It might be difficult to make Ashraf Barhom a household name in the states, but this performance stands out among
the brilliant actors in this film.
Not exact matches
Casey Affleck is a damn good
actor — his performance
in The Assassination of Jesse James by the Coward Robert Ford is
brilliant — and I can't wait to see him take his his talents behind a
film that is rooted
in real - life terror.
was surprised just how good this
film is.The humour and pathos of this
film is quite moving.There is no - one remotely attractive
in the cast, it is full of strange looking redneck Americans living
in semi wilderness.Everyone is poverty stricken.The sadness of old age is there, as is the regrets of past memories, and the desperation of the son to heal the wounds of his father's past life.The acting is
brilliant even with the bit part
actors with the sunburnt aged faces.The fathers grumpy reticence is counters by his truculent wife, who never has a good word for anybody with her vicious put downs, which is at times laugh out loud funny.A funny sad and moving
film about the sheer desperate meanderings of life and old age.
The sad death of
brilliant Australian
actor Heath Ledger left many a
film fan
in a state of shock.
Zamperini died earlier this year and is played by former Skins
actor, Jack O'Connell, who was
brilliant in the supremely suspenseful thriller»71 earlier this year, another
film worth watching if you have the time this Christmas.
Playing a Danish officer stationed
in Argentina circa 1880, Viggo Mortensen has the perfect comportment of a civilized military man; as the
film goes on and his character is forced to wander through the wilds
in search of his disappeared daughter, this
brilliant actor gets to shows off his vast vocabulary of body language, from urgent, purposeful striding to weary, wary resignation.
It's actually astonishing that we not only have great
actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving
in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't
in any of the many on - screen mirrors is quite astonishing) only makes this one of the more
brilliant efforts at shooting a seamless
film since the first
in Alfred Hitchcock's Rope.
Earlier this year,
actor Julianne Moore and director Todd Haynes sat down to have an
in - depth conversation for a supplement on our new release of their
brilliant 1995
film Safe.
Guest director Joshua Oppenheimer, whose wrenching «The Act of Killing» debuted at TFF
in 2012, has put together an eclectic program that includes Werner Herzog's 1970 «Even Dwarfs Started Small» (with Herzog
in attendance), Jon Bang Carlsen's intriguing and obscure «Hotel of the Stars» (1981), an hour - long Danish documentary about extras who live
in a shabby apartment hotel
in Hollywood; the only movie directed by Charles Laughton, 1955's exquisitely - shot «The Night of the Hunter,» starring a
brilliant, terrifying Robert Mitchum, and fortuitously playing
in his centenary year; «Salam Cinema,» Mohsen Makmalbaf's 1995 record of auditions by aspiring
actors; a new print of Frederick Wiseman's long - banned, corrosive «Titicut Follies» (1967),
filmed in a notorious Massachusetts hospital for the criminally insane; and Jacques Demy's glorious, gorgeous musical, «The Umbrellas of Cherbourg» (1967), starring the glorious, gorgeous Catherine Deneuve.
I read and read and kept thinking «Uh hello... James McAvoy,
brilliant stage and
film actor, plays THE MAN HIMSELF, Victor Frankenstein, but you mention a bunch of Sherlock
actors and put his name
in «details», like the insignificant
actor he must be to Time Out?»
A
brilliant actor giving a wonderful performance
in a grostesque and stupid, stupid, stupid
film.
Of course, most of the accolades will more rightfully go to the main
actors, Edward Norton and Naomi Watts (who also receive producer credits), for their
brilliant portrayals of two complex, flawed characters who must progress and mature quite substantially, but naturally,
in the course of this two hour
film.
The reason I like the
film doesn't stem from the usual things — I am not a fan of any of the
actors (except Jackie Chan, The Big Brawl), I don't think it's particularly
brilliant in the writing or direction department, and the car chases are certainly not particularly appealing to me.
Kellan Lutz has already proven himself to be a really terrible
actor with the «Twilight»
films, and not much seems to have changed
in that department, but whoever started the rumor linking the
actor with America's favorite media obsession (Miley Cyrus) only weeks before the movie's release was a
brilliant marketing ploy.
One such
film in particular is Xavier Beauvois» «La Rançon de la Gloire» a
film about a cash - struck man
in 1970s Europe who has been recently released from prison and gets the
brilliant idea to kidnap the corpse of revered comedic
actor Charlie Chaplin
in order to sell it back to his family for a hefty ransom.
Another reason is that the four
actors who play the Pevensies [Georgie Henley, Skander Keynes, Anna Popplewell and William Moseley] are quite
brilliant [which marks a drastic change for Popplewell and Moseley, who were pretty wooden
in the first
film].
Written by Stiller, Justin Theroux and Mike Judge cohort Etan Cohen, the
film opens with a
brilliant conceit: The three main
actors are introduced via a hilarious series of fake trailers for their latest movies, while Alpa Chino appears
in an ad for Booty Sweat.
This is
actor's first major
film villain, miles away from the nasty Negan
in The Walking Dead, and he's really given the time to shine with some
brilliant scene - chewing one - lines, grinning from scene to scene.
For all of the versatility he's exhibited this year and last, for
brilliant contribution to Wolf of Wall Street
in giving it its theme song, for having lost 46 pounds to play Ron Woodruff, for starring
in Focus Features» swan song, Dallas Buyers Club, for being the only reason that
film got made — there seems to me no one more deserving of the accolade of Best
Actor and I do believe McConaughey will take it, at last.
If Depp's entire performance is as consistently
brilliant as the snippets shown
in this trailer, Black Mass could be the
film that reminds everyone he's one of the great
actors of his generation.