Sentences with phrase «box galleries for»

Artists often incorporate AAC's unique building, which features bright, airy spaces and black box galleries for experimental works, into site - specific installations, resulting in a selection of never - before - seen exhibitions.

Now she is bringing «Selections from the Bellagio Suite» to St. Thomas University's Yellow Box Gallery for her first Canadian solo exhibition Thursday.

Highlights of the project include a new exhibition series; a new black box gallery for light, sound, and moving image works; two new interactive galleries; and the museum's first smartphone tour of the collection.

The renovated wing, which will open on November 17, 2012, will include dedicated spaces for changing exhibitions, site - specific installations, a black box gallery for the presentation of video, film, and digital media, and two spaces for interactive learning.

Not exact matches

These two, who as a team rival the box - office attraction of the Lunts, sailed out onto the course for the first round with 75 % of the gallery scampering behind.

Jenny throws a baby shower for Max; Bette and Tina hit a roadblock in the adoption process; Bette goes solo to her gallery's opening night celebration; Shane is feeling boxed in by Jenny; Alice starts to feel like three is a crowd.

** Forced Skippable: * Disc Introduction by the Law Giver * Battle for the Planet of the Apes - Play Extended Version * Battle for the Planet of the Apes - Play Theatrical Version ** End of an Epic: The Final Battle ** Original Theatrical Trailer ** San Simian Sentinel Gallery ** Interactive Pressbook ** Advertising Gallery ** Behind the Scenes Gallery ** Splash Page ** Content Loading Ansa Graphic ** D - Box Logo ** BD - Live Portal

If the completist inside you opts to pick up this set at its reasonable release date discount pricing, you'll likely want to still keep the Toy Box, if only for the worthwhile extras from that set which have not been ported over here, such as the Tin Toy short, several animation featurettes, more expansive art galleries, original story treatments, sound effects - only track, and the making - of documentary that has been unfavorably abbreviated.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Perhaps sensing that there's not much there, there, Blue Underground provides just the U.S. and international trailers (both clean and in widescreen, the latter with a good deal of nudity and gore), still galleries for posters (5), lobby cards (17), the four - page promo booklet, and four video box covers, and a nice Fulci bio written by Tracy Taylor.

Menichino tells Shelter Me that on top of the donations themselves, she's hopeful Goldberg's gallery will «spark interest in the homeless animals that we have here at the shelter» and «give others the idea to think outside of the box when it comes to fundraising for the homeless pets at the Humane Society of Tampa Bay.»

Not only will your tile remain a permanent part of the Tribute Gallery at Animal League America, but you can also receive a second tile that is either inlaid in a felt - lined keepsake box or placed in a frame that is suitable for hanging.

For more information contact Haystack Gallery at PO Box 12, Cannon Beach, OR 97110.

You can view the final box art for each platform in the screenshot gallery below.

For more screens and images of the box sets, check out our gallery below and the gallery at jeuxvideo24.

Lévy Gorvy — which last night opened a Dan Colen show at its gallery, just a 10 - minute walk from the Armory — sold a Warhol Brillo box for which it said it had been asking around $ 1 million and a 1982 Basquiat,

Lévy Gorvy — which last night opened a Dan Colen show at its gallery, just a 10 - minute walk from the Armory — sold a Warhol Brillo box for which it said it had been asking around $ 1 million and a 1982 Basquiat, Extra Cigarette, which had carried a price tag somewhere under $ 5 million.

2010 Do It Yourself, Curated by Derrick Adams and Wardell Milan, Dash Gallery, New York, NY I Know What You Did Last Summer, St. Cecelia's Convent, Brooklyn, NY The Movement Research Festival, Curated by A.L. Steiner, Center for Performance Research, New York, NY Robert Melee's Talent Show, The Kitchen, New York, NY Conversions, Curated by Melissa Calderon, Bronxspace, New York, NY Civil Disobedience, Curated by Latoya Ruby Frazier and Matt Posey, White Box Gallery, New York, NY The Mothership Has Landed, Curated by Derrick Adams, Rush Arts Gallery, New York, NY Weerrq!

Join American literary scholar and critic Hillary Chute, for a special Outside the Box gallery talk on «Raymond Pettibon: A Pen of All Work.»

2007 Not For Sale, PS1 Contemporary Art Center, New York, NY Milieu, Lizabeth Oliveria, Los Angeles, CA Wrong Number, Jack Hanley Gallery, San Francisco, CA Rock - n - Roll Fantasy, White Box, New York, NY Manifest: Colonial Tendencies of the West, Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO Zwischen Zwei Toden / Between To Deaths, ZKM Center for Art and Media, Karlsruhe, Germany Art in America Now, Museum of Contemporary Art, Shanghai, China Situation Comedy: Humor in Recent Art, Museum of Art Fort Lauderdale, Fort Lauderdale, FL Situation Comedy: Humor in Recent Art, Salina Art Center, Salina,For Sale, PS1 Contemporary Art Center, New York, NY Milieu, Lizabeth Oliveria, Los Angeles, CA Wrong Number, Jack Hanley Gallery, San Francisco, CA Rock - n - Roll Fantasy, White Box, New York, NY Manifest: Colonial Tendencies of the West, Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO Zwischen Zwei Toden / Between To Deaths, ZKM Center for Art and Media, Karlsruhe, Germany Art in America Now, Museum of Contemporary Art, Shanghai, China Situation Comedy: Humor in Recent Art, Museum of Art Fort Lauderdale, Fort Lauderdale, FL Situation Comedy: Humor in Recent Art, Salina Art Center, Salina,for Art and Media, Karlsruhe, Germany Art in America Now, Museum of Contemporary Art, Shanghai, China Situation Comedy: Humor in Recent Art, Museum of Art Fort Lauderdale, Fort Lauderdale, FL Situation Comedy: Humor in Recent Art, Salina Art Center, Salina, KS

Chelsea became a refuge for galleries fleeing soaring real estate prices in Soho in the late»90s, and white box spaces run by Larry Gagosian, Pace Gallery and Paul Kasmin are holding fast there, and even expanding, today.

Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.

She has exhibited widely across the USA in galleries such as, A.I.R. Gallery (NY), PPAC, Philadelphia (PA), Black Box Gallery, Portland (OR), Rush Street Gallery, Washington (DC), Orange County Center for Contemporary Art, Santa Ana (CA) and On The Ground Floor, Los Angeles (CA).

2016 «Cadence,» Three - Person Exhibit of Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art as Politics,» Touchstone Gallery, Washington DC «Not a Box» Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Join Rachel Valinsky — independent curator, writer, translator, and co-founder of Wendy's Subway — for a special Outside the Box gallery talk on «Raymond Pettibon: A Pen of All Work.»

At Culturgest, Lisbon, by Justin Jaeckle Ignasi Aballi at Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigby

When he tells of sitting three times through Shirin Neshat's Rapture well before it reached a Whitney Biennial, I hear the same gallery fan for whom Brillo boxes amounted to a conversion experience decades ago.

Reid Kelley has had solo exhibitions at the Neuer Kunstverein Wien, Vienna, Austria (2014); The Samuel Dorsky Museum of Art and the University Art Museum at SUNY Albany, NY (2014); The Institute of Contemporary Art / Boston, Boston; Yale University Art Gallery, New Haven, CT (2013); The Contemporary Austin, Austin, TX (2013); The Box at Wexner Center for the Arts, Columbus, OH (2012); and Rochester Art Center, Rochester, MN (2007).

His past projects, readings, performances, and exhibitions have been presented at the Museum of Modern Art; Socrates Sculpture Park; The Queens Museum of Art; The DUMBO Arts Festival; White Box Art Center; Show Room Gallery; Hunter College; The Children's Museum of Art NY; The Howl Festival; Lodge Gallery; the Center for Book Arts, and Freight + Volume Gallery.

For «Not a Box,» an exhibit of installation art, artists transform a dedicated space in the gallery.

Certainly the gallery's white box matters, just as for Novros, and at David Zwirner painting can hardly help looking stranded and polite — even when, like Lisa Yuskavage, it bends over backward to shock.

The gallery has enthusiastically promoted Bauermeister's work for over thirty years, including her in group exhibitions; most recently, she was included in The Time Is N ♀ w. Bauermeister will be featured, along with six others, in the gallery's forthcoming booth (C22) at Frieze New York (May 2 — 6, 2018) with a selection of her iconic lens boxes and stone reliefs.

For the presentation, which will be open from April 26 through June 9, 2018, the gallery will transform its 507 W. 24th street location into a black box space.

«It's important for my gallery to take everything out and do a very specific native presentation, but give it the white - box treatment.

Also in the «Feature» section, which is devoted to curated shows by established and historic artists, look out for the work of Nam June Paik, whose market is catching up with his exalted reputation, at James Cohan Gallery, and the experimental film - maker Stan VanDerBeek at Los Angeles» The Box, which is one of 17 newcomers to the fair.

It's not uncommon for galleries to overlap with artists, but it's a harder problem to disguise when it's someone like Judd who specializes in all things metal and boxes.

The Cunningham dancers warm up and then perform in various situations — as Cunningham called the galleries and the especially constructed stages for each «Event» — including Richard Serra's steel sculptures, Dan Flavin's neon light installations, Sol LeWitt's Minimalist white boxes and the vast Drill Hall of the Park Avenue Armory.

You enter the space and for a split second you thought that you entered some club masquerading as an art gallery but upon closer observation the luminous glow of the acrylic boxes confirmed its validity as meticulously crafted pieces of art.

Art of Elysium» GENESIS Benefit choreographer 2014, LAX Greystone Mansion Event Collaborator to Creative Director / Artist Liz Glynn 2014, Art of Elysium Heaven Gala site specific soloist 2015, as manifesto speaker for Marina Abramovic's opening Gala for MOCA LA, LA Art Show choreographer for Suzanne Lacy's Myths of Rape, Los Angeles Museum of Art as Choreographer for Liz Glynn's Hello Girls, Dilletante Gallery Papercranes RESIDENCY, Santa Museum of Art Choreographer for Barkley Hendricks Opening, Center Theater Group as dance captainn for Phil Soltanoff workshop, LAX Arts 2012 Blackbox presenter, Hammer Museum, Show Box LA residency recipient and Director and curator for site specific event The Series at the Standard DTLA, and LACE.

Continuing into the gallery, eight handcrafted wood and glass boxes each display a metal container produced by Pantone, a company famous for its color «Matching System.»

Eleanor Antin, American, born 1935, Blood of a Poet Box, 1965 — 1968, wood box containing ninety - four glass slides of blood specimens and specimen list, Lent by the American Fund for the Tate Gallery 20Box, 1965 — 1968, wood box containing ninety - four glass slides of blood specimens and specimen list, Lent by the American Fund for the Tate Gallery 20box containing ninety - four glass slides of blood specimens and specimen list, Lent by the American Fund for the Tate Gallery 2009.

«The Sunroom Project provided a space to explore what interests me, a specific context and space for my work that could hardly be paired with a white - box gallery.»

Identification of item, date (if known); The Dwan Gallery Archives; MSS.002; [box number]; [folder number], Center for Curatorial Studies Library and Archives, Bard College.

The WWI Films of Mary Reid Kelley, Kunsthalle Bremen, Germany (2016); Mary Reid Kelly, Museum Leuven, Belgium (2016); We're Wallowing Here in Your Disco Tent, High Line, New York (2016); Hammer Projects: Mary Reid Kelley, The Hammer Museum, Los Angeles (2015); Mary Reid Kelley, Multimedia Art Museum, Moscow (2015); Mary Reid Kelley, Site Santa Fe (2015); Mary Reid Kelley, Neuer Kunstverein Wien, Vienna (2014); Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, New Paltz; University Art Museum, New York (2014); Mary Reid Kelley, The Institute of Contemporary Art, Boston (2013); Sadie, The Saddest Sadist and Priapus Agonistes, Yale University Art Gallery, New Haven (2013); The Syphilis of Sisyphus: Mary Reid Kelley with Patrick Kelley, AMOA Arthouse, Austin (2013); and The Syphilis of Sisyphus, The Box at Wexner Center for the Arts, Columbus (2012).

Rethinking the collection galleries has given us the opportunity to make room for this frequently overlooked segment of our holdings (and history), so we've built an elegant new «black box» space in gallery 14.

Watch for new Eyes On rotations every six months in the Logan Gallery and Fuse Box in the Hamilton Building's fourth floor.

Space is limited for this gallery performance, so call the box office to reserve tickets at 413.662.2111 x1.

In another article for Monocle, Bound begins his piece by discussing that the pop - up gallery Black Box Projects will be presenting work by Steve Macleaod and Liz Nielson at Photo London.

For Murphy's solo exhibition at Marc Straus gallery, he has placed dresses inside black shadow boxes, and within their skirts he's created otherworldly landscapes.