Sentences with phrase «boundaries of the new genre»

If the merging of the genres would create a new genre, discuss the core gameplay and boundaries of the new genre..)

Not exact matches

It really pushes the boundaries of the musou genre in new, interesting directions.

Not stopping there, Fox aims to keep pushing boundaries for their series and the genre as a whole with three separate X-Men releases in 2018, the first of which being The New Mutants which introduces an all - new roster of characters from Marvel Comics and puts them in a horror movNew Mutants which introduces an all - new roster of characters from Marvel Comics and puts them in a horror movnew roster of characters from Marvel Comics and puts them in a horror movie!

With the January 15 unveiling still some ways away, it's unclear what form the LF - 1 will actually take, but Lexus claims that the car «heralds a new genre of luxury crossover» that «seeks to redefine the boundaries of luxury.»

There's a wide range of genres in this year's best first novels, from fantasy and mystery to social realism, and many new writers open up the old formulas and break boundaries in form and subject.

But This Girl is certainly a well - written book, even if the subject matter is a little stomach - churning, and it will be a quick read for devoted fans of the New Adult genre, one that is certainly pushing the boundaries of what's considered safe, mainstream story lines.

(You've honed in on your target audience and you've got an idea that is so unique and well positioned that it stretches the boundaries of your genre or invents a completely new genre.

They all worked to create a new definition of the concept of the artwork, going against the traditional genre boundaries and regarding the viewers» mental and / or physical activity as part of the work process.

The painter, sculptor, and printmaker, Lichtenstein is considered, alongside Andy Warhol, one of the most famous artist of the new bold genre which primarily goal was to bring art closer to the general public and to question the boundaries between fine art and popular culture.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

As contemporary artists continue to push the boundaries of painting, photography, sculpture, video, installation art, and other genres, the new galleries will provide the space to showcase, not just the present and past, but the very future of art.

The grand special exhibition on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and form of sculpture grows more flexible and abstract as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even as others return to the figurative tradition in an effort to set the genre on a new solid foundation.

The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways.

Okkyung Lee, a New York - based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while testing the limit of contemporary cello performance techniques.

Spotify CEO Daniel Ek's letter to investors in the company's IPO filing, had a somewhat political lean — it spoke of a global worldview — something that stands in contrast to the current isolationist climate — where «artists cross genres and cultural boundaries, creating ideas that propel society forward» and where «we're all part of a global network, building new connections, sharing new ideas, across cultures.»