Sentences with phrase «bridging life and art»

Francesco Clemente: I was already aware of contemporary art at an early age, by 16, and I had been looking at certain Italian artists, like Pino Pascali or Michelangelo Pistoletto, who appeared to my teenage eyes capable of bridging life and art.

Weathering Time became a sort of personal archive chronicling Floyd's persistence in documenting herself, bridging her life and her art as she presented herself to us as a photographer, a pet owner, a woman, a mother, sister and daughter, and also simply as a human being.

became a sort of personal archive chronicling Floyd's persistence in documenting herself, bridging her life and her art as she presented herself to us as a photographer, a pet owner, a woman, a mother, sister and daughter, and also simply as a human being.

Not exact matches

There's the world - renowned Sundial Bridge, nearby state and national parks, and a downtown Redding scene with live music, dining, performances, and public art.

2) Maggy from Red Ted Art and Life at the Zoo shared a bridge made out of paper and Legos.

The High Bridge Festival included a public art installation, walking tours of the bridge, a «Bridge Making Workshop» presented by the Bronx Children's Museum, and live entertainment, including a performance by Jose Peña Suazo y La Banda Bridge Festival included a public art installation, walking tours of the bridge, a «Bridge Making Workshop» presented by the Bronx Children's Museum, and live entertainment, including a performance by Jose Peña Suazo y La Banda bridge, a «Bridge Making Workshop» presented by the Bronx Children's Museum, and live entertainment, including a performance by Jose Peña Suazo y La Banda Bridge Making Workshop» presented by the Bronx Children's Museum, and live entertainment, including a performance by Jose Peña Suazo y La Banda Gorda.

Bridge and politics continued to dominate much of my life, alongside an academic career that by the late 1990s had seen me progress from history lecturer to Dean of Arts and Humanities at Lancaster University.

activities include tennis, pickleball, bridge, art classes, rio salado classes... happy, positive person... college degree... taught english, sold real estate, management... lived in chicago, florida, north carolina, california, oregon and now arizona... attractive and confident... almost 5» 4» and sl...

Art Garfunkel joins the line (Jagger, Bowie) of singers who produced career best acting performances for this director - the scene of him smoking while staring over a bridge into the abyss of his life is worth buying the dvd alone - and Theresa Russell is simply incendiary.

Her book, Balm In Gilead: Journey of A Healer (1988), which won the 1988 Christopher Award, given for «literary merit and humanitarian achievement,» was followed by I've Known Rivers: Lives of Loss and Liberation (1994), and The Art and Science of Portraiture (1997), which documents her pioneering approach to social science methodology; one that bridges the realms of aesthetics and empiricism.

It is about a recently retired university professor who moves to a retirement complex for a safe, no - stress life full of Bridge games, yoga, water aerobics, music concerts, art classes, afternoon tea, and shopping trips to the Mall and Walmart.

Fed up with the way society has formed around her, Brooklyn quite literally pulls away from New York — its bridges breaking and tunnels flooding — and proposes thathumanity return back to days of old where things and people were defined by their ethics, values and contributions; where skills and art could be bartered and traded; where land could be farmed to sustain life and spawn beauty.

Welcome guests at Luxury Villa Ubud will succumb to the lush terrazzo floors, the authentic art work, the open plan kitchen, the separate TV viewing room, the sparkling dining room, the alternative dining areas, the spacious upstairs terrace and separate living pavilion, the tropical garden that is wide and deep and very inviting and the bridge that goes over the pool is the icing on the cake

Listed alphabetically, selected Gill & Lagodich framing projects for the High Museum of Art include provision of period frames for Albert Bierstadt, Pioneers of the Woods, California, ca. 1863; William Mason Brown, Peaches on a White Plate, ca. 1880; Patrick Henry Bruce, Leaves, 1912; William Merritt Chase, Still Life with Fish, ca. 1910; Joseph Decker, Still Life with Peanuts, ca. 1890; Robert S. Duncanson, Woodland Stream, An Idyll by the Bridge, ca. 1865; Childe Hassam, Seascape — Isle of Shoals, 1902; May Hallowell, pastel portrait, ca. 1880s; Martin Johnson Heade, Twilight, ca. 1886; Alfred Cornelius Howland, Fourth of July Parade, ca. 1886; John F. Kensett, Camels Hump... Western Shore... Lake Champlain, 1852; Ernest Lawson, Washington Bridge, Harlem River, ca. 1915; Jervis McEntee, The Hudson River Valley, c. 1874; William Trost Richards, Lake Scene, Boating, 1861; John Sloan, Quaker Nell (Helen M. Taylor), 1916; Henry Ossawa Tanner, Destruction of Sodom and Gomorrah, 1929 - 30; Henry Ossawa Tanner, View of Fez, ca. 1912; Elihu Vedder, Waves at Palo, 1874; Thomas Worthington Whittredge, Rolling Hills, 1846; Hale Woodruff, Old Farmhouse in Beauce Valley, ca. 1927; Hale Woodruff, Results of Good Housing, ca. 1941 - 43; and Hale Woodruff, Results of Poor Housing, ca. 1941 - 43.

Born in 1973 in Chicago, where he continues to live and work, Gates attempts to bridge the gap between art and life have lead to a body of work which initiates and encourages social interaction, creating vibrant urban spaces which act as grounds of social and political change.

The methods of teaching developed at the BMC — such as an emphasis on interpretation and dialogue in the form of the student critique (or «crit»)-- are still present in many of our most advanced art schools; the language of interdisciplinarity began at BMC and the mixture of disciplines and mediums gave way to what is largely regarded as the first «happening»; and the aspirations of intentional communities, utopian ways of thinking, bridging the gap between art and life, and the creation of a counter-culture that are characteristic of American culture in the 1960s all flourished at the college in the preceding decades.

2013 Wipala / Annicā, Surveying: William Cordova & Glexis Novoa, Bridge Red Studios, North Miami, FL Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at Museo de Arte de Lima, Lima, Peru Curadores come home II, Curated by Rachel Weis & Sandra Ceballos, Espacio Aglutinador, Havana, Cuba Antonia Eiriz: A Painter and Her Audience, MDC Museum & Galleries of Art + Design, Miami, FL Faux Life, Richard Heller Gallery, Santa Monica, CA El Canto del Cisne, Instituto Cervantes in Berlin present the documentary El canto del Cisne (Swan song) produced and directed by Glexis Novoa; Kino Babylon, Berlin Mentes peligrosas, Espacio Aglutinador, Havana, Cuba Empire, Curated by Natika Soward, FiveMyles, Brooklyn, NY Politics: I do not like it, but it likes me, Curated by Agnieszka Kulazinska and Dermis León, Center for Contemporary Art Laznia, Gdansk, Poland Aesthetics & Values 2013, Patricia & Phillip Frost Art Museum, Miami, FL

2008 Alex Hubbard and Oscar Tuazon, Contemporary Art Museum St. Louis, Saint Louis / MO, USA September Show, Tanya Leighton, Berlin, Germany Degrees of Remove: Landscape and Affect, Sculpture Center, Long Island / NY, USA Sommerakademie, Paul Klee Zentrum, Bern, Switzerland You Complete Me, Western Bridge, Seattle / WA, USA Transformational Grammar, Francesca Kaufmann, Milan, Italy Sack of Bones (Los Angeles), Peres Projects, Los Angeles / CA, USA Group show, Dependance, Brussels, Belgium Contemporary Northwest Art Awards, Reed College, Portland / OR, USA Rendez - Vous Nowhere, Centro Cultural Montehermoso, Vitoria - Gasteiz, Spain The Station (curated by Shamim Momin), Miami / FL, USA Suddenly: Where We Live Now, Douglas F. Cooley Memorial Art Gallery, Portland / OR, USA

Where the abstract expressionists sought harmony and purification of the pictorial space, his neo-avant-garde instead aimed to diminish the authorial role of the artist and bridge the gap between art and life.

«To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world».

Theaster Gates» practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life.

Ray Johnson (1927 - 1995), an early conceptualist and pioneer of mail art, ended his life by diving from the Sag Harbor - North Haven Bridge.

His attempts to bridge the gap between art and life have lead to a body of work which initiates and encourages social interaction, creating vibrant urban spaces which act as grounds of social and political change.

Gates» practice is wide - ranging and polysemous, attempting to bridge the gap between art and life and catalyse social and economic change through direct artistic agency.

Icon of Modernism: Representing the Brooklyn Bridge, 1883 - 1950 / through December 11 Man's Canyons: New York on Paper / through December 31 Gifts and Prayers: The Romanovs and Their Subjects / through December 31 * Living Color: Gary Hudson in the 1970s / through January 8 Georgia Museum of Art

In her work, Saar voices her political, racial, religious and gender concerns in an effort to «reach across the barriers of art and life, to bridge cultural diversities and forge new understandings.»

Saar voices her political, racial, religious, and gender concerns in her art so that she may «reach across the barriers of art and life, to bridge cultural diversities, and forge new understandings.»

He is now as famous for claiming to act within the «gap between art and life» as he is for his Combine works, in which he bridged the gulf between painting and object.

The Distant Unknown aims to bridge Chinese audience and British art, which is no longer in the distance and unknown, and more importantly, to urge us to reflect the notion of «distance» in our everyday life.

Rauschenberg's work is committed to dialogue with the world around him, bridging «the gap between art and life,» as he once explained.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Cecilia Vicuña (b. 1948, Santiago, Chile) is a poet, visual and performance artist, and filmmaker whose multi-disciplinary and multi-dimensional works bridge art and life, the ancestral and the avant - garde.

Taking advantage of the unique urban landscape and high density of artist studios in DUMBO, Brooklyn, the first Art Under the Bridge Festival included open studios, live music and dance performances, and an art paraArt Under the Bridge Festival included open studios, live music and dance performances, and an art paraart parade.

, Grand Palais, Paris, FR Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, CCS Bard Hessel Museum, Annandale - on - Hudson, US ArtMart 2007, Para / Site, Hong Kong, CN Performance On Demand, EAI Viewing Room At EFA Gallery, EFA Gallery, New York, US The Living Currency (La Monnaie Vivante), STUK, Leuven, BE; traveled to Tate Modern, Turbine Hall Bridge, London, UK RCA Secret (card show fundraiser), Gulbenkian Galleries, Royal College of Art, London, UK Déjà - vu, curated by Hans Peter Feldmann, Frac Nord - Pas de Calais, Dunkerque, FR Soirée der Perspektiven, Museum Ludwig, benefit show and sale, Cologne, DE In the Stream of Life, curated by Mélanie Beouteloup, Christophe Gallois, Bétonsalon, Paris, FR Postcards From The Edge, Visual AIDS, New York, US 40th Anniversary Galerie Anselm Dreher, Galerie Anselm Dreher, Berlin, DE Death Becomes Her, Yvon Lambert Temporary Space, Miami, Florida, US Art In Motion, Y - 3 & EAI, Miami, Florida, US

Bridging art and life, Gilbert & George are the subjects and objects of Photo - Piece (1971), an installation of photographs of themselves in nature interspersed with images of a forest.

For Bultman, who unfortunately missed his photo - op as one of «The Irascibles» (the group of Abstract Expressionist painters made famous by a 1951 photograph in Life magazine), the paradox in painting was bridging nature and art.

Since the early 1970s his work bridged the gap between conceptual art and documentary practices, focusing on economic and social themes ranging from family life, work and unemployment, to schooling and the military industrial complex.

Robert Rauschenberg is best known for the «combine,» a hybrid form of painting and sculpture that integrates humble materials, found images, and paint to bridge what he called «the gap between art and life.»

Often called the greatest living artist in America, if not the world, Jasper Johns created a bridge between painting and what was to become conceptual art with his mid - «50s portraits of what «the mind already knows» — maps, flags, targets, and other flat images that could be rendered so faithfully in paint that there was barely any sunlight between the depictions and what was depicted.

Vicuña is also widely known for her performances and participatory interventions, which are designed to «bridge the gap between art and life, the ancestral and the avant - garde,» such as her performance of Paracas (2008) at the Brooklyn Museum, where her eponymous film, referencing the ancient Andean culture, was projected over the artist and a textile background.

Since starting his career in the 1990s, David has inserted himself into social communities to produce his work, creating a bridge between art and life.

Carter's multidisciplinary practice that includes painting, sculpture, installation, performance, and design bridges the gap between art and life.

The exhibition Fuel to the fire forms a bridge between the two figures Ricardo Brey unites within himself: on the one hand the historical artist at a crucial time in the history of Cuban art, and on the other the artist who lives and works in Flanders, and makes work that is highly contemporary, critical to the consumption of images and the slickness in which they now tend to dress themselves.

Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.

Artes Mundi is Latin for «Arts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woArts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woarts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world.

She began her early career in New York with the group exhibition, «76 Jefferson Street,» at the Museum of Modern Art in 1975, featuring artists who had lived and worked in the 1893 loft building near the East River and the Manhattan Bridge, an area on the Lower East Side which began to attract artists and musicians in the mid-1950s.

«With an eye toward the Beuysian trope of social sculpture that aims to shrink the intellectual and entertainment - value distance between art and everyday life and another eye on science, Strachan strives to make works that bridge gaps in the imagination and in effect allow us to see things we don't often see, to make the invisible visible.

Cheng called the Rift «the perfect bridge tool,» explaining that the device produces work that can «live very comfortably in the world of art and the world of games.»

Lewis's life and work form a bridge between the art of the Harlem Renaissance, Abstract Expressionism, and activist art of the 1960s.

These sponsorships include: Atlantic City Race Series, Battleship New Jersey, Cooper Norcross Run the Bridge Challenge, Girl Scouts of Central and Southern NJ, Good Grief, Live Nation (PNC Bank Arts Center and Susquehanna Bank Center), March of Dimes, NJ Devils, Rutgers Athletics, Special Olympics of New Jersey, Sun National Bank Center, Trenton Thunder For six consecutive years, AmeriHealth New Jersey has been named one of the Best Places to Work in the state.