Sentences with phrase «bottom of a paint brush»

If you want to add the polkadots, add Fabric Medium (so it will be washable) to any craft paint and use the bottom of a paint brush to paint on little dots.

Not exact matches

When the paint is dry, add pink to the bottom of his paws, a little pink on the inside of his one flopped ear, and a bushy cotton tail using a few quick dabs with a fat brush

(they actually screwed in and out of the bottom) And another tip... I wrap my brushes in plastic wrap or zip them up in a little baggy (like above) while I'm waiting to paint consecutive coats.

STEP 2: Dip your paint brush into some mod podge or glue and paint the bottom fourth of each tag.

AMG - specific front axle / suspension, linear sports steering, sportier setup of «S» transmission mode, sports exhaust, red seatbelts and black roofliner, AMG Body Styling, Red Inlays in Front and Rear Bumper, Aluminum Trim, Wheels: 18» AMG, Tires: P235 / 40R18, SPORT Badge on Fenders and Floormats, Sport Suspension, Sport Steering Wheel w / Flat Bottom, Red Painted Brake Calipers, Diamond Grille w / Silver Pins, Summer Tires, Brushed Aluminum Sport Pedals

The rear of the S Tablet is curiously painted in a faux - shiny matte silver colour that is similar to the iPad 2's brushed aluminum bottom but make no mistake about it, this is plastic and it borders on feeling flimsy.

A tapering black oval at the bottom could be a vagina, while a fast - brushed star at the top recalls Picasso's painted shorthand for an intimate part of a lover's anatomy.

active action painting, use of many colors, fast and exciting brush strokes, the bottom is dark and violently painted, fills the whole canvas Aristotle Forrester (American, b. 1993)...

The blue blasted form at bottom is painted by Gottlieb in a choppy brushed manner in contrast to the smooth rounded nature of the red eye above it — the two forms together isolate field and gesture, placing in coherent balance and tension the two modes of abstraction characterized by Rothko and Newman's color - field painting on the one hand, and Pollock and Kline's expressionism on the other.

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»

Materials Bi-fold doors Wallpaper (1 to 2 rolls, depending on the size and number of bifold doors) Measuring tape Pencil Metal ruler or carpenter square Utility knife Spray paint (optional) Wallpaper paste and brush Plastic float Screwdriver (optional) How - to 1 Measure the doors and cut your paper to size using a utility knife and metal ruler or carpenter square as your guide, leaving a 2» allowance on the top and bottom.

Using wood glue and a paint brush, glue all the wood pieces together, starting with the two center pieces and working your way out -LCB- I used two small pieces to form the point / bottom of the arrow -RCB-