Not exact matches
When we moved into our home a couple
of years ago, I was thrilled to finally have a
space for a
gallery wall, and my instinct was to use a lot
of bright, vibrant art.
Opened in 1993 under the direction
of Masami Shiraishi and situated in a former bathhouse building located in a charming neighborhood
of Ueno Park in Tokyo's Yanaka district, SCAI The Bathhouse
gallery features simple white walls combined with excellent natural light which turn it into a
bright and airy
space.
«The latest edition comes in the form
of Sundaram Tagore [
Gallery], a
bright space filled with vibrant contemporary works personally selected by it's namesake, a notable New York - based curator and descendant
of influential poet and Nobel Prize winner Rabindranath Tagore.»
Made out
of paper in different
bright colors and reed, the walls are» woven» together in a temporary» workshop» that is located in the
gallery space and will remain there throughout the exhibition.
, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private
spaces — SHADOW - PLAY (1970), in which he shadowboxed with a
bright light shining behind him while moving in front
of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend
Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video
space with filmic
space, evolving into complex amalgam
of narrative strategies, photographic images, music and spoken language.
The scene inside the vast garage - like
gallery space resembled an (albeit very hip) children's birthday party, as toddlers and adults alike wandered Ms. Kusama's large - scale model
of a suburban home with sheets
of bright polka - dot stickers.
«The Retirement Party» is a show where a work like Carroll Cannons Undefeated is a highlight
of the main
gallery space — the installation features a football helmet on top
of an artificial Christmas tree standing in a kiddie pool filled with
bright orange Cheetos.
The pavilion
of Serbia at the 14th Venice Architecture Biennale is based on the contrast between a very
bright central
space and an extremely dark
gallery
Recently on show at the Watt
space at Gent's Dift
Gallery, the
bright coloured structures are made from sheets
of bent metal with each piece resembling the outline
of a person.
Any displeasure you feel at seeing Kelly's work around the ramp abates anyway in the
bright, conventional
gallery spaces of the Guggenheim's new annex.
The fragile Nadelman sat on an enormous pedestal in the middle
of the room; the Oldenburg — the lone Pop work in the
space — crowded out the best painting in the
gallery, Jackson Pollock's pre-drip The Blue Unconscious (1946), on loan from a private collection; and the
bright yellow hard - edge Stella, a significant recent acquisition, was inexplicably sandwiched between two black - and - white Franz Kline paintings, interrupting a potentially interesting conversation.
SOHO20 seeks
bright, motivated individuals who are interested in learning all aspects
of nonprofit
gallery management at our
space in the heart
of Bushwick.
, Somerset House, London, UK (2013); Glasstress: White Light White Heat, Fashion
Space Gallery, London, UK (2013); Frida Kahlo: A Life in Art, Arken Museum
of Modern Art, Skovvej, DE (2013); ArTricks, The Israel Museum, Jerusalem, IS (2013), GLASSTRESS: White Light / White Heat, collateral Event
of 55th Venice Biennale, Venice, IT (2013), The Art
of Chess, Saatchi, London, UK (2012); Burning,
Bright: A Short History
of the Light Bulb, The Pace
Gallery, New York, US (2011); Family Ties, GALERIE THOMAS, Munich, DE (2011); The Unconscious in Everyday Life, Science Museum, London, UK (2010); Rude Britannia — British Comic Art, Tate Britain, London, UK (2010); The Surreal House, Barbican Art
Gallery, London, UK (2010); Distortion: 53rd Venice Biennale, The Gervasuti Foundation, Venice, IT (2009); Statuephilia: Contemporary sculptors at the British Museum, The British Museum, London, UK (2008); and Apocalypse — Beauty and Horror in Contemporary Art, The Royal Academy, London, UK (2000).
Artists often incorporate AAC's unique building, which features
bright, airy
spaces and black box
galleries for experimental works, into site - specific installations, resulting in a selection
of never - before - seen exhibitions.
Loughran
Gallery has moved to a
bright, large industrial
space of Cadogan Gardens in Chelsea.
The juxtaposition
of the unheated, industrial New York
gallery space with the
bright, open images
of L.A. is striking, and, according to Cooley, entirely intentional.
Most striking upon first entering the rather intimate
space of LA's Smart Objects is the
bright orange - red carpet which now covers the customary
gallery - white walls.
Yet the
space houses unlikely occupants: colorful parakeets that roost on the pipes and ducts
of the
gallery's
bright ceiling, using the debris as their litter.
Traveled to Hessel Museum
of Art, Bard College, Annandale - on - Hudson, NY; Serpentine
Gallery, London; Reykjavik Art Museum; Herning Kunstmuseum, Denmark; Centre for Contemporary Art, Warsaw; Le Musée de Sérignan, France; Galerie Rudolfinum, Prague; Songzhuan Art Centre, Beijing (catalogue) La Séance du Dimanche, Centre Culturel Suisse, Paris 2004 Real World: The Dissolving
Space of Experience, Modern Art Oxford (catalogue) 2003 Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections, Dallas Museum
of Art 2002 Play it as it Lays, London Institute 2001 Sonsbeek 9: Locus / Focus, Arnhem, The Netherlands (catalogue)
Bright Paradise: Exotic History and Sublime Artifice / The 1st Auckland Triennial, The University
of Auckland Art
Gallery (catalogue) 2000 Mise en Scene: New Los Angeles Sculpture, Santa Monica Museum
of Art, CA.
Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation
of Desire», Kunsthalle Winterthur 2012 «The
Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal
Gallery, Mexico City 2005 «Other Objects», The Other
Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The
space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty
Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One
of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.
Ranging from implicating the viewer into images
of protest and slowing down the visitor's eye with a wall
of bright neon text, the
gallery has dedicated their ample
space toward blockbuster works that will pleasantly fill a significant portion
of your time near the Southern entrance
of the Fair.
It's a short walk through East London's elegantly dishevelled backstreets to Breese Little, an ambitious young
gallery whose opening exhibition at their new
space — a group show incorporating artists as diverse as Charles Avery, Marcel Broodthaers and Ian Hamilton - Finlay — was among the
bright points
of the spring season.