Sentences with phrase «bright background objects»

According to Shvartzvald, Yee and their colleagues, OGLE -2016-BLG-1195Lb is the lowest mass world ever discovered through microlensing, a technique in which light from a star that passes in front of a bright background object causes the latter to appear brighter, thus allowing scientists to detect anomalies created by a planet orbiting in the foreground.

Not exact matches

The cluster is so massive that its powerful gravity bends the light from galaxies far behind it, making background objects appear larger and brighter in a phenomenon called gravitational lensing.

This non-linear response can make dark objects in bright backgrounds look smaller than bright objects in dark backgrounds.

The cheerful, bright images are beautifully designed and contrast well against stark white backgrounds, making it easy for young children to point as they add up objects, animals, and kids.

In some stages, you'll be playing as a silhouette against a bright background and still the strong art style in the game ensures you can still make out every object and enemy despite only seeing their silhouette and animations.

Bright colors flashing all over the place and background objects moving really fast.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

All the objects on the table are rendered by layering bright photo paper, while the background is a formal arrangement of doors, walls, and floor in a controlled, almost chalky palette.

Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.

It is well known that full array local dimming (FALD) backlight systems produce better black levels — and therefore better contrast — as well as higher peak brightness, all while minimizing cloudiness and halos around bright objects on dark backgrounds.

While there are some differences in manufacturing style, the only time it's noticeable is when bright objects appear on darker backgrounds.

The LG C7's per - pixel illumination also means that there is no unwanted haloing when a bright object is shown on a dark background.

That should help it address one of the few weaknesses of the 2017 model we tested, which revealed some haloing around bright objects on dark backgrounds.

Colors look bleached in bright sunlight and focusing in on small details leaves objects in the background blurry.