Quaid's little science teacher that could may seen like
a boring idea for a movie — and I can not really disagree that the character bares a boring movie — but a warm, fuzzy, and terribly conservative performance grounds the character into a Disney mold.
Not exact matches
They are faced with more trouble than any child can be expected to
bear, and the fragile but resourceful Mister nevertheless finds strength in an
idea from a
movie, that he can be an unstoppable force against seemingly unmovable obstacles if he believes in the success... There are plenty of sad and disturbing moments in this
movie, but all of them managed to become inspirational and uplifting, because the director offered a glimpse of hope in the continuously degrading American society, especially
for the poor.
Or to put it another way, the
movie's one and only
idea renders itself
boring, with still half the
movie left
for the audience to endure.
Not a terrible
idea (i.e., making the
boring, button - down dork the centre of a satirical romance)
for a
movie as self - serving, self - pitying, neo-Woody Allen
ideas go, but as The Baxter unfolds with a suspiciously - familiar series of contrived situations, gentle misunderstandings involving homosexuality and a strange woman in your bed, and a parade of women so far out of Elliot's league as to render his eventual abandonment as inevitable as his ultimate match (with Cecil (Michelle Williams), likewise far out of his league) is unlikely, it becomes clear that the flick is just as stupid as that which it purports to lampoon.
Together, the
idea for the fake
movie Argo is
born.
Better are the
movies that seem to have laser vision,
boring holes into whatever it is they're about, mining their subject — be it an
idea in the script, an
idea about who's starring in it, or literally anything else hovering in the world of the
movie —
for every uncomfortable or unexpected nuance, every glint of irony or emotion, availed by the premise.