Sentences with phrase «book reading audience»

Amazon has the world's largest book reading audience and one of the largest search engines in the world.

««We're at the beginning of an age where we'll be able to reach a book reading audience exponentially bigger than it was before,» Glusman told an audience of writers last month...»

«We're at the beginning of an age where we'll be able to reach a book reading audience exponentially bigger than it was before,» Glusman told an audience of writers last month at the venerable Squaw Valley Community of Writers summer conference in a session on eBook publishing.

Of course, the hybrid book has essentially eliminated the digital book reading audience, but the focus of this project is to enhance existing print paperbacks.

ComiXology CEO David Steinberger stated that the initial goal of ComiXology Unlimited is to focus on «enlarging the comic book reading audience» so that customers «explore and get attached to many» different comics.

Not exact matches

This is the answer to the third question — what you say is interesting and valuable to your audience and why someone in your audience would want to read this book.

Even though it's probably a small audience, those who read the book will be very interested in it.

(Clearly his publisher knew that there was no point in trying to sell Comey's book to conservative audiences, and that the priority was to market it to women, who are known to read more books.)

I was one of the few in the audience who had not yet read the book but a lot of what was discussed has already made it's way into...

Sure, I love to read books about automation and new ways to segment and target an audience, but if it doesn't lead to a behavior change in that audience, it's all for nothing.

«If you can build a product that builds a new audience, inspires people to read more books, that's a win for publishers and readers,» Mr. Stromberg said.

I learnt this eventually, in the course of general reading, from a book, «Influence», aimed at a popular audience, by a distinguished psychology professor, Robert Cialdini... I immediately sent copies of Cialdini's book to all my children.

I just wrote a book, and I think your audience would love to read it.

It was Ezra who stood for so long before the audience of the people, reading the book of God's law to them from early morning until midday.

Although these essays were written over a span of time and for different audiences, they are held together by K.Cs deep and passionate concern for justice, peace and the integrity of creation, This is a book that should be read and studied by churches, grassroots people, policy makers, theologians and others who are seeking to create a world that is safe for all.

Book Publishing Instructions is primarily written for people who want to self - publish their book, but even if you are pursuing traditional publishing with an established publishing company, this book will provide valuable insight and resources for helping you prepare your manuscript and build your reading audience so that you have a better chance of getting your book picked up by a publisBook Publishing Instructions is primarily written for people who want to self - publish their book, but even if you are pursuing traditional publishing with an established publishing company, this book will provide valuable insight and resources for helping you prepare your manuscript and build your reading audience so that you have a better chance of getting your book picked up by a publisbook, but even if you are pursuing traditional publishing with an established publishing company, this book will provide valuable insight and resources for helping you prepare your manuscript and build your reading audience so that you have a better chance of getting your book picked up by a publisbook will provide valuable insight and resources for helping you prepare your manuscript and build your reading audience so that you have a better chance of getting your book picked up by a publisbook picked up by a publisher.

I am not really too interested in getting clients, but I do write and want to connect with a reading audience, so I read this book.

It is difficult to imagine who the target audience is for this book and how it will be read, if not in the fashion of a monthly journal.

Having just read the book of Jude, I found it interesting that Jude assumes his audience has an understanding of «the way of Cain,» «the error of Balaam,» and «the rebellion of Korah.»

These diverse writers each had very different target audiences, disparate life circumstances and specific agendas for their work; so we don't approach each book the same way — for the same reason you wouldn't read a poem about leaves the same way you read a botany textbook.

The Chinese created their own moves and lifts by reading the rule books, and the first Chinese pair to perform outside the country was laughed at by audiences in Germany.

For our audience that would like to focus on the younger or general audience book club, you'll enjoy reading Parenting from the Inside Out by Daniel Siegel.

The books on display represent the history of publishing as well — with Gutenberg's 1439 innovation of the printing press making it possible for a wider audience to read these ideas for the first time.»

An easy and enjoyable read, the book is targeted to an audience that has a general interest in, but perhaps a minimal understanding of, science.

I read a story, from a children's book, to over 100 adult audiences, on my lecture tour, and they loved it.

Darabont follows King's book fairly closely, allowing the audience to steep itself in the setting and characters slowly, like reading a good novel.

They are basically the stars of the film, and I don't really understand why, since the majority of audience members are women who came because they read the books, think Christian is hot, and want to see their own secret fantasies portrayed on camera.

Nevertheless, I believe audiences who never read the book will still find this movie to be quite engaging.

It helps deliver backstory (which will help further their audience) for the fools that have not and will not read the amazing book, and we get to see a lot more of Beatrice Prior being the badass that she is.

Although the novel The Hobbit reads younger than the LOTR epics, this tale (actually the first of three movies based on the slim book) of the hobbit Bilbo Baggins (Martin Freeman) and his adventures with a clutch of dwarfs fighting to regain their kingdom isn't one for junior audiences.

In adapting Fowler's book, Robin Swicord, who also directs, slips in just enough about Austen's classics for the audience to understand the references without necessarily having read the books.

There's not enough context and purpose for the audience that didn't read the book.

I never read the Harry Potter books and I enjoyed the movies well enough... So, yes, I was one of those people who thought he might not be the target audience a deep dive into what was going on in this fictional universe across an ocean, fifty some years before Harry Potter was even born.

Plus, the title Annihilation would resonate with casual MCU fans who don't read the comics, as the word transcends both mediums; thus, it would appeal to a broader audience, not just comic book fans.

He has hundreds, maybe thousands of sexual books and trains Lady Hideko from a young age to read from them to an audience of mostly older people.

The disorientation the characters feel is mirrored by the audience, at least the ones that never read the books.

Similar liberties (although to a lesser extent) were taken by returning director Wes Ball and screenwriter T.S. Nowlin with the «The Maze Runner,» so these omissions aren't show - stoppers for audience members who have read the books (and most certainly not for those who haven't).

I've got two hopes resting on this one: one, that it will encourage young boys to pick up a book and actually read a story, and two, that it finds an audience and performs its way into a franchise.

The most interesting thing about Harry Potter and the Sorcerer's Stone is that its inevitable success could be attributed to the fact that roughly 90 % of the film's audience will have read the book upon which it's based.

Mr. Columbus (who is also an executive producer of the films) has faced the unenviable and unusual challenge of adapting books most of the audience will have read closely and recently.

He told the audience he's been working on this movie ever since reading Sestero's book on the set of The Interview a few years ago.

To put it another way, while I'm more than sympathetic to Jonathan's desire to read Karen Ordahl Kupperman's book about early America before weighing in on The New World (I speak as one who read four different books about feudal Japan before writing my review of The Last Samurai a few years back), I think it's also essential to keep in mind the fact that most audiences who see the film will come to it with very little, if any, historical background, and that to a certain extent the film even asks to be read ahistorically.

Rowe and Zuckerman (who launched Reach Out and Read, the early childhood literacy program that provides books to children at pediatric visits) are collaborating across disciplines to reach an often - elusive audience: parents of infants and toddlers under the age of three or so, who haven't yet started preschool.

Using a class Twitter account, they were able to share how much they loved her book while writing for a real audience — the author whose books they had just read!

Students read books, sing songs, draw pictures, and... go outside to take photos, shoot video of themselves offering explanations, collaborate with their teacher, and publish to a broader audience.

During projects sponsored by organizations such as iEARN, book shares such as The Global Read Aloud, or within - school scavenger hunts such as Edventure Quests, students can express their voices and take ownership of work through networked collaboration and building relationships with a broader global audience.

The difference with films, songs, and even books is that there are other factors which entice the audience to watch, read, or listen to the song on repeat.

While on the book tour, she found that audiences often laughed out loud at her readings.

Online sharing offers chances for «virtual» school literacy events involving parents: book fairs, poetry reading, science project sharing, etc., helping busy parents be involved with school on their own time and providing a real audience for student products.

Min Gyu was able to read and record his own story onto Book Creator without a daunting audience listening to him.