Sentences with phrase «bringing image painting»

Not exact matches

These images achieve the goal that has driven every SI photographer: to bring the magazine's readers closer to the action (a Buckeyes quarterback framed by the perfect crowd shot and Tiger painting one of his masterpieces) and closer to the story behind the action (the burn in Lance Armstrong's thighs and the inferno in Ray Lewis's eyes).

Contrary to the teaser video released sometime ago in which the GT500 was finished in red, the teaser image brings back the signature Shelby blue paint job with dual white racing stripes.

But with «St. Sebastian,» a blank - slate approach was unexpectedly easy, primarily because, for all the image's familiarity, I realized how different the painting looked, or rather felt, in the flesh... It's the painting's endearingly strange comedy — especially the bottom half of the body, which seems to flap away (and bring to mind the flagellation of St. Bartholomew)-- that rescues it from post-adolescent self - pity and actually, in an odd way, ennobles it, as if invested with an amused stoicism.»

More of these moments occur in the second room, the heart of the show, which brings together Krasner's «Little Image» paintings and the «Little Figure» paintings of Lewis.

The Image as Burden brings together a staggering number of works: nearly two hundred paintings, drawings, and collages.

That said, a quick google image search of Antonio Gramsci brings us to a black and white photograph of him from a Wikipedia page that can easily be attributed to your painting of «Exodus».

Bringing together more than 90 works from pubic and private collections, the exhibition features paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the abstract images for which he is most recognized.

By adjusting the intensity of colours I was able to bring out a depth in the image which painting on glass didn't seem to allow me.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Liu has invented a kind of weeping realism that surrenders to the erosion of memory and the passage of time, while also bringing faded photographic images vividly to life as rich, facile paintings.

Each drawn image is combined with chaotic eddies of paint, suggestive of galactic swirls, bringing with them an impossibility of scale.

For Crosby, the painted gesture brings together line and form in a way that imposes control and at the same time locates a kind of freedom for the resulting image.

Bring an image you would like to paint during the 2 - hour session.

On view were two major Warhols: «Liz # 1 (Early Colored Liz),» a 1963 image of Elizabeth Taylor on a bright - yellow background that is estimated to sell for $ 20 million to $ 30 million, and «5 Deaths on Turquoise (Turquoise Disaster),» painted the same year and expected to bring $ 7 million to $ 10 million.

One has a lovely Susan Rothenberg, but nothing to show the moment of crisis in painting, whether abstractly or with images, that she, Jennifer Bartlett in Rhapsody, and others brought to light.

It describes a sequence of historic and recent representations: images of Philip Guston's paintings, Felix the Cat and Garfield, amongst others are introduced in relations to the image apparatus that brings them to form.

Yet, enlivened by an expressive, though always economical, touch, her work resonates just as strongly as a sustained, self - reflexive enquiry into the act of painting: what it might take to bring an image into being on a bounded, flat plane.

And what is so remarkable is that the very loss at its core — a portrait is a person here, but not here — is countered by the slow lyricism of the work: Gorky's mother is brought back from annihilation, held in the bounding contours and gentle colour, her momentary image indelibly fused with the painting's hard - won surface.

For Schnabel, the images — enlarged snapshots of what look like history paintings, portraits, Indian deities, and more — bring a sense of time, place and narrative to his meandering, abstract materiality.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Levine also reinvents Man Ray's painting La Fortune (1938), multiplying the central image and bringing it to life as a three - dimensional installation whose synced repetition echoes that of minimalist sculpture.

I didn't want to abandon the image [because it was poor quality in the traditional graphic sense]... then it occurred to me that allowing the pixelation was a way to bring painting back into photography, and I pushed it even further.

Bringing together five of Bannard's seminal paintings from 1959 - 1962, the exhibition surveys the early portion of his career defined by single - image paintings with hard - edged geometric shapes and complex explorations of color and surface.

Bringing together more than fifty paintings, the exhibition Better than de Kooning will extend over the entire upper floor of the Villa Merkel and retrace the interaction between painterly deformations of the human figure and mass - media images from 1961 to the present.

Bringing together still and moving images, objects and iconic works of art, The Western: An Epic in Art and Film will be the first exhibition to consider The Western and its attendant myths in the context of approximately 160 paintings, photography, prose and film from the mid-1800s to the present.

I knew this might be a problem, so when I moved here I brought images with me to paint — mainly postcards of Southern India that I found in a London junk shop.

I've introduced a different kind of artifice into images of them, photographing them in poses taken from Renaissance painting, bringing together two very different codes of physical expression, each of which heightens the experience of the body in its own fashion.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

while the images seem more and more the product of Thiebaud's inner vision, of an accumulated experience that brings new psychological depth to his paintings.

Watercolour on paper, over a painted pastel ground which unifies the overall image and brings harmonious tonal order to the chaotic scenarios.

Images Moving Out Onto Space at Tate St. Ives brings together eight artists, including Bridget Riley and Liliane Lijn, with works of kinetic painting and sculpture spanning 50 years.

Transformation, travel, memory, landscape, modernism, architecture, ethnography, as well as the photograph, the moving image, the handcrafted object, the presence of the body, and painting are themes brought to bear by the artworks in the exhibition.

Her painting expands on these themes by negotiating the in uence of a number of artists such as Jim Shaw, Alice Neel, Walter Robinson, and Gerda Wegener.This notion of intimacy is further explored by the equal power she invests in symbolic, personal, and pop cultural images, bringing into question the viewer's relationship with emotion and artistic subject matter.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collage, 2015.

These artists subverted the contemporary emphasis on the «image» in painting to focus on the physicality of the material, bringing into consideration the apparatus which could hold an image.

Using rough and dynamic brush - strokes Joffe brings the images to life, whilst often leaving the paint to dry and drip down the canvas.

Tala Madani makes paintings and animated videos whose indelible images bring together wide - ranging modes of critique.

The California painter has a posthumous exhibition (she died last year) that brings together images of isolated desert homesteads and paintings of cars.

Polke's trademarks are all here: the painstakingly rendered benday dots; the resin - soaked translucent fabrics which bring the stretchers» underlying cruciforms to the surface of the image; the substitution of two or three garishly patterned fabrics for canvas; the carefree ectoplasmic, ejaculatory paint trails; the disjunctive combinations of imagery drawn from current affairs, histories and fables.

Features that once drew their meaning by seemingly not being his, now seem to be almost compulsive traits: we imagine Polke still obsessing over minute printing errors, over the aleatory stretched effects made by moving an image while it is being photocopied, over the bacterial and toxic - looking residues brought about by mixing resins and paints with foreign substances.

Deployed across his makeshift, undifferentiated images as though to bring the roughly painted surfaces into sharper focus, these scrims seem informed by the color studies of Josef Albers, who investigated basic conditions of visibility by juxtaposing carefully calibrated fields of color.

Both Dawe and Falsetta take alternate approaches in their respective work: paint vs. thread, 2D vs. 3D, installation vs. a traditional painting model with images mounted on the wall; but, included in this show together, the similarities by way of an intense approach to the use of line as a determining factor in the pieces brings them together.

Malcolm Morley: Painting, Paper, Process brings together works that have rarely been seen together and includes such diverse images as idyllic beach scenes; the artist's beloved black and white border collie, Elsa, in play and repose; and knights in armor, WWII flying aces, and their present day inheritors, the sports stars who carry on the legacy of derring do.

Other than his installations, he also does masterful paintings which make use of clear layering in order to bring the image to life.

The London Group at 100 brings together the Group's historic pieces with work by over 40 of its current members and includes contemporary paintings, sculpture, moving image and photography.

Tworkov wrote of these works: «The central image of these paintings is an action brought near by a telescope but out of earshot, silent and meaningless.

Her austere, abstracted realism may bring to mind New Image painting; her smallish images surrounded by enormous expanses of unframed paper can recall Joel Shapiro's tiny space - devouring early works, as well as Richard Serra's looming oil - stik drawings.

Most of what Fabo bas brought together is young work, in every sense — still busy with image appropnatiorn and the death of originality, which were in vogue during the artists» school days in the 1980s, and still heavily indebted to such exemplars of post-modern painting as David Salle, Julian Schnabel and Ross Bleckner.

Bring an image you would like to paint during the 2 hour session.

It reconfirmed that a painting is an object that can exist independently, not only as a platform for bringing images together — that was a very profound realization for me.