Sentences with phrase «breaks in between projects»

The 60 - year - old Day - Lewis, who holds both English and Irish citizenship, is known for being picky in selecting roles and taking long breaks in between projects.

Given I've written and published so many books now, and have a solid backlist that continues to sell books even when I'm taking a break in between projects, it's very easy to become complacent and take a long break, or not do as many blog posts, or not interact with my readers as much.

Not exact matches

«The calving occurred sometime between Monday 10th July 2017 and Wednesday 12th July 2017, when a 5,800 square km section of Larsen C finally broke away,» said Project MIDAS in a blog post.

The company's projects, mostly research facilities and manufacturing plants, received $ 30 million in tax breaks between 2009 and 2014 — almost 40 percent of the value of all abatements the IDA gave out in that time.

Topics in the Q&A included the source of money for the City's planned pre-K advertising campaign, the City's target number of pre-K applicants, whether Speaker Silver thinks the proposed income tax surcharge should be pursued next year, how the pre-K selection process will work, how the City will cover the approximately $ 40 million annual gap between the estimated cost of pre-K and the amount provided in the state budget, when parents will learn whether their pre-K application has been accepted, how the City will collect data and measure success of the pre-K program, whether the existing pre-K application process will be changed, how the City will use money from the anticipated school bond issue, the mayor's reaction to a 2nd Circuit ruling that City may bar religious groups from renting after - hours space in public schools, the status on a proposed restaurant in Union Square, a tax break included in the state budget that provides millions of dollars to a Bronx condominium project, the «shop & frisk» meeting today between the Rev. Al Sharpton and Police Commissioner Bratton and a pending HPD case against a Brooklyn landlord.

Dr. Marga Gual Soler is a Senior Project Director in the Center for Science Diplomacy at the American Association for the Advancement of Science (AAAS), where she explores the role of science as a universal language to help break down barriers and build bridges between peoples and nations.

Meanwhile, director Roland Emmerich («Independence Day») takes a break from blockbusters for «Stonewall,» a passion project that is a fictionalized account of the riots between LBGT bar - patron protestors and police that gave birth to the gay - rights movement in 1969.

In presentations and break out sessions, CEL staff established the basics of a successful coaching partnership between principal supervisor and principal and highlighted some of the newest project findings.

Titled ASSEMBLY, this section of the fair includes many activist - minded projects, which Adrienne Edwards say she hopes «will serve as a platform to help us imagine what is possible today through the poetics of protest by breaking down boundaries between galleries and the street, the artist and their audience and making new propositions that open up conversations about the role of art in today's society.»

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Coloin MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 ColoIn collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

Adrienne Edwards, Curator of Performance at the Whitney Museum and the new Live section at Frieze, said «I hope that together these projects will help us imagine what is possible today through the poetics of protest,» adding that breaking down boundaries between galleries and the street, the artist and their audience might «open up conversations about the role of art in today's society.»

Amanda Williams creates a site - specific installation for The Arts Club Garden Projects series in which she inserts a secondary fence that breaks away from the existing boundary, blurring the distinction between its function as barrier and container alike.

Otto Rank (at one time a protege of Freud), broke with his master and posited that we are, rather, motivated by the undeniable conflict between our sense of ourselves as «immortal souls,» and our realization that we exist by virtue of our all - too - mortal bodies, that we are desperate to believe that we will, somehow, live beyond our bodies, and that, in order to do so, we pursue «immortality projects,» that we invest in our activities the promise of eternal life.

At the National Native Title Tribunal Agreements Conference in Brisbane held on 1 - 3 August 2001, Senator Jeannie Ferris, Chairperson of this Committee, informed the conference that compulsory acquisition had been used by a State government to break a deadlock in negotiations between local Aboriginal parties and the local council over a community riverbank project.

Here you will find lots of surprise fun (mandated sewer projects; 40 year old furnaces or frozen and cracked radiators connected to burnt - out boilers; single - pane wood frame windows in snow country; inadequate or completely missing or worse, outdated insulation; gutters broken by ice damns; etc.) but you also get the added challenge of really tight margins between purchase and sales price coupled with severely limited number of qualified and interested buyers.

NEW JERSEY — Walters Homes has broken ground on Laurel Oaks, a new affordable apartment community in Barnegat, N.J. Situated between Barnegat Blvd. and Rose Hill Road, the mid-rise multifamily project will include 94...