Sentences with phrase «books as a content creator»

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So if you sign up as a teacher, you will find content such as teaching guides for primary computing (divided into age ranges); iPad app tutorials for apps such as Book Creator, Explain Everything and Hopscotch; and whole lesson ideas for teaching with iPads, covering a range of subjects.

More than 400 publishers and 6,000 creators from major publishers such as Image Comics and Chronicle Books, to indie creators from around the globe, use Graphicly's platform to deliver and promote compelling stories and activate consumers with community and content.

You need to consider your author platform, or how you market people to yourself as an author and a content creator, and your book promotion platform, or how you market the book itself.

Instead of shaping themselves as «content creators,» they married themselves to being «book builders.»

Offering the broadest library of comic book content from over 75 publishers — and independent creators as well — comiXology will not stop until everyone on the face of the planet has become a comic book fan.

The app provides literary content taken from a range of media such as traditional books, unique comic creators and illustrated Hollywood scripts.

This future envisioned by the panelists and the attendees no longer views the creators of the content itself as being outsiders, just as they are now recognizing that it is the readers who should be the focal point for what books come to market.

The creators of Ruckus Reader have spoken out against the «instant babysitter» style of some other major name children's digital content providers, insisting that the unlimited access to books, streaming movies, and video games serve as nothing more than a diversion to younger learners.

As content creators they can publish their books any way they please, in any format, for any price.

As an author you are a content creator for your publisher, who is also you, but whose mission differs, in that it is focused on marketing and selling books for maximum revenue and profit, whereas your author self is focused on crafting compelling work (which may or may not ultimately sell).

Another strength of this book is that it focuses on areas that have been given short shrift in previous works on Canadian copyright: users» rights (an area of increasing importance, since most public discourse about copyright focuses on what we can't do rather than what we can); aboriginal approaches to intellectual property rights (which emphasize the protection of the honour of clans, cultures, and nations over the rights of individual creators); digital rights management (and its spectacular failure to actually protect content); and public licensing systems (such as the Creative Commons licenses).