The Miller Gallery at Carnegie Mellon University and the STUDIO for Creative Inquiry have co-published «New Art / Science Affinities,» a 190 - page
book on contemporary artists that was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans and Pablo Garcia) and two designers (Luke Bulman and Jessica Young of Thumb).
Not exact matches
Jones does more than just report
on that interview, he also includes
contemporary filmmakers such as Martin Scorsese, Richard Linklater, and David Fincher discussing the influence that the
book had
on them as cinematic
artists in their own right.
Win a $ 25 Gift Card Enter HERE Deacon Starkis Family —
BOOK 1 Cheryl Douglas Genre: Contemporary Romance Date of Publication: June 15th, 2015 Number of pages: 158 Word Count: 74k Cover Artist: Fantasia Frog Designs Book Description: When Deacon Sarkis sets his sights on the gorgeous young model gracing the pages of his -LSB-
BOOK 1 Cheryl Douglas Genre:
Contemporary Romance Date of Publication: June 15th, 2015 Number of pages: 158 Word Count: 74k Cover
Artist: Fantasia Frog Designs
Book Description: When Deacon Sarkis sets his sights on the gorgeous young model gracing the pages of his -LSB-
Book Description: When Deacon Sarkis sets his sights
on the gorgeous young model gracing the pages of his -LSB-...]
Title: Keeping the Faith Series: Faithfully Yours,
Book 3 Author: A.M. Leibowitz Publisher: Supposed Crimes Cover
Artist: Stacy O'Steen Release Date: November 1, 2017 Romance Genre (s):
Contemporary, M / M Words: 84,000 View
on Goodreads About the
Book Blurb It's been three years since Micah's spouse, Cat, passed away at the age of thirty - six.
Title: Shape of My Heart Series: Standalone Author: Khardine Gray Publisher: Khardine Gray Cover
Artist: Erin Dameron - Hill Release Date: August 6, 2017 Romance Genre (s):
Contemporary, Sports Words: 75,000 View
on Goodreads About the
Book Blurb Like a Phoenix from the Ashes, True Love Can Arise from Illness and Death.
Her
books are Killing Hapless Ally (2016) and The Life of Almost (out August 2018 — both Patrician Press), Saving Lucia (Bluemoose, 2020) and she's both writing her fourth novel, The Hollows, working
on some collaborative non-fiction, and writing features, reviews, poems and short fiction for Losslit, Visual Verse, The Shadow Booth, Writers and
Artists, Review31 and
Contemporary Small Press.
In a new
book, My Name Is Charles Saatchi and I Am an Artoholic (out next month in the United States from Phaidon Press), Saatchi partially lifts the veil
on his life by answering questions
on topics ranging from his favorite
artists to his influence
on the
contemporary - art market and other collectors to what makes him laugh.
On the occasion of her new publication Since» 45: America and the Making of
Contemporary Art (Reaktion
Books), art historian and critic Katy Siegel sat down with Rail publisher Phong Bui before an audience of
artists - in - residence at the Marie Walsh Sharpe Foundation to discuss the
book and more.
The exhibition is based
on Michael Petry's
book Nature Morte:
Contemporary Artists Reinvigorate the Still Life published by Thames & Hudson.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981
Artists Books, Metrònom, Barcelona, Spain 1980 Little
Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation,
Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979
Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works
on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White
on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978
Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL;
Contemporary Arts Center, Cincinnati, OH 1977
Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works
on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975
Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York
Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972
Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young
Artists: New York 1970, Greenwich, CT
Supporters of Atlanta
Contemporary enjoy an array of benefits ranging from free admission and discounts
on select events, discounts at our SHOP & COVER
Books, behind - the - scenes previews of exhibitions with
artists, curator - led trips and excursions, and much more.
In this public dialogue, a conversation between Serpentine Galleries Artistic Director, Hans Ulrich Obrist, and AAM Nancy and Bob Magoon CEO and Director, Heidi Zuckerman, will reveal reflections
on the journey that unfolds in her new
book Conversations with
Artists, which features more than thirty prominent contemporary artists in personal, illuminating convers
Artists, which features more than thirty prominent
contemporary artists in personal, illuminating convers
artists in personal, illuminating conversations.
The prize was devised by Hammond in 2007, the independent curator then went
on to compile The Catlin Guide, a yearly
book that presents a collection of recent graduate and postgraduate
artists from UK art schools, which is now recognised as an essential reference for collectors of
contemporary art.
2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK
Artists» Art /
Artists»
Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three
Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol,
On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY
Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of
Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting
on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984
Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art,
Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of
Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The
Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings,
Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983
Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images:
Contemporary Artist's
Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
In addition, the
book employs sidebars to provide brief and incisive accounts of and commentaries
on important
contemporary political, economic and cultural events, and
on exhibitions, biennales, workshops,
artist groups and more.
• South African
artist Larita Engelbrecht's collage -
on - glass work «African Mask Mash - up 1» (2014) combines coffee - table
book images of traditional African masks with images of
contemporary everyday objects.
The gallery's publication division produces
books and catalogues focusing
on exhibition surveys,
contemporary artists and art historical monographs.
In 2017, Miner hung solo exhibitions in Ontario and at the Museum of
Contemporary Art Detroit, taught a course
on ecology at Ox - bow School of Art and
Artists» Residency, published an
artist's
book with Issue Press, and exhibited in group shows in Norway, Ireland, Canada, and the US.
They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus
on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of
Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's
artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent
books, music, art, and clothing.
ARTIST WORK LISSON also includes a number of short essays and recollections by the founder, Nicholas Logsdail, and other members of the Lisson Gallery, distributed throughout the
book on themes relevant to the gallery's unrivalled longevity and position at the centre of
contemporary art over the last 50 years including: Beginnings, Conceptual Art, Internationalism, Material, and so
on.
She has also authored several
books on China's
contemporary art scene and its history including As Seen 2011: Notable Artworks by Chinese
Artists (Beijing World Publishing Corp., 2012 / Commercial Press 2012) and Nine Lives: The Birth of Avant - Garde Art in New China (Scalo, 2006, Timezone 8, 2008).
Find the region's best collection of
books on contemporary arts and
artist, as well as jewelry, housewares, and children's items at the Wexner Center Store.
The Wexner Center Store in the lower lobby showcases the region's best selection of
books on contemporary art and
artists, as well as jewelry, accessories, gifts, and housewares.
Picture
Book runs up to and beyond the 19th
Contemporary Artists Book Fair
on Saturday 5 March and Sunday 6 March, which will welcome over 50
artist - publishers and imprints.
Also at the Hepworth is an exhibition of the work
contemporary artist Enrico David — an interesting choice considering his emphasis
on The show has a playful, pop - up -
book aesthetic and provides a sensitive backdrop to Hermes» work: drawings defy gravity, sculptures sink and subside.
A fully illustrated catalogue, published by DelMonico Prestel
books and Prospect New Orleans, will feature documentation
on participating
artists and include essays by the Artistic Director Trevor Schoonmaker, with contributions by William Cordova, Miranda Lash, Omar López - Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. Patterson, Ylva Rouse, Ned Sublette and Zoé Whitley along with more than 20 other contributors including Russell Lord, NOMA's Freeman Family Curator of Photographs and Katie Pfohl, NOMA's Curator of Modern and
Contemporary Art.
She is the author and editor of many
books and articles
on contemporary art, including a monograph
on Ghada Amer, ARTnews Special Issue
on Women in the Art World, Women
Artists: The Linda Nochlin Reader and Curatorial Activism: Towards an ethics of Curating.
Focusing its energies
on the mounting of exhibitions onsite and off - space, and
on the publishing of
artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very
contemporary abstract paintings by
artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height,
on vividly patterned wallpaper.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of
Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual
Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,
Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting
on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by
artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,
artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat
on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan»,
Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon»,
Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism):
Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
On the occasion of its 50th Anniversary in 2013, the Foundation published
Artists for
Artists: Fifty Years of the Foundation for
Contemporary Arts, a 208 - page scholarly
book about its history.
On the occasion of the publication of the new
book The Big Picture::
Contemporary Art in 10 Works by 10 Artists, author Matthew Israel, and influential museum curators and directors Nicholas Baume, Adrienne Edwards, and Jens Hoffman discuss contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's
Contemporary Art in 10 Works by 10
Artists, author Matthew Israel, and influential museum curators and directors Nicholas Baume, Adrienne Edwards, and Jens Hoffman discuss
contemporary art's relation to art history and examine the place of contemporary art in museums as well as the future projects and programming at each panelist's
contemporary art's relation to art history and examine the place of
contemporary art in museums as well as the future projects and programming at each panelist's
contemporary art in museums as well as the future projects and programming at each panelist's institution.
Rothkopf has published widely
on the work of
contemporary artists, including Paul Chan, Diller and Scofidio, Carroll Dunham, Katharina Fritsch, Eva Hesse, Jasper Johns, Sol LeWitt, Roy Lichtenstein, Josiah McElheny, Takashi Murakami, Laura Owens, Elizabeth Peyton, James Rosenquist, Ed Ruscha, Paul Thek, Kelley Walker, T. J. Wilcox, Terry Winters, and Karen Kilimnik, who was the subject of his 2007
book, Period Eye: Karen Kilimnik's Fancy Pictures, co-authored with Meredith Martin.
Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun
Artist Profile, Theme Magazine, May / June 2008 Miami
Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian
Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami
Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown
Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.
On the occasion of its 50th Anniversary in 2013, the Foundation for
Contemporary Arts published a scholarly
book about its history entitled
Artists for
Artists: Fifty Years of the Foundation for
Contemporary Arts.
Her writing has appeared in Artillery, Art Practical, Afterimage, LEONARDO, and OPEN SPACE: The SFMOMA Blog, as well as in
books and catalogues
on contemporary American
artists including Sonya Rapoport and Chitra Ganesh.
He has also written
on numerous
contemporary artists and translated
books from German and French.
In celebration of the opening, a fully illustrated catalogue, A Family Affair: Modern and
Contemporary American Art from the Anderson Collection at Stanford University, has been published in association with DelMonico
Books / Prestel, and includes scholarly essays
on the collectors, the collection, and individual
artists and artworks represented in the collection.
Van Bruggen was the author of scholarly
books and essays
on the work of major
contemporary artists including John Baldessari, Bruce Nauman and Gerhard Richter.
On view June 23 — September 16, 2012, this exhibition explores decorative
book covers through the eyes of
contemporary artist Nina Katchadourian and long - time local collector Mary G. Sawyer.
Le Magasin 1986 - 2006 is not only an overview of a seminal institution and a wide - ranging reference
book on contemporary art, but also a meditation
on the evolution of the relationships between the institution and the
artist.
Doin» It in Public: Feminism and Art at the Woman's Building and From Site to Vision: The Woman's Building in
Contemporary Culture (2011) 2 Volume
Book Set / $ 55 / Available for purchase
on Amazon.com and in Gallery Doin» It in Public / Softcover / 192 pages / 7x10 inches / ISBN 978 -0-930209-22-3 From Site to Vision / Softcover / 420 pages / 7x10 inches / ISBN 978 -0-930209-23-0 Produced by: OTIS Ben Maltz Gallery
Book design by
artist Susan Silton Exhibition curated by: Meg Linton and Sue Maberry Exhibition dates: October 1, 2011 - February 26, 2012 Doin» It in Public Essays by: Vivien Fryd, Cheri Gaulke, Alexandra Juhasz, Jennie Klein, Michelle Moravec, Jennifer Sorkin.
This
book catalogues several exhibitions that focused
on contemporary video works made by both Israeli and international
artists, with a focus
on linking work made in the 1990s to work made in the 1970s via the common thread of the body as a central element.
The proximity of Hawkins the
artist and Hawkins the persona projected by the work is apparent, for instance, in a series of
book pieces he made by gluing and Sellotaping images of male models, rock stars, film stars and porn stars into the pages of monographs
on contemporary artists such as Julian Schnabel and Cy Twombly (for example, Untitled (Slash / Twombly), 1992).
As part of ACA Public, a new publishing initiative exploring the multifaceted nature of the public realm, Askeaton
Contemporary Arts have reissued Carson's original
artist book of documents and letters, alongside an interview with him and new recollections revealed by Bernie McAnaney, Carson's guardian
on that day.
After returning to Japan, he became interested in form, which for him, comes before colour, and he began printing
on silk panels and creating illustrated
books, becoming one of the most popular
contemporary Japanese
artists.
2008 Text / Messages:
Books by
Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine
Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO
Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS
ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors
Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works
on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
on Paper - Delaware Center for
Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and
Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood
on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
on Paper - the Art of the
Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works
On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ou
On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!
Whether through painting, drawing, sculpture, video, or other media,
contemporary artists have drawn
on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's
book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.
In this interview excerpted from Phaidon's
Contemporary Artist series
book Lorna Simpson, Golden probes Simpson
on the challenges of representing the female black body, and pushes her to confront her complex (and not completely amicable) relationship to feminism.
The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of
books on «magic» from the same period, and ends with works by the most recent generations of
contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.