I'm a highschool student and I've wanted to be
a book editor since elementary school, when I first discovered the profession.
Not exact matches
Since the
book demonstrates so powerfully the case for the return to the pre-Conciliar liturgy, Fr Joseph Fessio, S.J.,
Editor - in - Chief, Ignatius Press has to temper his own enthusiastic Forward by putting the position of «those who advocate a rereading and restructuring of the liturgical renewal intended by the Second Vatican Council, but in light of the Church's two - thousand - year tradition.»
This
book has been hailed by the
editor of The Christian Century as «the most important interpretation of Christian missions that has appeared
since the modern missionary enterprise was launched, a little more than a hundred years ago.»
Editor's note:
Since 2004, Shmuel Herzfeld has been the Rabbi of Ohev Sholom - The National Synagogue, the oldest and largest Orthodox synagogue in Washington, D.C.. His first
book will be published within a year, titled: The Relevance of the Torah for our Modern Lives.
I've been coveting this
book ever
since I met your
editor at a NY gallery event and she told me she was working with you on a cookbook — and I screamed so loud I turned heads!
Meredith has been a features
editor with amNewYork
since 2013, covering dining, health, travel and
books.
Since 1997 Godoy has carved out an impressive place for herself in Tokyo as
editor, consultant, TV personality and author of two
books on Japanese street fashion and subcultures.
In a much - discussed article published in December, The Atlantic
editor - in - chief James Bennet summed this argument up well: «When you do nt have to print words on pages and then bundle the pages together and stick postage stamps on the result,» he wrote, «you slip some of the constraints that have enforced excellence (and provided polite excuses for
editors to trim fat)
since Johannes Gutenberg began printing
books.
Also,
since Kevin has no time to read anything more than picture
books (because you'll remember he read The Lorax several weeks ago), he invites Film School Rejects» Associate
Editor Kate Erbland into the Magical Studio in the Sky to discuss the
book and film.
As a researcher, writer, and
editor for the U.S. Department of Education
since 1986, Paulu has written many
books on education reform.
As an historian, I was particularly pleased to see how the
editor saw fit to include an historical review of the period
since the 1950s, mentioning, among other things, Arthur Bestor's great
book, Educational Wastelands: The Retreat from Learning in Our Public Schools, the influence of Sputnik, and (a little later) the Great Society legislation, to underscore the national commitment to education for everyone.
He has served as
book review
editor of The Freeman, an educational free market magazine published by the Foundation for Economic Education,
since 1997, and has published numerous articles in The Freeman, Reason, The Free Market, Cato Journal, The Detroit News, Independent Review, and Regulation.
Here are some of the questions that a writer should ask before starting a
book,
since they are the questions agents and
editors will ask when evaluating its potential:
It cost more than some other professionals with whom I've
since consulted (I'm on my 2nd
book now... and no, I don't plan to self - publish this one), but then I've heard other friends talk about freelance
editors who charge double what iUniverse did.
I parted company with HarperCollins after my last
book launch and have
since taken back control of not just «brand Polly Courtney» but all the component parts of the publishing process: editing (I use a professional freelance
editor as well as crowd - sourced readers) and cover design (I work directly with a designer, who has also worked on the second editions for my first two novels), production and distribution (I use Troubador Publishing) as well as promotion — which I'm finding far easier to do now that I'm proud of the product I'm promoting!
Since an agent's main job is to become familiar with the interests of acquiring
editors and executives at the major publishing houses, and sell them
books, it makes sense for most agents to live in New York.
Meredith is my own freelance
editor (she's worked on all my
books since RETRIBUTION) and is currently on the home stretch of writing the first draft of her own novel # 4.
The Frankfurt Fellows 2017 are: Leonardo Archila, Publishing Director, Intermedio Editores, Columbia Dorothy Aubert,
Editor, Hugo & Cie / Publisher & Founder, Belleville éditions, France Anish Chandy, Head of Business Development & Rights, Juggernaut
Books, India Anne Isabel Cowley Meadows, Commissioning
Editor, Granta & Portobello
Books, UK Stella Soffia Jóhannsdóttir, Acquiring
Editor, Forlagid, Iceland Tynan Kogane,
Editor, New Directions Publishing, USA Johanna Laitinen, Executive
Editor, Gummerus Kustannus, Finland Hernán López Winne, Co-founder und Editorial Director, Ediciones Godot Srl, Argentina Lisanne Mathijssen, Commissioning
Editor, HarperCollins Holland, Netherlands Rita Mattar,
Editor und Rights Manager, Companhia das Letras, Brazil Hiromi Morikawa, Foreign Rights Manager, Iwanami Shoten, Publishers, Japan Dominique Pleimling, Editorial Director, Eichborn / Bastei Lübbe, Germany Anna Slotorsz, Rights and Royalties Manager, Sonia Draga Sp. z o.o., Poland Mariia Shakura, Publisher,
Book Club Family Leisure Club, Ukraine Flavia Vadrucci, Junior
Editor, Marsilio Editori S.p.A., Italy Qian Yin, Foreign Rights Manager, Liaoning Science and Technology Publishing House Ltd., China
Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter Buchmesse.
Having been a professional freelance
editor since 1998, I believe in the power of a well - written and well - edited
book.
Otherwise the response time on the project will be longer; the
book might be submitted to the wrong person (often someone who doesn't even work there anymore); the
editor will wonder what's wrong with the literary agent or the author
since no one cared enough to make a real pitch; and, if you do get an offer, it will be smaller because it will probably be the only offer.
So flooding
book review
editors with your self published
book may be a lesson in futility
since they may only have resources to concentrate on the most popular, usually traditionally published,
books.
In the time
since your literary agent sold your novel or non-fiction
book proposal to a
book publisher and you signed your
book contract, you and your
editor have likely had some back - and - forth about the content.
It's now been twenty years
since I became a
book editor.
And
since awards often play a role in collection - development decisions, you can browse Awards to find the latest Booklist
Editors» Choice, Notable
Books, and other winners.
Jim Rettig was author /
editor of the Wilson Library Bulletin's «Current Reference
Books» column and its online successor, «Rettig on Reference,» from 1981 through 1999 and has reviewed for Reference
Books Bulletin
since 1979.
Since leaving Booklist in 2010, former associate
editor for Adult
Books Ray Olson has continued contributing reviews to the Adult
Books department and Booklist Online from his new home in St. Paul, MN, which feels quite comfortable because his apartment building has been in his family longer than he has.
I don't know how the
book got around to them, but five months later, said
editor was there in my inbox, offering me the deal that has
since allowed me to write a second
book, quit my day job, and start planning for three more.
I actually find it a little astonishing that YA
editors would be against the presentation of more gay characters in
books targeted toward teens (or more ethnicity, while we're at it),
since it seems definitely Internet culture and increasingly television culture seems to be embracing a more open approach.
Since I have been through the process (fire) of publishing a
book, I want to reach out to writers working on a manuscript, and encourage them to push through the writers block, accept the enormous amount of time it will take you to work with an
editor to make your manuscript the best it can be, and the gigantic amount of time it will take you to research, submit and wait to hear, if you ever do, from the publishers, small presses, and literary agents who received your submission.
Since then, Falconer has sent Olivia to the circus among other adventures, including her latest as Olivia the Spy, a
book we selected as one of our
editors» picks for the best children's
books of 2017.
Since starting my
book editing business, I've been proud to help shape dozens of
books in preparation for indie publishing that you'll now find on sale as well as manuscripts eventually submitted to agents and
editors.
[
Editor's Note: In the time
since we looked at the Kindle 2 in the summer of 2009, Amazon has dropped the price from $ 299 to $ 189 and added native PDF support (including panning and zooming), as well as the ability to post
book passages to Facebook and Twitter.
Since being published by Simon and Schuster in 1996 and having them take 95 % of the profits, I am thrilled to be releasing my new
books myself in digital fomat and with no more haughty New York
editors to deal with.
Unfortunately, most acquisition
editors at traditional
book publishers aren't doing much developmental editing these days,
since what they're anxious to have is finished manuscripts ready for production on a tight schedule for seasonal release.
As a long - time
editor for independent authors (more than ten years now) and as an indie publisher
since 2011, I think what would tremendously help this checklist would be to mention at what stage of
book production these steps should be done.
Since becoming a freelance
book editor over seventeen years ago, working with authors from a wide range of writing backgrounds, it's clear to me the best gift I have to offer clients is my intuitive sense of the «original intentions» they have for their writings.
I have
since had the
book re-edited by an
editor I know and trust and, between us, I think we caught everything.
It's been a while
since I had a look at the Reedsy
Book Editor (in my episode on 17th February) and I'd thought I'd re-examine it and update you on the progress on the product.
My expenses for a new
book are about $ 1100... that includes my cover artist, my copy
editor, my own ISBN #, and paying to have my ebook versions professionally made for me...
Since I'm still unknown, most of my copies I personally sell at events I attend, but I'm hoping that changes as I come out with more
books...
I thought my manuscript was pretty «tight» but you can see the lovely markup of some of my mistakes and my own
editors comments below: Since professional book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -LSB-...] The post 13 Professional Book Editors Answer My Burning Question appeared first on Sell More
editors comments below:
Since professional
book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -LSB-...] The post 13 Professional Book Editors Answer My Burning Question appeared first on Sell More Bo
book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -LSB-...] The post 13 Professional Book Editors Answer My Burning Question appeared first on Sell More
editors see so many manuscripts, I thought it would be funRead more about 13 Professional
Book Editors Answer My Burning Question -LSB-...] The post 13 Professional Book Editors Answer My Burning Question appeared first on Sell More Bo
Book Editors Answer My Burning Question -LSB-...] The post 13 Professional Book Editors Answer My Burning Question appeared first on Sell More
Editors Answer My Burning Question -LSB-...] The post 13 Professional
Book Editors Answer My Burning Question appeared first on Sell More Bo
Book Editors Answer My Burning Question appeared first on Sell More
Editors Answer My Burning Question appeared first on Sell More
Books.
I've been a developmental
editor in traditional
book publishing
since 1962, and have worked one - on - one with private writer clients for many years.
Greig was
editor of the London Evening Standard when he first started writing his
book, and his workday began at 4:30 in the morning
since the first edition of the paper went to press at 9 a.m..
Since the production
editor has worked side by side with the author to produce the
book, that person is perfect for helping to convey the right vision to the designers and strategists working on the various elements that will help deliver your
book to market.
I thought my manuscript was pretty «tight» but you can see the lovely markup of some of my mistakes and my own
editors comments below: Since professional book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -L
editors comments below:
Since professional
book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -LSB-
book editors see so many manuscripts, I thought it would be funRead more about 13 Professional Book Editors Answer My Burning Question -L
editors see so many manuscripts, I thought it would be funRead more about 13 Professional
Book Editors Answer My Burning Question -LSB-
Book Editors Answer My Burning Question -L
Editors Answer My Burning Question -LSB-...]
Since professional writers already depend on agents / contract lawyers (since even the best and most caring editors are still on the publisher's payroll, not the author's), and as the share of self - published books grows, it seems unavoidable that some agents and editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core t
Since professional writers already depend on agents / contract lawyers (
since even the best and most caring editors are still on the publisher's payroll, not the author's), and as the share of self - published books grows, it seems unavoidable that some agents and editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core t
since even the best and most caring
editors are still on the publisher's payroll, not the author's), and as the share of self - published
books grows, it seems unavoidable that some agents and
editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core trade.
Most of the eleven picks selected by the
book review
editors are fairly sure bets,
since they're written by authors with established track records — Stephen King's Doctor Sleep, Donna Tartt's The Goldfinch, Malcolm Gladwell's David and Goliath, (download the full list with biblio.
Since publishing her first
book, she has also found success working as a developmental
editor for up and coming authors hoping to polish their work.
Since then, I've had a couple offers to have it traditionally published, even one from then -
editor Jessie Finkelstein of Raincoast
Books (publisher of the Harry Potters series in Canada).
It is also best not to suggest
book reviewers, journal
editors, or journalists who might eventually write reviews of the
book for publication,
since providing a cover endorsement would probably disqualify them from reviewing the
book later on.
Tips from Matty Veterinary Partner - Canine Behavior Series, The Veterinary Partner - Canine Health Wonder Puppy
Books...
Book of the Miniature Schnauzer, The, by Anna Katherine Nicholas (T.F.H. Publications) Essential Miniature Schnauzer, The, Ian Dunbar, PhD, Consulting
Editor (Howell
Book House) Miniature Schnauzers, by Beverly Pisano & Gloria Lewis (T.F.H. Publications) New Miniature Schnauzer, the Breed
Since Ch.