Between these two series, their collaboration
brought to the screen a style
of elegant, phantasmagoric action where bodies become endlessly mutable
objects, capable
of being folded, bent, spindled, and mutilated, where gravity was a matter
of opinion and where Chinese history was a frantic, surreal free - for - all, that would go on to influence
hundreds of imitators.
Rama's exhibition at the New Museum
brings together over one
hundred of her paintings,
objects, and works on paper, highlighting her consistent fascination with the representation
of the body.
«The exhibition at the New Museum
brings together over one
hundred of Rama's paintings,
objects, and works on paper, highlighting her consistent fascination with the representation
of the body.»