Not exact matches
In this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worl
In this obscure indie
film, two little read - comic
books come together
in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worl
in a subtle, dialogue - heavy character
study that plays out like a slow - burning portrait of good and evil
in the modern worl
in the modern world.
Regarding the former, the conclusions drawn
in his
book (and the
film) are not consistent with the results of the
study it is based on.
He is a sampling of their programs: systematic
study of Dorothy Baruch New Ways
in Discipline, (New York: McGraw - Hill
Book Company, 1949) a mental health
film entitled «Angry Boy,» a talk by a pediatrician, a trip with their children to a zoo, a talk by the minister on «Handling a Child's Fear of Death,» an a panel of members on «Sex Education of Young Children.»
The
film's first act embarrassingly reduces the
book's
study of class, race, masculinity, and American gun worship down to a series of sketches
in which bad actors and misplaced celebrities utter amateurishly presentational dialogue.
Based on Darwin descendant Randal Keynes»
book «Annie's Box,» the
film presents Darwin as a man torn between disseminating his great idea and just shutting himself
in his
study to wallow
in mourning.
He is a church - going man himself, a Calvinist, and his early
film studies included a published
book, newly updated, about Transcendental style
in the
films of Carl Theodor Dreyer, Yasujiro Ozu, and Robert Bresson.
In addition, and unlike much English - language film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scop
In addition, and unlike much English - language
film scholarship even today (and certainly television
studies), the
book is far from Anglophone - or even Francophone - centric
in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scop
in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global
in scop
in scope.
Jerry Lewis was a major box office draw
in the 1950s and 1960s, and as a «total filmmaker» has a significant profile
in film studies, as Chris Fujiwara's
book and Murray Pomerance's edited collection show.26 Brooks has his champions
in popular
film criticism, Kehr chief among them.
Her
books include Rape - Revenge Films: A Critical Study (McFarland, 2011), Found Footage Horror Film: Fear and the Appearance of Reality (McFarland, 2014), a 2016 monograph on Dario Argento's Suspiria (part of Auteur's Devil's Advocates series), a 2017 book on Abel Ferrara's Ms. 45 as part of Wallflower / Columbia University Press's Cultographies series, and in 2018, a book on Robert Harmon's 1986 film The Hitcher, published by Arrow B
books include Rape - Revenge Films: A Critical
Study (McFarland, 2011), Found Footage Horror
Film: Fear and the Appearance of Reality (McFarland, 2014), a 2016 monograph on Dario Argento's Suspiria (part of Auteur's Devil's Advocates series), a 2017
book on Abel Ferrara's Ms. 45 as part of Wallflower / Columbia University Press's Cultographies series, and
in 2018, a
book on Robert Harmon's 1986
film The Hitcher, published by Arrow
BooksBooks.
Both are examples of a current vogue for
book - length
studies of masterpieces (Tarkovsky's Stalker and Ozu's Late Spring, respectively) and both are examples of
film criticism practiced by nonprofessionals who,
in this case, happen to be prestigious literary Brits.
Book - length film studies by amateurs can be traced back to Salman Rushdie's 1992 The Wizard of Oz, the volume that launched the BFI Film Classics — possibly the most bountiful book series in the history of film criticism in any language, and one that sums up some of the gains criticism generally can boast over the same period, when DVD extras, building on the precedents established with laserdiscs, started to become institutionali
Book - length
film studies by amateurs can be traced back to Salman Rushdie's 1992 The Wizard of Oz, the volume that launched the BFI
Film Classics — possibly the most bountiful
book series in the history of film criticism in any language, and one that sums up some of the gains criticism generally can boast over the same period, when DVD extras, building on the precedents established with laserdiscs, started to become institutionali
book series
in the history of
film criticism
in any language, and one that sums up some of the gains criticism generally can boast over the same period, when DVD extras, building on the precedents established with laserdiscs, started to become institutionalized.
From director Sebastián Lelio («A Fantastic Woman») and based on Naomi Alderman's
book, the
film is a measured and sometime tedious character
study set
in a small Orthodox Jewish community
in North London about a woman coming home after years away.
But the most thought - provoking part — by which I mean the part I most vehemently reacted to — is the
book's centerpiece titled «Building a large conversation»
in which Girish examines the reasons for the large gap between
film studies and
film criticism and reflects on the possibility of bridging it.
(1)
In my section of that
book I say that
film studies has opened up a huge gap between
film criticism and academic, theoretical writing on
film.
Denzel Washington
in Flight, Alfred Hitchcock, Room 237, Tabu,
book - length
film studies, Bruce Goldstein, Red Dawn, Miss Lovely, La furia umana, Cristian Mungiu, Wu Nien - jen's A Borrowed Life, Silver Linings Playbook, The Central Park Five, Cloud Atlas
Read other thrillers, watch as many
films in the genre as possible;
study human nature, and practice story structure through
books and websites such as mine.
Searching Amazon to form a «random selection of new editions» for sale, not only
in books but also
in music (US, French, and Brazilian) and
film DVDs, Heald's
study, he writes, «reveals a striking finding that directly contradicts the under - exploitation theory of copyright.»
Spanning exhibitions, publications,
films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first
book - length
study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological
Studies of Black Congregational Spaces,» an investigation of the porch and its role
in the African American community; and research exploring «emerging paradigms»
in architectural education across sub-Saharan Africa.
The exhibition will include a
study room with
film,
books and further information on the two artists, silkscreens and the meeting
in 1962.
His first
book Welcome to the Jungle: New Positions
in Black Cultural
Studies (1994) investigated new forms of cultural expression
in black
film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black Britain.
While his career began
in painting, Ruppersberg soon shifted his focus to the
study of languages, pictures,
books, and ideas and began extensively collecting texts of American popular culture and educational
films from 1931 - 1967.
For the Hong Kong - based Ocula, Anna Dickie talks with Julien about his interactions
in Singapore, the fact that he first
studied painting and how the medium figures
in his
films, and his recent
book «Isaac Julien: Riot.»
According to Gaveau, an additional factor
in choosing Northern Sumatran forest for the case
study was that it is the only place on Earth where all the animal characters of Walt Disney's animation feature
film The Jungle
Book co-exist.