Sentences with phrase «bright paintings often»

Not exact matches

Bright, shiny, often red paint, and a clean convertible top looks fantastic on any car from 50 feet away.

A native of Sept - Iles, Quebec, her paintings are often bleak depictions of frozen tundras or autumn trees so bright they could nearly burn a hole in the canvas.

July 11, 2012 - July 26, 2012 Reception: July 10, 6:00 pm — 8:00 pm Hilary Doyle, Anthony Giannini, Rachel Klinghoffer, Francisco Moreno, Kimo Nelson, Arthur Pena, Michelle Rawlings, Astrid Toha, Page Whitmore, Bruce Wilhelm RISD MFA Painting 2012... It is often said that the brightest stars are not stars at all, but planets.

Mr. Leroy often finishes off a painting with bright slashes of color or relatively pure white.

His thin, mostly diagonal lines run nearly the breadth of his small paintings, most often in bright primary colors.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with latticework of bright color creating patterns from negative space.

It has two whole rooms for painting, one with her beginnings and the other (coming first) with brighter canvases often turned forty - five degrees and a shelf for unspooled audiotape.

Her work explores the area between painting and sculpture, and often pairs bright and soft colors with found objects.

Often crumpled in an industrial crusher and spray - painted in bright colours before being welded together into their final shape, his abstract sculptures are now being placed within the gallery and gardens of Inverleith House, the outdoor location drawing out an unexpected organic quality in the artist's heavy metal works.

Impressed by the «stain» paintings of Morris Louis, Noland developed a pictorial language of spare, often bright abstraction centered on concentric circles and repeated chevrons, motifs that he would utilize throughout his career.

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

A magnificent creation, it is built up in layers with bright, often iridescent painted whorls containing the cut - out heads of men with Afros, the surface dotted with dung - balls labelled with map pins spelling the names of eminent black sportsmen, and the whole thing spun into a psychedelic dazzle.

Saito's works are bright and calligraphic, often covered in gestural strokes of color, drips of paint, and stenciled capital letters.

His paintings are often overcast both in mood and hue — the artist is particularly fond of working at night — though they are occasionally punctured by flashes of bright color, sometimes even literally: Gahl pierces his canvases with protruding painted spikes or outside objects.

Placed obtrusively upon the canvases» streaky, tonal backgrounds, his flatly painted anthropomorphic forms like a smiling face or skull often read as visual jokes - bright and somewhat laughable.

Fluid strokes of bright paint vividly suggested the colour and texture of her own ageing skin, although the personas that she adopted were often extremely ambiguous.

In the 1960s he began employing brighter colors and scraping down entire canvases rather than working on top of previous attempts, thus beginning the entire image afresh at each session and often spending months or years on a single painting.

Her playful yet morbid wooded dolls feature bright painted patterns and — often — interpretations of Marisol's own face.

Using a varied palette, from bold, bright colors, to deep shades of blue, red, and green, Finley pushes the boundaries of painting, using color to create an optical depth in his work that is not often seen in two - dimensional paintings.

The paintings often harken to the energetically intersecting planes of early 20th - century Futurist paintings, only updated with saturated hues of bright acrylic colors.

The works are often painted in bright, metallic colors offset by strokes of black, or are left unpainted.

Large - scale, bright, colorful paintings, murals, drawings, sculptures, prints and installations define Kenny Scharf's oeuvre, often depicting animated cartoons or imagined creatures.

This involved the experimental use of varied often bright colour in order to express one's visual sensation (or impression) of nature, in landscape painting and other outdoor artworks, in violation of traditional methods of painting.

His early works were often dark and earthy, but in the United States he discovered bright acrylic paints, which brought a new light to his work.

During that time he abandoned flat paintings and instead created large, jutting, multipart, three - dimensional painting - constructions that often incorporate bright colors, enlarged versions of French curves, and lively brushstroke patterns.

Carrie Moyer's vibrant paintings unabashedly embrace visual pleasure, juxtaposing luminous, watery veils of paint in bright hues, often mixed with glitter, with precisely outlined areas of flat color.

Later in his career he was able to achieve larger scales using the same materials, which he would often paint with splashes of bright, saturated colors.

Grids of bright color on the painted fronts of the canvases create retinal effects like moiré patterns, and the suggestion of visual movement and space, but those surfaces are often interrupted by a reordering of the parts of the painting.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with lattice works of bright color creating patterns from negative space.

Then again, her monumental acrylic paintings — bright, wiry abstractions often built around architectural projections — can resonate with anyone living in the age of globalized spectacle and the swirl of information.

Small bathrooms are often painted white or light colours in the hope that this will make them appear bigger and brighter.