Sentences with phrase «breakthrough painting of»

Stuart Davis: In Full Swing passes over the artist's earliest efforts to begin in 1921 with his breakthrough paintings of tobacco packages.

Ranging across Jasper Johns's entire career — from his breakthrough paintings of the 1950's, which paved the way for the subsequent development of pop art and minimalism, Jasper Johns has had numerous museum retrospectives throughout his career, including paintings, drawings, prints as well as a host of other themes; recent highlights include the landmark 1997 exhibition» «Jasper Johns: A Retrospective» at the Museum of Modern Art, curated by Kirk Varnedoe and the breathtaking 2008 «Jasper Johns: Gray» at the Art Institute of Chicago and The Metropolitan Museum of Art.

Ranging across Johns's entire career — from his breakthrough paintings of the 1950s, which paved the way for the subsequent development of Pop art and Minimalism, to his most recent work — the survey offers a rich overview of the visual and philosophical inquiries central to Johns's practice and illuminates his enormous impact on artistic developments following Abstract Expressionism.

Not exact matches

Coupled with the fact that ESPN add that United are targeting another midfield signing this summer, it paints a pretty bleak picture of his long - term hopes of making a breakthrough at Old Trafford and so these touted talks will likely be vital in clearing up the matter and formulating a plan.

She has an artistic breakthrough painting women who look like Lili and seeks solace with a handsome art dealer (Matthias Schoenaerts), a childhood friend of Einar's.

A Bigger Splash — the title presumably taken from David Hockney's celebrated painting of a California pool — marks director Luca Guadagnino's first feature since his breakthrough, I Am Love.

Since his international breakthrough score for «Girl with a Pearl Earing,» Alexander Desplat has painted memorably melodic portraits of impossible love from «Birth» to «The Curious Case of Benjamin Button» and «The Danish Girl.»

3 Clyfford Still painted a traditional portrait of his mother (PH - 420) in 1946, the same year as his breakthrough exhibition of completely abstract paintings at Peggy Guggenheim's Art of this Century Gallery.

Her breakthrough painting, the work that established her artistic identity and announced the arrival of a major artist, is «Mountains and Sea» (1952), currently touring in an exhibition of Abstract Expressionist...

Gilliam has a first of his own, a breakthrough at least as important, if lesser - known — it came in 1967, a few years after the stripe paintings, and the way he describes it, it was almost an accident.

When I made that first car painting with the overgrown backyard, that was sort of the breakthrough.

D. C. Moore does exhibit one abstract painting, and for once one can truly imagine Pollock's breakthrough in the hands of another sensibility rather than of a copycat.

Frankenthaler did begin with landscape, as with the breakthrough poured paint of Mountains and Sea, but Flexner's earth is on the scale of geologic time.

Its delicate balance of drawing and painting, fresh washes of color (predominantly blues and pinks) and breakthrough technique have made it one of her best - known works.

Soulages describes his discovery of Outrenoir as a breakthrough, but he was working in black all along, including paintings in oil from the 1950s and 1960s on the second of the exhibition's three floors.

Riot Grrrls, at the Museum of Contemporary Art Chicago is a direct response to gender bias with a celebration of bold, breakthrough abstract painting.

In 1948, the artist painted his breakthrough work, Onement I, which is now in the collection of The Museum of Modern Art, New York, and features the first of his signature «zips»: vertical lines running down the canvasses, which divide spatial composition, infuse them with energy, and create a parallel to the spectator's own figure.

Chief among these is the megawatt debut of Leonard Lauder's Cubism collection at the Met, with his historic gift of art — 33 pieces by Picasso, 17 by his co-conspirator Braque, 14 by Léger, and 14 by Juan Gris (all valued at over $ 1 billion)-- telling the story of the still - mysterious aesthetic breakthrough that modernized the tradition of painting.

The painting is not known to have been a part of the exhibition in the Dobychina Art Bureau but is believed to date from this same period of creative breakthrough and, if not included, was, presumably painted very soon after the show closed in January 1916.

At the time of his breakthrough Whitechapel Gallery exhibition in 1958, Davie's improvisatory paintings were as «out there» as British art got.

At the Morgan Library, French manuscript illumination learned from three different Renaissance breakthroughs — the great painting in northern Europe, art in the churches of Italy, and art forms confined merely to books for princes and cloisters.

The paintings made in this period were created with the use of photographic images, something that had previously been inconceivable to him and to academic painting, and it marked the pivotal breakthrough.

Abney's breakthrough came with her MFA thesis painting Class of 2007 in which she painted her classmates as black prisoners whom she guarded, depicting herself as white.

The resulting work, Fela: Amen, Amen, Amen, Amen... (2002), ended up being one of the most talked - about works in the exhibition, and likewise represented another breakthrough for Barkley, which ultimately got him painting large - scale portraits again.

Apart from the impact that Northern European modernist landscape and figurative painting had on the members of the Group of Seven, the breakthrough to modern movements came in Montréal in the 1940s through efforts initiated by artists themselves.

Examining the connection between breakthroughs in photography and new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.

The show was a failure in that nothing sold, but a success in that the paintings were sufficiently innovative to shock some of his new friends, the Abstract Expressionists, into including one of them in their breakthrough Ninth Street show.

David Humphrey at Fredericks & Freiser, through Jan. 19 David Humphrey's new paintings represent something of a breakthrough for the New York artist.

His true breakthrough was in the year of 1935 when Willem was chosen to be the official artist of the federal art project for the WPA (Works Progress Administration) that needed him to paint a number of murals and other similar works.

The Women of Abstract Expressionism exhibition features Frankenthaler's breakthrough stain painting Mountain Storm, Jacob's Ladder on loan from The Museum of Modern Art and Western Dream, one of my favorites.

Although the new work is formally different from the paintings with which Ammerlaan made his breakthrough, they are essentially a continuation of Ammerlaan's «alchemical» research into perception, into the boundaries of painting and unpredictable processes.

explores significant breakthroughs by artists who pushed the language of abstraction forward by finding innovative ways to apply paint to canvas, focusing on expressive use of colours, and championing improvisational techniques.

Her initial breakthrough came in 1959 with a work called «net painting,» on which she covered a large canvas with countless patterns of small netting.

Photo: Richard Schmidt) As we make the journey through Hockney's oeuvre — one that the artist has also clearly enjoyed revisiting — we move from his formative pictures as a student at the Royal College of Art in London, through to the breakthrough Los Angeles paintings — typified by A Bigger Splash (Hockney first moved to the Hollywood Hills in 1979)-- to the first big room of the show: a stunning display that reunites Hockney's celebrated series of large double portraits.

Jennifer Bartlett: New Paintings, 1998 Text by Kay Larson 46 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-39-5 A fully - illustrated catalog of Jennifer Bartlett's 1998 breakthrough exhibition at the Locks Gallery in Philadelphia.

His breakthrough painting, Look Mickey, 1961, is as light as it gets and its themes run through the painter's career: it conflates high and low culture, it contains text, it's a joke about seeing and not - seeing and it is, of course, painted entirely in red, yellow and blue.

Another major breakthrough for him came with the landmark, mural - scale 1971 painting Railroad Horse (now in the collection of the Museum of Fine Arts, Boston), featuring cascades of vibrant, poured pigment, Poons then came to be regarded as one of the foremost Color Field painters.

His breakthrough came with a series of enigmatic oil paintings featuring enlarged details from historical paintings, elevating them to a motif in their own right through a play of perception and proportion.

His breakthrough came due to his famous triptych painting Three Studies for Figure at the Base of the Crucifix.

TRACEY EMIN EXORCISM OF THE LAST PAINTING I EVER MADE Following the success of Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - year hiatuOF THE LAST PAINTING I EVER MADE Following the success of Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - yearPAINTING I EVER MADE Following the success of Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - yearPAINTING I EVER MADE Following the success of Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - year hiatuof Tracey Emin's iconic My Bed, 1998, which achieved a world record price at auction quadrupling its pre-sale estimate to realise # 2,546,500 / $ 4,351,969 / $ 3,178,032 (estimate: # 800,000 - 1,200,000) in July 2014, Exorcism of the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - year hiatuof the Last Painting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - yearPainting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - yearPainting I Ever Made, 1996 (estimate: # 600,000 — 800,000, illustrated left), documents a seminal moment of breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - year hiatuof breakthrough within the artist's oeuvre, witnessing an impassioned re-engagement with her painting and drawing practice after a six - yearpainting and drawing practice after a six - yearpainting and drawing practice after a six - year hiatus.

The first perhaps marked a satisfactory conclusion to the inward logic of the monochrome and took the form of two sculptural pieces made of panes of glass and painted grey on one side, Richter's second breakthrough of 1977 was the development of a substantial number of colourful abstract works he described simply as «Abstraktes Bild».

However, the question remains: What is the relation of Gorky's work to «mature» Abstract Expressionist painting, which can be thought to have begun around 1947, the year of the «breakthroughs» of de Kooning, Pollock, Clyfford Still, and Hans Hofmann, soon to be followed by Mark Rothko, Barnett Newman, Estaban Vicente, Franz Kline, Philip Guston, and others?

The paintings often shift between abstraction and representation, like his breakthrough series, «terrazzo» paintings, that imitate the visuality of Italian stone floors and at the same time call upon the expressivity and spontaneity of abstract expressionism.

Abstract painting was not new, but large — scale abstraction was the breakthrough of this group — artmaking was no longer confined to the canvas on an easel.

He got his breakthrough by incorporating e.g. tarpaulins and velour into his works thereby joining the group of American artists who confronted the art critics who had declared painting dead.

In the specific context of abstract expressionism, a breakthrough entailed a move away from figuration towards abstraction and, most particularly, from the European tradition of painting towards a unique personal style.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

Highlighting ten paintings from 1951 to 1991, this publication provides an introduction to the work of American abstract painter Joan Mitchell (1925 - 1992), examining her breakthrough as an artist in postwar New York, her time in France and the airy abstract impressionism of her late paintings.

Because Kline sketched and painted this photograph so many times, he acquired such a familiarity with it that he could apparently sketch it blindfolded in less than thirty seconds.39 This skill necessarily involved what Kline had described in 1956 as the process that had led to his breakthrough to abstraction: «breaking down the structure into essential elements».40 In the photograph, the posture of Nijinsky in absolute terms and relative to the frame has a striking structure of a kind that persists in Kline's abstract work, in which there is a tension between the composition internal to the painting and the limits of the canvas.

It worked, or perhaps the definition of the abstract expressionist was relaxed or Kline's use of sketches was forgotten, such that the art critic and poet Frank O'Hara could later write: «[Kline] is the Action Painter par excellence».48 Emphasising the moment of breakthrough served to give an impression of compressed time, so that this unique episode could stand in for all of the works, which Kline had painted much more slowly and with sketches.