Throw in a random assortment of lame fictitious boxers and practically zero game options outside of
a boring exhibition mode, and you have all the makings of one of the crappiest sports games on the Genesis and beyond.
While setting up his pavilion for the 2015 Venice Biennale, the Berlin - based, New Zealand -
born artist Simon Denny noticed the beginning of a new
mode of visual culture rising in the tourist squares outside of the international
exhibitions.