it's worth
as regards The Incredible Hulk, I'll restate the fact that I've never been one to hop on the anti -
sequel / anti-remake bandwagon (I'd rather see more double - bills of films like Capote and Infamous than «original» films lacking in soul or depth), and despite his many offenses (most of them relative in my
book), nor will I take part in the seemingly mandatory pastime of kicking M. Night Shyamalan when he's down.
It's unrealistic to expect studios to stop making
sequels, or comic -
book movies, or talking - animal cartoons, or any of the bugaboos that get scapegoated
as signs of creative bankruptcy.
As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthough
As Ian Olney explains in his recent
book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such
as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthough
as saturated openings, while also recognizing the viability of cheap
sequels to accompany these methods, where films could make so much money in one weekend,
as to become profitable, that whether or not audiences actually liked the film ended up being an afterthough
as to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.
Adapted by Hannibal's Bryan Fuller and Blade Runner
sequel writer Michael Green, the series based Gaiman's
book (which has the writer himself
as an executive producer), chronicles the struggle between the gods of old (mythological legends from around the world) and new (reflecting modern society's love for money, technology and celebrity, among other things).
Based on the bestselling
book, which inspired both a
sequel and a children's adaptation, «Same Kind of Different
as Me» is the true story of a wealthy Texas white couple, Ron and Debbie (Greg Kinnear and Renee Zellweger), who befriend a violent homeless man (Djimon Hounsou).