Sentences with phrase «bright objects on»

And where even ultra HD LCD sets can bleed light and create faint halos around bright objects on the screen, the LG OLED delivered clean, sharp lines without any blooming or blurring.

That should help it address one of the few weaknesses of the 2017 model we tested, which revealed some haloing around bright objects on dark backgrounds.

It is well known that full array local dimming (FALD) backlight systems produce better black levels — and therefore better contrast — as well as higher peak brightness, all while minimizing cloudiness and halos around bright objects on dark backgrounds.

Not exact matches

An examination of Zuckerberg's management approach reveals that his success rests on three pillars: his unique ability to look into the future, his otherworldly consistency, and the business discipline he has nurtured in an industry quite often enamored of bright, shiny objects.

You must resist the lure of the brightest, shiniest objects, and the seduction of mystics who love and promote them, instead insisting on what works.

Pasting bold bright pictures of faces, or common objects on construction paper or cardboard is quite alright with baby.

During the first few months of life a child can focus on an object 8 - 10 inches away, but does not see detail, so it's good to have bright contrasting colors with defined edges when choosing gifts for newborns.

This age group can focus on objects a bit further away than the newborns but it is still useful to have bright contrasting colors with defined edges.

More accurate distances between the most common type of «planetary nebulae» and the Earth can be estimated simply with three sets of data: firstly, the size of the object on the sky taken from the latest high resolution surveys; secondly, an accurate measurement of how bright the object is in the red hydrogen - alpha emission line; and thirdly, an estimate of the dimming toward the nebula caused by so called interstellar - reddening.

This discovery — based on sightings of unexpectedly bright objects that should be too far away to see so clearly — may call into question our understanding of how galaxies are born and evolve.

Scientists theorize the bright objects are pieces of dry ice that have broken away from points higher on the slope.

Robert Bright is undoubtedly on the right track with his biological theory of why some objects multiply while others disappear...

Detailed analyses of light from the object suggest that, as seen from Earth, the binary system is seen edge on, with each bright blue star eclipsing the other on a regular basis.

Astronomers measure the brightness of objects in the sky on a scale of apparent magnitude — the brighter the object, the greater the negative number; the dimmer, the greater the positive number.

When the children first viewed a Van Gogh painting, they focused on bold, bright colors and attention - grabbing objects: A striped house, vivid roses, dark trees painted against a light skyline.

There may be a large number of undetected bright, substellar objects similar to giant exoplanets in our own solar neighborhood, according to new work from a team led by Carnegie's Jonathan Gagné and including researchers from the Institute for Research on Exoplanets (iREx) at Université de Montréal.

«It has been known for decades that there is a mechanism in the retina in the eye that helps us see small objects and detect edges on bright days, and that this mechanism gradually turns off when it is dark.

We need to see fine spatial details on bright days and to see large dim objects on moonless nights.

It is elongated due to its proximity to the limb... by looking at it carefully I noticed an extraordinary phenomenon on her, on the penumbra to the west of the nucleus, and almost in contact with it, a very bright object was distinguishable producing a shadow clearly visible on the sunspot penumbra.

On the astrophysics side, Gerry is fascinated by quasars which are by far the brightest astronomical objects.

The team has focused on a particular type of objects called Dust - Obscured Galaxy (DOG) that has a prominent feature: despite being very faint in the visible light, it is very bright in the infrared.

Viewed from a planet at Earth's orbital distance around Alpha Centauri A, stellar companion B would provide more light than the full Moon does on Earth as its brightest night sky object, but the additional light at a distance greater than Saturn's orbital distance in the Solar System would not be significant for the growth of Earth - type life.

Scientists often rely on backyard astronomers to patrol the skies for newly appearing pinpoints that are brighter and clearer than the objects around them.

A rapidly rotating object with a bright spot on it could produce the quick flashes if the bright spot was lined up with the Earth.

It was originally detected by its gravitational attraction on the larger, brighter star and only later observed visually as a faint object (now called Sirius B), about 10,000 times fainter than Sirius (now called Sirius A) or 500 times fainter than the Sun.

Abstract: Extremely red objects, identified in the early Spitzer Space Telescope observations of the bright - rimmed globule IC 1396A and photometrically classified as Class I protostars Class II T Tauri stars based on their mid-infrared colors, were observed spectroscopically at 5.5 to 38 microns (IRS), at the 22 GHz water maser frequency (GBT), and in the optical (Palomar).

The sources photometrically ide... ▽ More Extremely red objects, identified in the early Spitzer Space Telescope observations of the bright - rimmed globule IC 1396A and photometrically classified as Class I protostars Class II T Tauri stars based on their mid-infrared colors, were observed spectroscopically at 5.5 to 38 microns (IRS), at the 22 GHz water maser frequency (GBT), and in the optical (Palomar).

On June 11, 2008, On August 24, 2006, the International Astronomical Union (IAU) voted at the meeting of its Executive Committee to establish bright «dwarf planets beyond the orbit of Neptune as a new class of substellar objects in the Solar System called «plutoids» (IAU press release).

Bañados was on a search for quasars, which are extremely bright objects that have a supermassive black hole embedded in them.

Previously classed as spectral type M4.5 e (with emission lines), the object was observed to be four times brighter than would be expected for a dim red dwarf of that type based on a revised parallax measurement of its distance from the Solar System (Ken Croswell, Science@Now, September 6, 2011).

ALMA image of SDP.81 (orange arches around the bright object) overlaid on a near - infrared image taken by the NASA / ESA Hubble Space Telescope.

The galaxy, EGS - zs8 - 1, was originally identified based on its particular colors in images from Hubble and Spitzer and is one of the brightest and most massive objects in the early universe.

A new analysis of galaxy colors, however, indicates that the farthest objects in the deep fields must be extremely intense, unexpectedly bright knots of blue - white, hot newborn stars embedded in primordial proto - galaxies that are too faint to be seen even by Hubble's far vision — as if only the lights on a distant Christmas tree were seen and so one must infer the presence of the whole tree (more discussion at: STScI; and Lanzetta et al, 2002).

In 1960, one of these bright radio - emitting objects was identified as a faint, bluish - looking «star» by astronomers using the 200 - inch telescope on Palomar Mountain in California.

In addition, Ceres» light spectrum suggests that it may have ammonium - rich clay at the surface, which would fit the expected ammonia - rich composition of large, differentiated substellar objects in the outer Solar System, including the «plutoids» defined on June 11, 2008 by the International Astronomical Union (IAU) as a new class of bright «dwarf planets beyond the orbit of Neptune (IAU press release).

Colors are brighter and the darker spots bring out the contrasting between on the objects as well as people on screen.

Spade's title character is an unattractive, unwashed janitor at a Los Angeles radio station who is brought on the air by a DJ (Dennis Miller, one of the film's few bright spots) for the sole intention of being an object of ridicule.

They learn best from social interactions with a caregiver that focus on the here and now — on real objects or bright pictures of an object.

The rear - facing, 8 megapixel camera will do fine with basic snapshots, but colors are off (bright colors look very muted, and white objects took on a decidedly yellow tint in my testing).

«and dismantling unwanted objects does not provide Bright Dust — one of the currencies you can earn to spend on the Eververse» that statement is not true and anyone who plays or pays any attention to D2 should know better.

On the bright side, you can find extra lives by defeating certain enemies or destroying certain objects, and you have a few continues to hold onto.

I venture that her work frequently alludes to Surrealism in the way it plays with domestic objects: Hamilton's bright red, globular Vulcano Table (2014) on display here seems to me a perfect example.

The play of light on these works gives them an eerie, immaterial quality that's only enhanced by the viewer's awareness of them as made objects; the whiteness of the paint acquires a new intensity as your eye takes in the darker and brighter elements that contradict it even as they make it up.

Visitors are invited to observe airborne and earthbound geometric constructions saturated in bright colours; examine his Bólides (Fireballs), interactive composite objects filled with sand and other substances, which were intended to be handled by viewers; dance samba in one of his Parangolés, capes designed by the artist to be worn by the public; play billiard on a pool table that is supposed to send you back to the atmosphere of Vincent Van Gogh's painting The Night Cafe; and experience immersive exotic or unfamiliar environments, as in his installations Tropicália (1967) and Eden (1969).

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

On the occasion of the show, Carossa exhibits a new body of organic / animal - like - shape sculptures made by using expanded foam, colors and found objects, whose interaction in the limits of both the piece and space, offer viewers mixed feelings, based on a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and lighOn the occasion of the show, Carossa exhibits a new body of organic / animal - like - shape sculptures made by using expanded foam, colors and found objects, whose interaction in the limits of both the piece and space, offer viewers mixed feelings, based on a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and lighon a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and light.

For example, the film «Wounds and Absent Objects», a homage to Kapoor's hero, American abstract expressionist Barnett Newman (1905 - 70), suggests a deep journey from colour to darkness; on the screen, viewers see a single - coloured image, very much like one of Newman's painting, that shifts from brighter to darker shades.

Whether the focus is on chicken wire entwined with an overgrowth of bright yellow wildflowers or the shape and texture of cherry red cushions, he demonstrates the value of giving everyday objects a second look.

Quite cleverly, the bright and colourful artworks have two sides of a story to tell: on one side, Lucia provides a drawing of an object from everyday life; on the other lies the holiday version of the same object.

All the objects on the table are rendered by layering bright photo paper, while the background is a formal arrangement of doors, walls, and floor in a controlled, almost chalky palette.