Meanwhile, the Wadsworth Atheneum in Hartford periodically
borrows works for shows, as does the Fogg Art Museum at Harvard, the New Britain Museum of Art and several others around New England.
Not exact matches
Tracing the course of the author's
work from Typee to Billy Budd, Kelley
shows convincingly that Melville — though he
borrowed from many different sources — belongs completely to none of the established genres of Victorian city writing: the Romantic pastoral that used urban depravity to extol rural virtue; the popular «Reform Literature» of the yellow journalists that sensationalized municipal corruption and disorder; the «scientific» tracts of the emerging city planning movement; or the urban strolls of the flâneur and the Addisonian «spectator» (a genre that reached its peak,
for New York, with what Kelley calls the «humorous - genteel - sentimental - melodramatic - ironic» observations of Charles Dickens in his 1842 American Notes).
«
Borrowed» Art Gets
Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the sh
Show —
For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the sho
For «Thanks,» his new group
show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the sh
show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire
works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the sho
for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the
showshow).
With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection
for exhibitions and programming, yet also displays a significant number of
borrowed shows and
works by emerging artists.
Organized in collaboration with her daughter, Catherine Hutin - Blay, the
show includes nearly 140 paintings, sculptures and drawings
borrowed from museums and private collections worldwide, as well as
works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly
for the first time.
Through Jan. 6 Benjamin Genocchio reviews: «
For this exhibition, a handy coda to
shows of Asher B. Durand's
works at the Brooklyn Museum and the New - York Historical Society, the National Academy has
borrowed eight major 19th - century American landscape paintings from the Berkshire Museum in Pittsfield, Mass., most of them never before
shown in New York.
For landmark shows at his Dering Street gallery in the West End - his great Gwen John revival of the Seventies, for example - he routinely borrowed the best of an artist's work from the national collections to add depth to the work for sa
For landmark
shows at his Dering Street gallery in the West End - his great Gwen John revival of the Seventies,
for example - he routinely borrowed the best of an artist's work from the national collections to add depth to the work for sa
for example - he routinely
borrowed the best of an artist's
work from the national collections to add depth to the
work for sa
for sale.
«Tower of Power» was an ephemeral
work — the gold in the original exhibition, worth $ 1 million at the time, was
borrowed for the length of the
show from a Rhode Island bank, at about 6 % interest, according to a contemporaneous Wall Street Journal report.
Many of the
works in the
show are
borrowed from national and international collections, and the exhibition is booked
for a lengthy tour: after its appearance in Los Angeles, it subsequently travels to the Aspen Art Museum (Aug. 2 - Sept.
In fact, the
show consists of
works sold by Berggruen over many years,
borrowed back from their owners, with just a handful
for sale.
You can
borrow or use some of the phrasing here to
show that you've been responsible
for many important areas in your past
work.