Sentences with phrase «brimstone came»

This is especially true in light of Genesis 19:24 - 25, 29 which specifically state that the fire and brimstone came from God, and that He «overthrew» and «destroyed» those cities, along with all the inhabitants of the plain.

Not exact matches

I believe god is love, I think we have little ability to understand much beyond that at this point and those who would define and codify god are arrogant fools doing harm in this world, I believe that the absence of love in anything is proof that it doesn't come from god, fire and brimstone does not come from god, unconditional love and acceptance does.

So I guess what I'm trying to say is this: there is a right way for religious people to help those around them come to know and follow God, should they so desire, but yelling at them about fire and brimstone is not really acceptable or in good taste.

Always came down and took care of those bad children of his... smiting them left and right... destroying their cities, reigning down fire and brimstone... so what's the deal now?

Why does fire and brimstone have to come into at all?

«Brimstone & Glory's» greatest grace comes from its subjects, whom Jakovleski neither patronizes nor fetishizes.

In Brimstone, it's a manic, freewheeling moment, empowering to the young person holding the flames and foreshadowing the impossibly precarious explosions to come.

SPECIAL PRESENTATIONS «The Age of Shadows» («Miljeong»), Kim Jee woon, South Korea (North American Premiere) «All I See Is You,» Marc Forster, Thailand (World Premiere) «American Honey,» Andrea Arnold, USA (North American Premiere) «American Pastoral,» Ewan McGregor, USA (World Premiere) «Asura: The City of Madness,» Kim Sung - soo, South Korea (World Premiere) «Barakah Meets Barakah» («Barakah yoqabil Barakah»), Mahmoud Sabbagh, Saudi Arabia (North American Premiere) «Barry,» Vikram Gandhi, USA (World Premiere) «Birth of the Dragon,» George Nolfi, USA / China / Canada (World Premiere) «The Birth of a Nation,» Nate Parker, USA (International Premiere) «Bleed for This,» Ben Younger, USA (Canadian Premiere) «Blue Jay,» Alex Lehmann USA (World Premiere) «Brimstone,» Martin Koolhoven, Netherlands / Germany / France / Belgium / Sweden / United Kingdom (North American Premiere) «BrOTHERHOOD,» Noel Clarke, United Kingdom (International Premiere) «Carrie Pilby,» Susan Johnson, USA (World Premiere) «Catfight,» Onur Tukel, USA (World Premiere) «City of Tiny Lights,» Pete Travis, United Kingdom (World Premiere) «The Commune» («Kollektivet») Thomas Vinterberg, Denmark / Sweden / Netherlands (North American Premiere) «Daguerrotype» («Le Secret de la chambre noire»), Kiyoshi Kurosawa, France / Japan / Belgium (World Premiere) «A Death in the Gunj,» Konkona Sensharma, India (World Premiere) «Denial,» Mick Jackson, USA / United Kingdom (World Premiere) «Elle,» Paul Verhoeven, France (North American Premiere) «Foreign Body» («Jassad Gharib, Corps Etranger») Raja Amari, Tunisia / France (World Premiere) «Frantz,» François Ozon, France / Germany (Canadian Premiere) «The Handmaiden» («Agassi»), Park Chan - wook, South Korea (World Premiere) «Harmonium» («Fuchi ni tatsu»), Kôji Fukada, Japan / France (North American Premiere) «I Am Not Madame Bovary,» Feng Xiaogang, China (World Premiere) «The Journey,» Nick Hamm, United Kingdom (North American Premiere) «King of the Dancehall,» Nick Cannon, USA / Jamaica (World Premiere) «La La Land,» Damien Chazelle, USA (Canadian Premiere) «The Limehouse Golem,» Juan Carlos Medina, United Kingdom (World Premiere) «Manchester by the Sea,» Kenneth Lonergan, USA (Canadian Premiere) «Mascots,» Christopher Guest, USA (World Premiere) «Maudie,» Aisling Walsh, Canada / Ireland (Canadian Premiere) «Neruda,» Pablo Larraín, Chile / Argentina / Spain / France (World Premiere) «Nocturnal Animals,» Tom Ford, USA / United Kingdom (North American Premiere) «The Oath,» Baltasar Kormákur, Iceland (World Premiere) «Orphan» («Orpheline») Arnaud des Pallières, France (World Premiere) «Paris Can Wait,» Eleanor Coppola, USA (World Premiere) «Paterson,» Jim Jarmusch, USA (North American Premiere) «The Salesman,» Asghar Farhadi (North American Premiere) «Salt and Fire,» Werner Herzog, Germany / USA / France / Mexico (North American Premiere) «Sing,» Garth Jennings, USA / France (World Premiere) «Souvenir,» Bavo Defurne, Belgium / Luxembourg / France (North American Premiere) «Things to Come» («L'Avenir»), Mia Hansen - Løve, France / Germany (Canadian Premiere) «Toni Erdmann,» Maren Ade, Germany (Canadian Premiere) «Trespass Against Us,» Adam Smith, United Kingdom (World Premiere) «Una,» Benedict Andrews, United Kingdom (Canadian Premiere) «Unless,» Alan Gilsenan, Canada / Ireland (World Premiere) «The Wasted Times» («Luo Man Di Ke Xiao Wang Shi»), Cheng Er, China

The compelling thing about Malcolm X is not the fire and brimstone «chickens come home to roost: angry guy speeches, it's the fact that he rejected all of that after realizing how corrupt and fake it really was.

A Deadly Measure of Brimstone Dandy Gilver # 8 By Catriona McPherson ISBN # 9781250053978 Author's Website: http://catrionamcpherson.com Brought to you by OBS reviewer Daniele * Contains mild spoilers * Synopsis: Perthshire 1929 and the menfolk of the Gilver family have come down, between them, with influenza, bronchitis, pneumonia and pleurisy.

While I may come across as some kind of fire - and - brimstone frontier preacher, every single thing I've said applies in full to my own blogs.

He was playing through the Vega Sector in such a way as to hit all of the losing track systems when he came across something odd in Brimstone 3.

Their roasted crickets, mealworms, and super worms come in regular and organic lines, and can be purchased plain or with seasonings such as BBQ, Moroccan, honey mustard, sea salt and pepper, and «fire and brimstone.»