Sentences with phrase «bright yellow background»

A salon - style portrait gallery offers a range of depictions of relationships from close personal ties such as Man Ray's photograph of lover Nancy Cunard (1928); Rashid Johnson's painting of his father made with Afrocentric materials like black soap (2014); Alex Katz's painting of his wife and muse on a bright yellow background in Black Hat No. 3 (2010); Alice Neel's portrait of her son's seated colleague Stephen Herbert (1977) in a relaxed informal pose; to more distant connections.

One day, the folks at eBay decided they no longer liked the bright yellow background on many of their pages, so they just changed it to a white background.

Thus, in search results, your profile will appear on a bright yellow background, being impossible to be missed.

The bright yellow background makes the colors pop.

Not exact matches

For example, when everyone thinks of McDonald's, the bright yellow arch and cheery red background comes to mind.

A cursory examination of my current wardrobe revealed that I had nothing that would coordinate or contrast with a bright yellow and blue background, that I haven't already worn a billion times, or catalogued on the blog here before.

The tropical bedding is decked out in lovely light green and yellow leaves layered across a bright aqua background.

Yellow is so cheery and bright and I love the contrast of it with the white background of my mantel.

These beautiful, bold handcrafted rugs by Nourison feature a bright and colorful floral motif with shades of orange, red, yellow and green that pop off a blue background.

It's not noticeable on light backgrounds, but on dark backgrounds there is a bright yellow band that runs halfway down the left side of the screen and a yellow semi-circle about the size of a quarter on the right side of the screen.

Videos of passing traffic taken at a resolution of 720p were bright and colorful; the yellow taxis and green trees in the background especially stood out.

On view were two major Warhols: «Liz # 1 (Early Colored Liz),» a 1963 image of Elizabeth Taylor on a bright - yellow background that is estimated to sell for $ 20 million to $ 30 million, and «5 Deaths on Turquoise (Turquoise Disaster),» painted the same year and expected to bring $ 7 million to $ 10 million.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

This bright and festive abstract painting features streamers and various sizes of bubbles in bold colors of red, orange, brown, yellow, aqua, green, purple, hot pink, and white on a white background.

Dark vines appear from a green bramble or mist — purplish red or yellow buds emerge from jagged pods — while bright areas in the paintings» backgrounds suggest that these secluded tangles of vegetation have been momentarily caught in the headlights of a car making a turn on a remote road.

Two female figures in profile were painted as one bright yellow silhouette and below their feet, gradually moving from the foreground to the background, were four frontal ghost / angel - like images (the constant polarity of good and evil was of particular interest to Thompson).

Now Kusama works in acrylics, and these recent meshes of painted loops are executed both in the earlier palette of grey - white and also in combinations of brilliantly unmixed colours — green on a background of bright pink, blue on yellow or rich reds and yellows.

Freilicher's oil on linen, Dark Afternoon (2001), features a plant and vase of flowers on a bright yellow tablecloth looking out to a dull grey cityscape that seems to veer up in the background.

Multi-colored paints in blue, pink, white, and yellow take center stage on a bright sexy red background.