Sentences with phrase «books as an art form»

The Decatur Arts Alliance is holding a juried exhibition to showcase the book as an art form.

Artists around the world began making books as an art form in the second half of the 20th century.

Not exact matches

In his book, Bissell argues that it's finally time to take video games seriously as an art form, and give them the formal analysis they deserve.

In contrast with this experience, which is universal and important but not of central or ultimate importance, the experiences described in the next part of this book as defining religious experiences are involved in and illustrated by every form of human activity including the seeking for food and the appreciation of art.

Partly a rehabilitation of Ian Watts's Rise of the Novel, partly a theological deepening of Watts's thesis, Joseph Bottum's splendid Books & Culture essay on «The Novel as Protestant Art Form» is a literary education.

This book takes something as simple as a frozen things on sticks and raises it to an art form.

With an avid interest in visual arts, she enjoys writing and editing for The Licensing Book and The Toy Book, leading trade magazines about toys — the first art forms we encounter as children.

I once studied Kevin Aucoin's books as I think makeup is a form of art!

The book isn't so much about Arkin's life as it is about improvisation, a theatrical art form he encountered upon landing a gig at...

The book isn't so much about Arkin's life as it is about improvisation, a theatrical art form he encountered upon landing a gig at... more

The book isn't so much about Arkin's life as it is about improvisation, a theatrical art form he encountered upon landing a gig at the nascent Second City in Chicago.

«Instead the book is both a great portrayal of hopefuls coming to Los Angeles to pursue their ambitions, and an even greater examination of what it means to be a creative person with a dream, and trying to make it come true in a form that is just as much a business, and an insider social group, as it is an art.»

Positive comments from some recent users of this book include: Most schools are full of documents and data... Dr Slater is among the first to show how they can be used to compare what is said on paper and in interviews... The results will shock you... Dr Slater is a successful high school teacher and an award winning author... and here's why... Fantastic little book, punches well above its weight... Makes it seem so simple... the art of the genius... As an advocate of the What Works agenda, I think this book really is a wake - up call... A fantastic insight into the potential for using documents in research... Nails twenty years of research in twenty minutes... Worth every dime... Every student in my class (6th form) has been told to buy this book... and it's easy to see why... Shines a great big light on the power of documents in research... Surely this is the best book in its field... First class... I kept referring to this book in my presentation last week and the audience was ecstatic... Education research, usually has little effect on me... Until now... This book is formidable... Crushes the concept that education research is rubbish... fantastic insight... Blows you away with its power and simplicity... Huge reality check, senior school managers at good schools tell the truth, other's don't, won't or can't, and their students suffer.

With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated boBook (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated boBook (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated bobook history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated books.

«Books work as an art form (and an economic one) because they are primarily the work of an individual.»

As with most things, successful book promotion via Twitter is an art form not to be taken lightly.

The jacket art department is critical to the book publishing process, as the art director and his or her staff of designers create the cover that, along with the book's title, forms the first, important consumer impression of the book.

What will remain in book form will be books as objects of art, books as historical artifacts, books as keepsakes, books as collectibles, books as study guides, books as old friends, and, most important of all, books as non-electronic objects that won't crash, run out of battery power, go on the fritz, blow up, overheat, or generally do anything except be available to you any time you have enough available light to read.

As proven by the three above examples, creative individuals can be easily influenced by other forms of art, which is why so many gravitate toward books, music, movies and other inspirational avenues.

«There are few art forms as meditative, nostalgic and all - around blissful as this coloring book.

Over the years I've read a lot of videogame related books, usually in the form of art books which also offer some insights into a game's development, and have to say that this is one of the better ones, sitting just below the rather excellent Aberstergo Entertainment Employee's Handbook, which was a wonderful meta work, written as though it was a genuine handbook from within the Assassin's Creed universe and thereby providing some stellar information and providing a great companion to Assassin's Creed: Unity.

PBS Arts» Off Book series, which looks to «showcase new and under - exposed art forms and reach arts communities online», has produced this really slick episode on the importance of video games as «a storytelling medium» and «a place for self - expression&raArts» Off Book series, which looks to «showcase new and under - exposed art forms and reach arts communities online», has produced this really slick episode on the importance of video games as «a storytelling medium» and «a place for self - expression&raarts communities online», has produced this really slick episode on the importance of video games as «a storytelling medium» and «a place for self - expression»

Interactive entertainment is today's most compelling art form and shares the same creative freedom as books, television, and movies.

In the context of the Center for Book Arts, Canceled highlights the book form as a crucial means of disseminating documentation and information on a wide and accessible scale, potentially in ways that are more historically stable, and more effective, than the original exhibition would have bBook Arts, Canceled highlights the book form as a crucial means of disseminating documentation and information on a wide and accessible scale, potentially in ways that are more historically stable, and more effective, than the original exhibition would have bbook form as a crucial means of disseminating documentation and information on a wide and accessible scale, potentially in ways that are more historically stable, and more effective, than the original exhibition would have been.

The news triggers for this year's exhibition are the same: Morris has gained worldwide attention for her unique series and recent book publication, Gaman (also known as Gayman) died in 2014 and Fox had art work recently accepted into the collection, forming the basis for her exhibition in «Parrish Perspectives».

Combining two and three dimensional forms, he uses various mediums and scale to create a diverse and engaging collection of art that can be read together as pages of the same book.

Dr. Selz, author of 15 books on 20th century art, wrote in 2010: «Arthur Dworin's paintings... abstract as they are,... bring a new sense of visual order to organic forms of nature.»

The mediums of the artworks include traditional art forms like drawing, painting and sculpture, but also time - based mediums like video and artist books as well as participatory pieces.

1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland, Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, London, 1990

As the British Library's new exhibition of UK comic books opens, we look at how an unlikely group of outsiders from Britain conquered one of America's most iconic art forms.

The multi-part exhibition project Publishing as an Artistic Toolbox: 1989 — 2017 explores the potentials of publishing — in the form of books, magazines, journals, artistic interventions, websites — as a particular medium and context both to circulate information, knowledge — and to produce art.

Through the influence of pop - culture, books, art history, but most importantly nature, Smith's abstract paintings are often created by minimalistic tools, such as loose brushstrokes in his Rain Paintings, or form camouflage - style patterns, resembling Andy Warhol's production, in his Tigres series.

Artists Books is an art which always has been strong in Brazil, and in its form including writers, translators and designers as well as artists.

The book celebrates perfume bottle design as an art form, with proceeds from sales of the book benefiting the Marc Rosen Scholarship Fund for Packaging by Design at Pratt.

The book is a beauty... There is, throughout Ms. Jones's essay and the book as a whole, voluminous documentation of work by major artists who still rarely figure in most histories of American postwar art, like Betye Saar, who made intricate figurative drawings on covered glass windows; Senga Nengundi, who was conjuring unusual forms from sand and pantyhose before Ernesto Neto was even a teenager; and John Outterbridge, whose multifarious assemblages took on a gamut of styles.

Artists» books in the U.S. are largely a genre exercise, with camps of enthusiasts more oriented around ideological positions of production quality or printing methods than united around ideas of reading (art, or anything else) as forms of social energy.

These artists, who rose to prominence through a series of group shows at the Hyde Park Art Center, approached figuration with wit and irreverence while drawing upon earlier art historical styles such as Surrealism, as well as self - taught art and popular forms such as comic boArt Center, approached figuration with wit and irreverence while drawing upon earlier art historical styles such as Surrealism, as well as self - taught art and popular forms such as comic boart historical styles such as Surrealism, as well as self - taught art and popular forms such as comic boart and popular forms such as comic book.

The Pitch Project Artist's Book Fair will gather local and regional artists, designers, and makers alike to showcase and celebrate all forms of book as object and art fBook Fair will gather local and regional artists, designers, and makers alike to showcase and celebrate all forms of book as object and art fbook as object and art form.

A selection of his essays were published in book form as Out of Time: Essays Between Photography and Art (2006), and a further book on Australian photo - based contemporary art — Twelve Australian Photo Artists — co-authored with Daniel Palmer was published in 20Art (2006), and a further book on Australian photo - based contemporary art — Twelve Australian Photo Artists — co-authored with Daniel Palmer was published in 20art — Twelve Australian Photo Artists — co-authored with Daniel Palmer was published in 2009.

Citing bam leader Amiri Baraka in a new book that accompanies the recent exhibition at the Museum of Contemporary Art Chicago, «The Freedom Principle: Experiments in Art and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquArt Chicago, «The Freedom Principle: Experiments in Art and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquArt and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity&raquart historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating black identity».

Art book publishing is not exempt from many of the challenges facing the publishing world today, but as an experimental and highly versatile art form, it is in some ways in a unique position to respond to these challengArt book publishing is not exempt from many of the challenges facing the publishing world today, but as an experimental and highly versatile art form, it is in some ways in a unique position to respond to these challengart form, it is in some ways in a unique position to respond to these challenges.

From his groundbreaking work on LGBTQ youth issues during the AIDS crisis, to his subversive writing in mainstream comic book companies such as Milestone Media, DC Comics, and Marvel, in addition to his independent work for queer and multicultural publishing, Ivan Velez: Bronx Haiku offers an engaging survey of one artist's desire to bring change and diversity into an art form that plays an indelible role in American popular culture.

Visual as well as formal associations, relations between different forms from different sources, books bought in second hand stores and sculptures ranging from the history of art collected carefully in time.

Formed in 1984, Book Works is a London - based contemporary arts organization that works to publish books by artists, as well as holding exhibitions, lectures, workshops and seminar programs.

The multi-part exhibition project «Publishing as an Artistic Toolbox: 1989 — 2017» explores the potentials of publishing — in the form of books, magazines, journals, artistic interventions, websites and to produce art.

These two books record surprising moments that enhance our view of life, and reinstate film photography as anything but a dying art form.

1972 Konzept Kunst, Kunstmuseum Basel, Basel, CH Windham II, Windham College, Putney, Vermont, US Das Konzept Ist Die Form, Westfalischer Kunstverein, Munster, DE Fifteenth Festival of Two Worlds (Film section), Spoleto, IT Encuentros 1972 Pamplona, Museo de Navarro, Pamplona, ES dokumenta 5, Kassel, DE Art Now, Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, CA Book as Artwork 1960 - 1972, Nigel Greenwood Gallery, London, UK Exhibition of Art and Project bulletins, Cologne Art Fair, Cologne, DE Actualité d'Un Bilan, Yvon Lambert, Paris, FR Drawing, Museum of Modern Art, Oxford, UK Kunst als Boek, Stedelijk Museum, Amsterdam, NL Bertrand Russell Centenary International Art Exhibition, London, UK Art Without Limits, Memorial Art Gallery of the University of Rochester, Rochester, New York, US La Biennale di Venezia (Italian Pavilion), Videogalerie Schum, IT Broken Off, presentation Projection, Louisiana Museum, Humlebaek, DK

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

/ / WRITING / / 2018 The Artist's Book as Third Mind, The Journal of Artist's Books, JAB43, Spring 2018, Essay by Marianne Dages, originally presented at the 2018 College Book Art Association Conference 2015 - 2017, Editor for the Napoleon Gallery Essay Series 2017 Reflect / Collect: An essay on the one's we know (w / Napoleon Gallery) 2016 Three Poems, Bowietry, The Found Poetry Review, Spring On Language and Scale, an essay for the exhibition catalog of Sarah Hulsey's Iterations, Walter Feldman Gallery, Boston, Ma 2015 Marianne Dages: The Form Review, The St. Claire, w / Daniel Oliva

He develops his pictorial language by assembling and layering found images from diverse sources such as magazines, monster fanzines, art books, and film publicity, and equally from a fund of forms whose origins, even if not directly referential, derive from American Surrealism.