Last weekend, Ryan Coogler's Black Panther slashed
box office records left and right around the world, answering the question of whether or not we are tired of superhero films with a resounding «NO».
«Black Panther» has been breaking
box office records left and right, and it still may not be done.
Topping six of our writers» individual lists and shattering
box office records left, right and centre is Disney's first foray to the galaxy far, far away, Star Wars: The Force Awakens.
Not exact matches
The latest Marvel Studios blockbuster Avengers: Infinity Warowned the global
box office this weekend, dropping
records left and right in the process.
After all, the film is already shattering
box office records and receiving glowing reviews from critics, so it's safe to say Marvel Studios has a pretty firm grasp on what works and what's better
left to our imaginations.
20th Century Fox «s roll of the dice on the R - rated Merc With A Mouth paid off huge, as «Deadpool» smashed expectations and
records left and right to take the top spot at the
box office.
Avengers: Infinity War has been breaking
box office records worldwide while
leaving fans anxiously and desperately waiting for the Avengers: Infinity War sequel which sadly doesn't arrive in theaters until May 3, 2019.
Not only has Stephen King's IT broken
box office records (grossing an insane $ 117 million on opening weekend) and received huge critical acclaim, but it's also
left fans obsessing over hidden references from the original book, the»90s miniseries, and other classic horror films.
Black Panther, which debuted Friday nationwide, has been felling
box -
office records left and right, even slipping past the opening - weekend haul of Star Wars: The Last Jedi.
Black Panther continues to dominate the
box office two weeks after its release, and is still breaking
records left and right.
Black Panther has smashed
box -
office records left and right, seizing the highest - ever February debut, and the fifth - highest of all time.
Having already received his MFA, he drew on geography's analytic tools to develop an artistic practice premised on the hunch that, however «secret,» clandestine government programs would always
leave material traces — facilities, flight
records, post
office boxes — that could be located, documented, and made visible to a broader public.