Sentences with phrase «boundaries of their artistic practice»

Yerba Buena Center for the Arts presents contemporary art from the Bay Area and around the world that reflects the profound issues and ideas of our time, expands the boundaries of artistic practice, and celebrates the diversity of human experience and expression.

He admitted that his intention with Telluride was to push the boundaries of artistic practice, «The Copper pictures were a big jump,» Stella recalls, «and I was aware that they raised questions about relief and sculpture.

Not exact matches

Throughout his prolific career, Polke's unorthodox approach to materials, subject matter, and artistic processes was always concerned with the testing of limits and boundaries, and this exhibition will demonstrate the breadth and lasting influence of his radical and innovative practice.

Exploring the ideas of boundaries, identity and nation in his artistic practice, Aditya Novali challenges the perception and mind of the viewers.

Meet the artist / curator: Ashley Jude Jonas By Eva Buttacavoli Photo: Ashley Jude Jonas, «Buffalo Husband» As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and -LSB-...]

Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.

Known for pushing the boundaries of humor and artistic practice, Olaf Breuning draws inspiration for his art from pop culture.

This approach has honed my artistic practice, which uses complex compositions, vivid colors, and contrast to explore the blurred boundaries of realism and abstraction.

As an artist and textile design tutor practicing and teaching in post-war Europe, this first section demonstrates Paolozzi's willingness to reject established artistic practices, expanding the traditional boundaries of art into the realm of popular culture.

As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and the curator, and the evolution of a hybrid practice, the artist / curator.

Located at 4733 McPherson Avenue in Saint Louis» Central West End, projects + gallery is a commercial art space designed to feature contemporary exhibitions and artists that blur the boundaries of traditionally understood artistic disciplines and practices.

The artist's mantra speaks to the very essence of his goal to continuously push the boundaries of his fluctuating artistic practice.

The vast medium of painting continues to be a central pillar of artistic practice, and Vitamin P2 presents the outstanding artists who are currently engaging with and pushing the boundaries of the medium.

In just 50 years, the medium has been leveraged by artists across the globe to blur the boundaries between traditional artistic practices and inventive new methods of storytelling.

Shared between four institutions — the Belkin Art Gallery, the UBC Museum of Anthropology, the Charles H. Scott Gallery at Emily Carr University of Art and Design, and Presentation House Gallery — this collaborative space was devoted to exploring the boundaries of artistic and institutional practices.

This is a new, shared project space devoted to exploring the boundaries of artistic and institutional practices.

Just as we come from across national, cultural, material and conceptual boundaries our student body includes recent graduates, mid-career artists, writers, teachers and thinkers who come to Transart Institute to expand their points of view and invigorate their practice by participating in intensive immersive residencies including workshops and seminars, presentation and critique, peer dialogue and debate and becoming part of an international artistic research community.

Jose Dávila's artistic practice is located in the boundaries of the homage, imitation and critique.

Galeri Manâ works with artists who stand on the edges of contemporary artistic practice by investigating the boundaries of their mediums and expanding their conceptual reach.

Introducing text / information - based strategies, real - time, and the rupture of specific media boundaries into artistic practice, it defined creative criteria, models of authorship mediation, and new distribution networks that are still very much with us.

For over a decade, Main Line Art Center has presented an exhibition each spring in memory of Teaching Artist Betsy Meyer featuring the work of forward - thinking artists who are pushing boundaries within their artistic practice.

Barbara Visser will show a special version of the video and discuss her artistic practice, with its questioning of common conceptions concerning the boundaries between fact and fiction and between reality and representation.

Now in its thirteenth year, Main Line Art Center is proud to present an annual exhibition in memory of Teaching Artist Betsy Meyer featuring the work of forward - thinking artists who are pushing boundaries within their artistic practice.

In her second show at Fraenkel (her first was back in 1994), Calle utilizes very contemporary materials and tools to fearlessly push emotional, artistic and legal boundaries — a pair of working safes storing a couple's secrets along with the attorney - prepared contract said couple signed with the artist; images of criminals sourced from ATM surveillance cameras; and mug shots used for police target practice.

A master of combining various painting techniques, Pindell is accustomed to using strange artistic materials such as glitter, talcum powder and perfumes, unconventional practices that helped her stretch the boundaries of the rigid tradition that blindly relied on rectangular, canvas painting.

Wengler's artistic practice ofocuses on the use of digital manipulation techniques, and the boundaries between reality and fiction.

The book «provides a new approach to understanding the range and impact of this artist's practice, as well as its complex relationship to several key artistic and ideological debates of the late 20th century, including the instability of identity, the role of appropriation, and the boundaries of expressionism.»

Developing his artistic practice across many media, but above all with found objects, photography and computer graphics, the artist focuses on his production on the investigation of the boundaries between nature and the contemporary civilization.

In her artistic practice she is interested in boundaries and conditions of artistic work with an emphasis on the exploration of her artistic process.

As exhibition, documentation and a restaging, the project not only traced the tracks of a lost artistic practice of the 1970s, but also examined the importance of ephemeral material in exhibition contexts, the boundaries of the artwork, the exhibition and institution history, the reception and today's practice of restaging.