Sentences with phrase «breaking solo museum»

He has had record breaking solo museum exhibitions at the Barbican Museum, London (2002), Palazzo Reale, Milan (2007), Museo del Antiguo Colegio de San Ildefonso, Mexico City (2009), the Musee de La Monnaie, Paris (2009), the Museum of Contemporary Art in Taipei, Taiwan and the Tel Aviv Museum of Art, Israel.

Not exact matches

Recent solo exhibitions include: White Paper: On Land, Law and the Imaginary, Centro de Arte dos de Mayo, Mostoles, A Wave in the Well, Sursock Museum, Beirut (2016); Movement Break, Kadist Art Foundation (2015) and Playing Truant, Gasworks (2012).

Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.

The museum is taking a break between the 2012 Triennial and summer for solo shows, one to a floor.

No artist has the power to make you stop in your tracks more than the Turrell, whose contribution to contemporary art was recognised with ground - breaking concurrent solo exhibitions in 2013 at the Solomon R. Guggenheim Museum in New York and the Los Angeles County Museum of Art (LACMA).

Deep into a collaborative project for their upcoming exhibition Hackers and Painters, October 10 — November 6, 2013, at the Alexander Brest Museum in Jacksonville, FL, Joelle Dietrick and Judy Rushin broke away from their Tallahassee, FL studios to talk about collaboration and the solo projects that led them to work together.

In 1937, Edmondson succeeded in breaking racial barriers by becoming the first African American artist to have a solo show at the Museum of Modern Art.

Her solo exhibitions include «To the Son of Man Who Ate the Scroll» at Fondazione Prada, Milan (2016); «Public Address: Goshka Macuga Tapestries» at Lunds konsthall, Lund, Sweden (2014); «Exhibit, A» at the Museum of Contemporary Art, Chicago (2012); «Untitled» at the Zachęta National Gallery of Art, Warsaw (2011); «It Broke from Within» at the Walker Art Center, Minneapolis, MN (2011); «The Nature of the Beast» at Whitechapel Gallery, London (2009); and «I am Become Death» at Kunsthalle Basel, Switzerland (2009).

From 2012 through 2015, three major museum solo presentations of the artist's work, Eternity of Eternal Eternity, A Dream I Dreamed, and Infinite Obsession simultaneously traveled to major museums throughout Japan, Asia, and Central and South America — all of which all drew record - breaking attendances at every venue.

From mounting Jackson Pollock's first solo museum exhibition in 1945 to exhibiting vernacular photographs and championing the emerging Mission School scene in the mid-1990s, SFMOMA has consistently broken new ground, expanding the conventional wisdom of what an art museum should present and collect.

January 2018 marks the 50th anniversary of Ray K. Metzker's ground breaking solo show of twelve Composites at The Museum of Modern Art.

Most recently, Sherri had a solo exhibition at the reknowned Housatonic Museum of Art in Bridgeport, CT. which was well received, breaking the Museum's records for the opening attendance.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Since her break - out year in 1970, Lipsky has exhibited almost annually with works in solo and group exhibitions at galleries, including Alan Stone, Andre Zarre, Lori Bookstein, and DC Moore, as well as at national museums, including at the San Francisco Art Institute, the Hirshhorn Museum and Sculpture Garden, and the Norton Museum of Art.

Known for his bold use of vibrant colors and clever shadow play, the Philadelphia artist is now taking his work to New York City in his very first solo museum exhibition titled Church of Broken Pieces, at the Richard Beavers Gallery in Brooklyn.

Past solo exhibitions include 2013, First You Make the Rules, Then You Break the Rules with Öyvind Fahlström, Kunsthalle Düsseldorf, Germany and Kunsthal Charlottenborg, Copenhagen, Denmark; 2012, How to Be Alone When You Live With Someone, Musée d'Art Moderne Grand - Duc Jean (MUDAM), Luxembourg; 2005, How to get about, Aspen Art Museum, CO; and The Bulletin Board, White Columns, New York, NY.

His artistic work includes installation and performance, and he has participated in many solo and group shows, including Outside Cuba; Cuba - USA: The First Generation, The Miami Generation and Ancient Roots / New Visions, all of which traveled throughout the United States, and Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection at the Museum of Art in Fort Lauderdale.

First, FAILE will open their first ever solo museum exhibition, Where Wild Won't Break, at Dallas Contemporary on Saturday, S

Solo - exhibitions in major museums include: Oscar Tuazon, Hammer Museum, Los Angeles, USA (2016); Break the Glass, Castro, Antiparos, Griechenland (2015); Studio, Le Consortium, Dijon, Frankreich (2015); Alone in an Empty Room, Museum Ludwig, Köln, Deutschland (2014).

First, FAILE will open their first ever solo museum exhibition, Where Wild Won't Break, at Dallas Contemporary on Saturday, September 21.

Selected Group Exhibitions, & Art Fairs 2018 Black Box Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA

On the occasion of Hannah James solo show, breaking A skin, weaving A sense, published by Cole Kairos Time, exhibition catalogue published by The Piet Zwart Institute Fell, online platform 2013 Still Singing out of Doubt and Longing: Indelible Imprints, Errant Impressions, Becky Ayre, published on occasion of Hannah James» 2013 solo exhibition The outline seems indelible at Plymouth Arts College Gallery, as part of the Southwest Showcase 2012 Dagmar Hepner, Hannah James, Charlotte Moth, exhibition catalogue, published by Cole, London 2011 pots purr, catalogue of the exhibitions at Rhubaba Studios, Edinburgh and Chert, Berlin 2010 Drinnen & Draussen, exhibition catalogue, published by Chert & Motto, Berlin July 2010 Curtain Show, exhibition catalogue, published by Eastside projects The decade 2010 - 2020, The museum as hostage to fortune, Endless Supply Publications, Issue 12, April A day in the life..., Room 13 Publication, Bristol — including David Blandy & Lady Lucy 2007 New Contemporaries 2007, exhibition catalogue

On the opening night of The Unplayed Notes Museum, Loris Gréaud's first solo museum show in the United States, guests sauntered around the Dallas Contemporary until a group of people, up to that moment hiding in the crowd, descended upon the art, ripping it from the walls, breaking it into pMuseum, Loris Gréaud's first solo museum show in the United States, guests sauntered around the Dallas Contemporary until a group of people, up to that moment hiding in the crowd, descended upon the art, ripping it from the walls, breaking it into pmuseum show in the United States, guests sauntered around the Dallas Contemporary until a group of people, up to that moment hiding in the crowd, descended upon the art, ripping it from the walls, breaking it into pieces.

Thiebaud had his first solo show at the San Francisco Museum of Modern Art in 1960 and then, in 1962 his work was included in the ground - breaking Pop Art exhibit at the Sidney Janis gallery in New York.

The first solo exhibition in Europe of the American sculptor Lynda Benglis, best known for her ground - breaking work challenging accepted artistic norms through a pioneering merging of content and form, opens to the public at the Irish Museum of Modern Art (IMMA), Dublin, on Wednesday 4 November 2009.