Sentences with phrase «books go to the cinema»

Not exact matches

I like to read books and mangas, play video games and go to the cinema with my friends.

Im easy going funny, i like going to gym, reading some good books, doing jokes and going out for a beer, to cinema, to eat etc..

Being able to find someone who shares your interests or passions can be great because this opens the door to more shared experiences, whether it's going fly fishing on your boat, catching a brainless blockbuster at the cinema, reading through a good book, or some other activity that's close to your heart.

There are parts of your profile that you need to fill.Usually there is a point where you say something about yourself, because this kind of person you see like if you want lesbian dating then go for lesbian dating sites for find there Saul mate.There are sections of different interests, like cinema music, books and sports.

I am a fun loving, easy going, down to earth and affectionate person.I am a passionate person and i like to meet new people and i always want to go extra miles to get me loved by who so ever comes around me.I am fun to be with.I like to play golf and i also like swimming, i like to go to cinema to watch movie with my loved one.I like to go camping and have a cool dinner with my lover in a very cool environment.I like candle light dinner.I like good books, history and political history, travelling, some sports and music, theater, and most of all, good company, good interesting conversation and good companionship.

It has seemed to me a signal drawback of the Potter franchise that, without a deep knowledge of the books, even the most willing cinema - goer would be hard pushed to make the smallest sense of it.

Dialogue isn't a strong - suit of Doctor Strange, but the storyline does offer up some good thematic material to go along with its comic - book goofiness, and when married with a jaw - dropping psychedelic aesthetic, it all adds up to a fun time at the cinema.

If you don't read comic books, just ignore me and know what I mean is Ponsoldt is now a go - to director for cinema.)

James Whale's 1931 film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen adaptations both faithful (Danny Boyle's stage version, with Benedict Cumberbatch -LRB-...)

James Whale's 1931 film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen adaptations both faithful (Danny Boyle's stage version, with Benedict Cumberbatch and Jonny Lee Miller alternating roles) and freestyle (I, Frankenstein, Penny Dreadful's heady stew, Paul McGuigan's Victor Frankenstein); even Ex Machina could be seen as an AI - themed retelling of the Frankenstein story.

Wonder Woman (Patty Jenkins, 2017), because it's the most powerful popular feminist statement in mainstream cinema thus far, inspiring countless young women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing in the wilderness of episodic television after her masterful film Monster (2003), when any male director would have gone on to direct four of five features on the strength of that one film; because it's about damned time that a female comic book feature got made; because Jenkins still had to fight to get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.

Apart from writing and reading books I love to go to the cinema.

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In his excellent screenwriting book, Save The Cat, Blake Snyder provides the answer to an important global mystery... why did no one go to the cinema to see Lara Croft: The Cradle of Life?

He discovered experimental cinema watching Maya Deren's films and was influenced by the transgressive underground films of Jack Smith and Ron Rice and went on to publish the book «Film is... `.

Later he co-edited (with Paul Hammond) two important anthologies, akin to the work of Mass Observation: Seeing in the Dark (1990), an assemblage of hundreds of accounts of cinema - going; and Brought to Book (1994), which documented the myriad forms of bibliophiliac obsession.

The way of «taking it à la legère», enjoying lunch and dinner in fancy restaurants, jogging every morning or evening, going out to cinema, theatre, opera or classical music concerts, reading the newest books..