Sentences with phrase «box gallery space»

It was disarming to see signs reading «#yuge mistake» and «NOW YOU»VE PISSED OFF GRANDMA» — which might otherwise have been swept into trash piles in any number of cities around the country — neatly hung in rows in the sanctum of a white - box gallery space.

Not exact matches

Chelsea became a refuge for galleries fleeing soaring real estate prices in Soho in the late»90s, and white box spaces run by Larry Gagosian, Pace Gallery and Paul Kasmin are holding fast there, and even expanding, today.

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Oklahoma City [ArtSpace] at Untitled Blue 7 Oklahoma Contemporary Arts Center Collected Thread dna galleries Downtown Library Downtown YMCA Full Circle Books Individual Artists of Oklahoma Gallery JRB Art at The Elms La Baguette (N. May) Lyric Theatre Nault Gallery Next Door Studios Oklahoma City Community College Library Oklahoma City University Art Department Paseo Art Space Pickard Art Gallery Prairie Thunder Baking Company Red Cup Regency Tower Apartments SixTwelve Studio Six Summerwine Art Gallery The Project Box

The Whitney's new $ 422 million Manhattan space includes a multi-use black box theater, and the Tate Modern converted its underground oil tanks into a gallery dedicated to installation and performance as part of a $ 400 million expansion plan.

For «Not a Box,» an exhibit of installation art, artists transform a dedicated space in the gallery.

The Sunroom Project Space provides an alternative to the kind of white - box setting a contemporary gallery might typically offer.

His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.

For the presentation, which will be open from April 26 through June 9, 2018, the gallery will transform its 507 W. 24th street location into a black box space.

Anyone weary of the vast white - box spaces of Chelsea may want to visit the refreshingly human - scale Lower East Side, where a show of recent work by Robert Moskowitz at the Kerry Schuss Gallery presents a potential beacon.

You enter the space and for a split second you thought that you entered some club masquerading as an art gallery but upon closer observation the luminous glow of the acrylic boxes confirmed its validity as meticulously crafted pieces of art.

Her works include Untitled (Kitchen)(The Kitchen, New York, 2014); Silhouette (Ice Box Gallery, Philadelphia, 2015); Landscapes (Audio Visual Arts Gallery, New York, 2015); Untitled (Artists Space)(Artists Space, New York, 2015); Clear Night (Pioneer Works, Brooklyn, 2016); and The Volume (SculptureCenter, Long Island City, 2017).

«The Sunroom Project provided a space to explore what interests me, a specific context and space for my work that could hardly be paired with a white - box gallery.»

On the second floor visit the exhibition Art and Space which features such works as Advice to Space V (Consejo al espacio V)(1993) by Eduardo Chillida (Gallery 205), Cosmic Thing (2002) by Damian Ortega (Gallery 209) and Diagonal Section (Seção diagonal)(2008) by Marcius Galan (Gallery 204) On the third floor visit the exhibition Masterpieces from the Guggenheim Museum Bilbao Collection which features such works such as Untitled (1952 — 53) by Mark Rothko (Gallery 303), The Renowned Orders of the Night (Die berühmten Orden der Nacht)(1997) by Anselm Kiefer (Gallery 302) and Metaphysical Box by Conjuction of Two Trihedrons.

Rethinking the collection galleries has given us the opportunity to make room for this frequently overlooked segment of our holdings (and history), so we've built an elegant new «black box» space in gallery 14.

This exhibition was arranged in two parts, with the large - scale sculptures displayed on heavy - duty warehouse shelving that turned the gallery into a big box warehouse and another gallery space that contained his models and drawings.

Space is limited for this gallery performance, so call the box office to reserve tickets at 413.662.2111 x1.

Jafa's notable solo, group, gallery and museum exhibitions include Artists Space, New York, NY (1999); Okwui Enwezor's traveling exhibition Mirror's EdgeBildMuseet — University of Umea in Sweden / Vancouver Art Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY gallery and museum exhibitions include Artists Space, New York, NY (1999); Okwui Enwezor's traveling exhibition Mirror's EdgeBildMuseet — University of Umea in Sweden / Vancouver Art Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY Gallery, Canada / Castello di Rivoli, Turin, Italy / Tramway, Glasgow, Scotland (1999); 2000 Biennial, Whitney Museum of American Art, New York, NY; Black Box, CCAC Institute, Oakland, CA (2000); Media City Seoul, Korea (2000); Bitstreams, Whitney Museum of American Art, New York, NY (2001); Social Formal, Westaelischer Kunstvein, Münster, Germany (2002); My Black Death, ARTPACE, San Antonio, (2002); The Institute of Contemporary Art, Philadelphia, PA (2016); The Hammer Museum of Art, Los Angeles, CA (2016); Gavin Brown's enterprise, New York, NY (2016).

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

The exhibition will feature 2 insitu installations, each artist utilizing the gallery space as an environment, versus a box to exhibit work.

The Gallery at Sulfur Studios is a 720sq ft. white box space with a center feature wall and 142ft of running wall space.

The panels echo the walls of the gallery space that contain the work, creating a dialog between the «exploded box» and the enclosed cube of the gallery.

In conjunction with the United Nations International Year of Light, Joseph Cavalieri, the founder of CAVAglass is making 25 site specific light boxes for the gallery space at the hotel that spans one city block between 42nd / 41st streets.

Museums and collections Museum of the City of New York, New York New York Historical Society, New York Yeshiva University Museum, New York Hudson River Museum, New York Art Students League, New York White and Case, New York West Valley Art Museum, Surprise, Arizona France Loisirs, Paris, France Millennium Hotel, New York Carrot Capital, LLC, New York Queen's College Museum Exhibitions 2016 Andrea Tardini Gallery, Venice Scuderie Aldobrandini, Rome 2008 Gallerie OPEN, Berlin, Germany Gallerie Rose, Hamburg, Germany 2007 Berlin Capital Club, Berlin Germany 2006 Famira Gallery, Sylt Germany Nabi Gallery 2005 Dankert, Box, Meier, Rechtsanwalte (Law Offices) Berlin, Germany Peter Findlay Gallery, New York, NYTon Warndorff Gallery, Haarlem, The Netherlands Nabi Gallery, New York, NY Gallery Rose, Hamburg, Germany Famira Gallery, Sylt Germany 2004 Jan Famira Gallery, Sylt, Germany West Vallery Art 2003 West Valley Museum, Surprise, Arizona 2002 Ludvika Konsthall, Ludvika, Sweden 1999 Galleri Rubens, Smedjebacken, Sweden Realismus Galerie, Kasel, Germany Galerie Rose, Hamburg, Germany 1997 Galerie Peter Fischinger, Stuttgart, Germany 1995 Galerie Peter Fischinger, Stuttgart, German Susan Conway Gallery, Washington, D.C. 1992 Frank Bustamante Gallery, New York, NY 1991 Galerie Le Chainon Manquant, Paris, France Loisits Corporate Offices, Paris, France 1990 Galerie Peter Fischinger, Stuttgart, Germany Galerie Rose, Hamburg, Germany 1989 The Exhibition Space, New York (sponsored by Ingber Gallery) 1988 Inngber Gallery, New York, NY 1986 Nicolas Roerich Museum, New York, NY 1974 Galerie des Ambassadeurs, Paris, France 1968 Art Students League, New York City

9) Charlie James Gallery: Eske Kath «Arena» Little boxes on the hillside, engulfed in forests, and set adrift in outer space.

How does the approach to your work change depending on the physical location you're in, be it a city such as Cape Town, New York, or Berlin or a space such as a white box gallery, a museum, or in the street?

Gallery Director Brian Holcombe and Assistant Director Christina Caudill have decided that the conventional big - box space doesn't work for them any more.

Gemkow's photographs have been exhibited in several galleries and museums including the Center for Fine Art Photography in Fort Collins, Colorado, the Kaunus Photo Festival in Kaunus, Lithuania, the PH21 Gallery in Budapest, Hungary, the Rogue Space Chelsea in New York City, the Masur Museum of Art in Louisiana, the New Hampshire Institute of Art, the Foundry Art Center in St. Charles, Missouri, the Kevin Milligan Gallery in the Bay Area of California, the Black Box Gallery in Oregon, the PhotoPlace Gallery in Vermont, the Midwest Center for Photography in Kansas, the Tubac Center for the Arts in Arizona, several galleries around the Midwest and Gallery MM in Yokohama, Japan.

NCP has performed at exciting venues such as Brooklyn Academy of Music (BAM) Fisher, (le) poisson rouge, Galapagos Art Space, Korea Gallery, Symphony Space, The Center for Fiction, White Box, and Issue Project Room as part of MATA's Interval series.

At Dulwich the prints will be hung decoratively, densely packed, more like an 18th - century «print room» than the usual sparse hang of the «white box» contemporary gallery space.

A Gentil Carioca, Rio de Janeiro Alfonso Artiaco, Naples Altman Siegel, San Francisco Boers - Li Gallery, Beijing Canada, New York Casa Triângulo, São Paulo Catriona Jeffries, Vancouver David Kordansky Gallery, Los Angeles dépendance, Brussels Derek Eller Gallery, New York Dvir Gallery, Tel Aviv Foksal Gallery Foundation, Warsaw Fredericks & Freiser, New York Galeria Elba Benitez, Madrid Galeria Fortes Vilaça, São Paulo Galerie Buchholz, Cologne Galerie Francesca Pia, Zurich Galerie Gisela Capitain, Cologne Galerie Greta Meert, Brussels Galerie Krinzinger, Vienna Galerie Martin Janda, Vienna Galleri Magnus Karlsson, Stockholm Galleri Nicolai Wallner, Copenhagen Galleria Continua, San Gimignano Galleria Lorcan O'Neill, Rome Gallery Hyundai, Seoul In Situ — Fabienne Leclerc, Paris Kadel Willborn, Düsseldorf Karin Guenther, Hamburg Karma International, Zurich kurimanzutto, Mexico City Long March Space, Beijing Marc Foxx Gallery, Los Angeles Massimo Minini, Brescia Overduin & Co., Los Angeles P.P.O.W, New York Project 88, Mumbai ProjecteSD, Barcelona Rampa, Istanbul Regen Projects, Los Angeles Richard Telles, Los Angeles Rodolphe Janssen, Brussels Sfeir - Semler, Beirut Shane Campbell Gallery, Chicago Sies + Höke, Düsseldorf Simon Preston Gallery, New York Sommer Contemporary Art, Tel Aviv Standard (Oslo), Oslo Stevenson, Cape Town Susanne Vielmetter Los Angeles Projects, Los Angeles T293, Rome Taro Nasu, Tokyo The Box, Los Angeles The Breeder, Athens The Modern Institute, Glasgow The Third Line, Dubai Vermelho, São Paulo Xavier Huf kens, Brussels Zeno X Gallery, Antwerp

2015 NO MAN»S LAND: Women Artists from the Rubell Family Collection, Miami, Florida La vie moderne, Biennale de Lyon, Musée d'Art Contemporain de Lyon Wow Tides, MAVRA, Berlin G.I.F.T., Der TANK, Basel (curated by Fabian Marti & Chuz Martinez) Mirror Effect, The Box, Los Angeles (curated by Kate Costello & Liz Craft) New Frankfurt Internationals: Solid Signs, Nassuischer Kunstverein Wiesbaden Bare code scan, fused space, San Francisco ésxatic photo, samson, Boston 1,000 ISLANDS, Simon Lee Gallery, Hong Kong

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).

Director and Chief Curator Kimberly Davenport instituted this mission in response to the gallery's architectural characteristics: a 40 x 44 foot «white box» space with a 16 - foot high ceiling and a front glass wall.

Kohler Art Center, Sheboygan, WI 2003, OfficeOps, Brooklyn, NY * 2002 Solo show, Vedanta Gallery, Chicago, IL 2000 «Rockford - Midwestern; Artists of the New Millennium,» Rockford Art Museum, Rockford, IL 2000 «Redo,» Standard Gallery, Chicago, IL 1999 «This Side Up,» Spaces, Cleveland, OH * 1998 Solo show, «Safety is No Accident,» Bodybuilder and Sportsman Gallery, Chicago, IL 1998 «Posted @ Beret,» Beret Gallery, Chicago, ILProject viewable online at: www.spaces.org/archive/spaces/posted.htm 1996 «Selected Activities,» Tough Gallery, Chicago, IL 1996 «Kinetic Sculpture Invitational,» Christel DeHaan Fine Arts Center, University of Indianapolis, Indianapolis, IN 1996 «Potentiality,» A.R.C. Gallery, Chicago, IL 1996 «Space in the Vernacular,» Hyde Park Art Center, Chicago, IL 1994 «Opening Pandora's Box,» Gallery 2, Chicago, IL

An adjacent building houses nine stories of white - cube galleries, «very crisp clinical white box spaces that don't impose the character of the historic building on you.»

A show at the gallery's new Lower East Side space riffs on the pie, the toppings, and even the box Read More

The gallery space is painted a near black for the occasion, and illuminated only in parts by two light boxes and a single fluorescent light.

Recent and current exhibitions include The Time Domain, a site specific live work, presented during Liverpool Biennal 2016, co-commissioned between Bluecoat School and Liverpool Biennial; 2015: I reached inside myself through time, commissioned for LIAF, Lofoten International Art Festival, Norway, 2014: PROTOTYPES, Limerick City Gallery of Art, Limerick; A Leisure Complex, Collective, Edinburgh; 2013: INTERZONE, The Box, The Wexner Center, Columbus, Ohio; The Face of Something New, Scriptings, Berlin; A Stew of Universals, ZKU, Berlin; 2012: PRECAST, off - site project, London; INTERZONE, Seamus Ennis Center, Fingal, Co Dublin, 2011: The Eyes of Ayn Rand, Performa 11, New York; Another Construction, Irish Museum of Modern Art, Dublin; Space replaced by volume, Granoff Centre for the Arts, Brown University, Providence, Rhode Island.

Her work has been exhibited at Roane State Community College in Harriman, TN; Des Lee Gallery in St. Louis, MO; Tahoe Gallery in Incline Village, NV; White Box Gallery in New York, NY; Co-prosperity Sphere Gallery in Chicago, IL; and at Shift Space in Wichita, KS amongst others.

It is a four - story building which boasts an experimental media lab black box theatre, an art gallery designed to be a world - class exhibition space, a 2,000 - square - foot performance capture studio, a state of the art sound design and recording studio, a costume design studio and storage space, computer labs and more.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

On this occasion the venue has been transformed into a black box screening gallery to comply with the semantics and standards of the moving image inside the gallery space.

During its duration, the actual structures or containers intrigued me — the physical boxes holding the archive and the various architectural spaces that the centre had occupied over its history; it had moved 5 times.The piece I included in the final exhibition of our investigations was a one - to - one scale photograph compiled of all the sides (inside and outside views) of one of the programming boxes, mounted on the gallery floor.

, Museion — Museum of modern and contemporary art Bolzano, Bolzano, IT The Library of Babel, 176 Collection, London, UK The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb Agency, Paris, FR Exhibition, Exhibition, Castello di Rivoli — Museo d'Arte Contemporanea, Turin, IT Les Belles Images: Second Scenario, La Box, Bourges, FR FAX, Para / Site Art Space, Hong Kong, CN Artprojx Presents, Wimbledon College of Art, London, UK The Library of Babel / In and Out of Place, 176 Gallery, London, UK Répétition dans l'Épilogue, Super # 11, Galerie Lucile Corty, Paris, FR Gallery, Galleria, Gallerie, Norma Mangione Gallery, IT Production Site: The Artist's Studio Inside - Out, MCA, Chicago, US The Storyteller, Anna - Maria and Stephen Kellen Gallery, New York, US

Noteworthy solo exhibits include shows at The Schneider Museum, Ashland, OR, Suyama Space, Seattle, WA, The Columbus Museum, GA; Saltworks Gallery and the Atlanta Contemporary Arts Center, Atlanta, GA; Nature Morte and Gallery Maskara in India; White Box, Tilt Gallery & Project Space and Disjecta, Portland, OR.

・ 2011 BFA Photography, School of Visual Arts (New York) ・ 2013 * Currently obtaining a Masters in Fine Arts, Wimbledon College of Arts (London) ・ 2010 White Box / SCOPE Art fair (Miami) ・ 2010 New York Photo Festival, DUMBO BK (New York) ・ 2011 Tokyoscapes, Just Another Space (Tokyo) ・ 2012 BOOBS Galeria Des.Pacio (SJ Costa Rica) ・ 2013 Boobs in Japan, GALLERY MoMo (Tokyo) July 20 - Aug 10 Read more... Left: Untitled, Mori Art Museum (From the series of «Tokyo») / 2011 Right: Boobs / 2012 / mixed media (detail) Untitled / 2013 / acrylic, ink on board

COLLABORATIONS 2018 «I Fucking LXXX You Tois» Kibbee Gallery, Atlanta, Ga. 2017 «Medium» with T Lang, Zuckerman Museum, Atlanta, Ga. 2017 «Post» with T Lang, The Chapel at Fort McPherson 2016 «I Fucking LXXX You Too» Kibbee Gallery, Atlanta, Ga. 2014 «I Fucking LXXX You» Kibbee Gallery, Atlanta, Ga. 2014 «The Music Box: Resonant Memory» with New Orleans Airlift, Georgia Tech and Goat Farm Arts Center, Atlanta, Ga. 2012 «Threshold» with Lucky Penny, GA Tech Theater, Atlanta, Ga. 2011 Elevate Mural, Underground, Atlanta Ga 2011 Sunday Southern art RevivalKIbee Gallery, Atlanta Ga. 2011 Four Coats project Mural, Castleberry Atlanta Ga. 2010 Survey Sunday Southern Art Revival, Puritan Mill, Atlanta Ga 2009 «Engine Swapping» Sunday Southern Art Revival, Marcia Wood Gallery, Atlanta Ga. 2008 «SSAR» Sunday Southern art Revival, Starr Studio, Atlanta ga 2007 «Verses» Sunday Southern Art Revival, Screen Arts Gallery, St Augustine Fla. 2007 «Sunday Southern Art Revival» Sunday Southern Art Revival, White Space Gallery, Atlanta GA. 2007 «Verses vs. Vs.» Sunday Southern Art Revival, SLM Projects, Roswell Ga..

More than half of the museum's 145,000 square feet of gallery space is devoted to jewelry box exhibits.