There is a difficulty in writing a film about
a brilliant screenwriter.
A brilliant screenwriter, Porumboiu consistently undercuts his surface - level material in ingenious ways.
Not exact matches
Along with Scorsese, the festival saluted director -
screenwriter Robert Benton («Kramer vs. Kramer,» 1979), director Gillian Armstrong («My
Brilliant Career,» 1979) and actress Cicely Tyson (Oscar nominated for «Sounder,» 1972).
He's also a music video director, a
brilliant impressionist, and a
screenwriter.
Danny Morgan, who also serves as the films
screenwriter, is
brilliant as the down on his luck Jim, who just can't seem to catch a break.
However, it chose to highlight his «
brilliant services to
screenwriters, performers and the art of the motion picture.»
The Quiet Ones leaps off from that premise — and markets itself with a «based on true events» pitch line — but after several
screenwriters took their turns at the story, it ultimately veers far afield: University professor Joseph Coupland (played with a perfect blend intellectual arrogance and charismatic follow - me guruism by Jared Harris of Mad Men),
brilliant but bristling at the restrictive old - school attitudes toward his groundbreaking case study, removes his star subject Jane Harper (Bates Motel's Olivia Cooke) to a deserted, dilapidated country estate to be studied by his collegiate team, including a randy post-Mod couple (Erin Richards and Rory Fleck - Byrne) and soft - spoken cameraman Brian (Sam Clafin of The Hunger Games).
Nicholas Ray's emotionally charged adaptation of the Dorothy B. Hughes thriller In a Lonely Place is a
brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by a powerhouse performance from Humphrey Bogart, who plays a gifted but washed - up
screenwriter who becomes the prime suspect in a Tinseltown murder.
I have no idea what led either Shyamalan or
screenwriter Brian Nelson (who, believe it or not, wrote the
brilliant Hard Candy) to take such shortcuts in their characterisations, but it's disappointing to say the least.
When «Solo» manages to come to crackling life, it's thanks to a droid called L3 - 37, voiced with irrepressible wit and gusto by the
brilliant British
screenwriter Phoebe Waller - Bridge.
Both
brilliant and dumb, both impressive and disappointing, credit
screenwriters Emmerich (Godzilla, The Day After Tomorrow) and Devlin for having wonderful ideas despite the lack of talent to follow through with the execution.
8:00 am — TCM — In a Lonely Place Simply a
brilliant film from director Nicholas Ray — Humphrey Bogart gives probably his best performance as washed - up
screenwriter Dixon Steele, who's trying to make a comeback with a new adaptation.
In 1982, «Poltergeist» saw the
brilliant pairing of director Tobe Hooper («The Texas Chainsaw Massacre») with
screenwriter and producer Steven Spielberg for an effects - laden event movie.
The impressive ensemble of actors turn in
brilliant performances, and the script by
screenwriter Paul Attanasio (Sphere, The Sum of All Fears), based on a book by Richard N. Goodwin, is full of great writing and moments of serious insight.
Kudos to co-directors Valerie Faris and Jonathan Dayton for their
brilliant evocation of this microcosmic nightmare and to
screenwriter Simon Beaufoy who won an Oscar for his Slumdog Millionaire screenplay.
It features the new interview featurette with Franco historian «Stephen Thrower on Justine» and the 20 - minute interview featurette «The Perils and Pleasures of Justine,» originally recorded for the DVD release, with director Jess Franco (who describes how the Romina Power was forced upon him against his wishes, and how Jack Palance was «drunk all the time» and
brilliant nonetheless) and
screenwriter / producer Harry Alan Towers.
Rowling was set as the
screenwriter of this brand new prequel franchise, and we'd be getting a new series of films set in the Wizarding World that A. Don't try to reboot or rework the
brilliant Harry Potter saga and B. Offer new insights into characters we only heard about in the original series.
The next owners on the dog's tour include a pathologically struggling
screenwriter (Danny DeVito) and a resentful, ailing woman (Ellen Burstyn,
brilliant) who wears giant sunglasses to hide the light of truth that she has wasted her time on Earth.
Oscar - winning
screenwriter - turned - director Aaron Sorkin («The Social Network») is not to be underestimated; he adapted Molly Bloom's truth - is - stranger - than - fiction gambling thriller starring twice - nominated Jessica Chastain («The Help,» «Zero Dark Thirty») as a
brilliant skier - turned - high - stakes - poker - wrangler — she's a long shot in this year's overcrowded Actress category.
In an article in the September 2003 Harvard Business Review, «How to Pitch a
Brilliant Idea,» Kimberly D. Elsbach, professor management at the University of California, Davis, wrote about a six - year study in which she observed 50 Hollywood film and TV producers fielding scores of 30 - minute pitches from
screenwriters.