Sentences with phrase «brings interesting exhibitions»

Not exact matches

The museum frequently changes their exhibitions, and with each exhibition it brings more new, unique, and interesting content to see and experience.

Reed Travel Exhibition Chairman World Travel Market Fiona Jeffery said: «WTM, the leading global event for the travel industry, is ideally positioned to bring together destinations, specialist operators, trade bodies, and superstars with a business interest in this multi-billion pound sector that is sports tourism.»

Nash, whose interest in Diebenkorn was sparked after meeting the artist and his family in 1976, added, «I knew Richard Diebenkorn, and so it is an absolute privilege and honor to be elected to this position.We will strive to bring greater recognition and understanding to Richard Diebenkorn's remarkable output over a lengthy and highly productive career, and we will continue to support public exhibitions and foster new scholarship about the artist and his time.»

With the majority of work having been made between 1964 and 2014, the exhibition brings together a group of thirty - five intergenerational American artists who share an interest in the U.S. South as a location both real and imagined.

The exhibition was organized after representatives of the Art Museum of South Texas, situated on the Gulf of Mexico in the city of Corpus Christi, expressed interest in bringing the Guild Hall traveling collection to their community.

Faena Art Center's inaugural project, Ernesto Neto's first major exhibition in Argentina, promises to bring together his key interests within the striking space of an old mill, enlivening the space with sound, color, and spatial and sensory experiences, as well as the artist's exquisitely beautiful forms.

With a keen interest in the offbeat and marginal, Lynch's exhibition brings together a collection of sculptures, photographs, and prints, each pointing to how our environments are brought into being, shaped and understood.

During the war, the great art museums of London were closed, but my interest in painting was brought to life by the amazing Picasso and Matisse exhibition at the Victoria and Albert Museum at the end of 1945.

Oldham Gallery's first ARTIST ROOMS exhibition brings together several works by British land artist Richard Long, exploring his interest in landscape and the natural environment.

Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in conversation with the other works on view in the gallery.

Aiming to widen the representation of the horse and its various contexts and cultures, the exhibition curator, Sophie Mörner, in collaboration with Fotografiska, has brought together some 100 works in order to highlight issues of the contemporary role of the horse, all in a multi-dimensional presentation in which photographers, queer theoreticians and horse nerds will all find something of interest.

The inaugural exhibition, «Formal Alchemy,» Silverman explained, «brings together a cross-generational group of three artists who are all creating elevated objects from common ingredients through conceptually interesting processes.»

The exhibition brought together fifteen artists with specific interests in sound work and its potential as a transgressive medium across place and geography.

Bring your family to a special Open Studio focusing on our new exhibition Human Interest: Portraits from the Whitney's Collection.

The exhibition will bring together significant bodies of work drawing on a range of interests including classical music, the history of art, literature, philosophy and religion.

Sarfraz Manzoor goes behind - the - scenes as the exhibition is hung to bring you the five key areas of interest.

This exhibition brings together many of the East London Group's most iconic pieces, some of which have not been seen in public for more than eighty years plus a few which have only come to light in recent weeks, months or years since interest in the Group was rekindled by David Buckman's book: «From Bow to Biennale».

The exhibition aims to bring theses artists and their work back into the awareness of the art - interested public.

Human Animals: The Art of Cobra The exhibition reexamines the unique meeting of a group of young painters and poets brought together by an optimistic determination to start over after the war and a shared interest in spontaneity and myth, as well as folk art and children's art.

The exhibition reexamines the unique meeting of a group of young painters and poets brought together by an optimistic determination to start over after the war and a shared interest in spontaneity and myth, as well as folk art and children's art.

Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through exhibition, in such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.

But what I enjoy about exhibitions that group artists through media is that the ideas of each artist stand out, each brings their own intentionality, and it's so interesting to see how many different people are doing completely different things with the same media.

-LSB-...] RETHINKING THE FIGURE: The Nasher Sculpture Center's current exhibition, «Statuesque,» brings together six artists who are interested in reconsidering figurative sculpture.

The exhibition brings together a group of artists whose interest in the cultural significance of the cosmos leads in multiple directions, intersecting with the fields of aesthetics, anthropology, philosophy, and others grounded in different art - making strategies and material explorations.

Next Saturday May 16th is the opening of Concrete Alphabets a new and interesting group exhibition at 886 Geary gallery in San Francisco bringing together the letterbased work of 6 contemporary artists such as Defer (Los Angeles), Faust (New York), Niels Shoe Meulman (Amsterdam), Rostarr (New York), Stohead (Germany) and Zepha - Vincent Abadie Hafez (France).

«DePaul Art Museum is interested in bringing under - recognized or overlooked artists and art forms into the program, and we wanted to explore the vitality of printmaking then and now in these exhibitions,» Widholm said.

Haynie is a performance artist with literal and figurative interest in the ways music can move a person, while Woodruff's sound installation brings the viewer back to the exhibition's origin: music and it's oh - so - colorful culture.

Powerhouse London gallery Victoria Miro took interest in her work, and one of the former Studio Museum curators, Jamillah James, brought a solo show of Ms. Crosby's work to the Hammer Museum in Los Angeles (in her new role there as assistant curator) while also helping to organize a concurrent exhibition at international art star Mark Bradford's new L.A. exhibition space Art + Practice.

The current exhibition called Metatextile, brings together a highly interesting group of artists from completely opposing worlds, yet it's nevertheless cohesive.

This exhibition brings together four artists who, in a variety of ways, display an interest in subverted or obsolete modernity, referencing technology, architecture and design that offer up optimistic promises of a utopian future.

This exhibition curated by Leah Turner brings together painting, drawing and video by artists that share an interest in autobiography and emotional expression, representing a vision of the artist's life in all its rough and romantic realities.

Next Saturday May 16th is the opening of Concrete Alphabets a new and interesting group exhibition at 886 Geary gallery in San Francisco bringing together the letterbased work of 6 contemporary

Kayla Plosz Antiel Sunlit March 24 — April 23, 2017 Common Ground Gallery, VisArts Kayla Plosz Antiel brings her interest in «impure abstraction» to her solo exhibition of paintings at VisArts.

This exhibition brings together the work of more than twenty artists active at the time and demonstrates the diversity of their interests and approaches.

Moreover, I like the idea of bringing in other voices via the rotating gallery exhibitions in the drawing gallery, which can allow for alternative ideas regarding what is most relevant and interesting now.

Bringing the artist's past and present work together in an entirely new installation, this exhibition «The Promise of If» realizes Minouk's Lim longstanding interest in the North - South - divided Korea and the consequent issues of the dispersed families.

For this exhibition Benedict Drew has brought together an exciting group of contemporary artists working in diverse media with a particular interest in the body's intersection with the object, with machines effect on the physical and how text and speech can unfold scenarios where the world and the body collide.

The exhibition presents a history of the Cobra movement through paintings, sculpture, prints and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant and Corneille, and reexamines the unique meeting of the group of young painters and poets brought together by an optimistic determination to start over after World War II, a shared interest in expressionism, myth, folk art and the art of children.

However where Thompson brought a more academic attitude to his exhibition, sculptor Stephen Claydon's Strange Events Permit Themselves the Luxury of Occurring at the Camden Arts Centre last winter offered a very interesting example of how an artist thinks about art.

A similar guiding interest surfaced in his 2013 Venice Biennale show, «The Encyclopedic Palace,» which brought together artists working outside the art establishment and contemporary heavyweights in an exhibition that garnered consistent praise.

Artists: Am Nuden Da, Lucy Beech and Edward Thomasson, Elaine Cameron - Weir, George Henry Longly, Jesper List Thomsen, Beatriz Olabarrieta, Ben Schumacher, Richard Sides, Cally Spooner and Alice Theobald Exhibition title: The boys the girls and the political Curated by: Hana Noorali and Lynton Talbot Venue: Lisson Gallery, London, UK Date: July 17 — September 5, 2015 Photography: Jack Hems, images copyright and courtesy of the artists and Lisson Gallery, London The boys the girls and the political brings together 10 international artists and articulates a group dynamic built upon multifaceted working methods, collaboration and an interest in material transformation.

«The very concept of the exhibition is interesting from a curatorial perspective, since the show brings together so many fabulous masterpieces for a truly astonishing result.

In what is arguably one of the most ambitious exhibitions to be held at Moderna Museet, three of the greatest painters of the last 200 years are brought together, not in competition, but as a means to explore the ways in which artists across the centuries share interests, values and preoccupations.

The exhibition brought about many interesting articles and takings of position regarding Surrealism in arts and literature.

The current exhibition brings together many of those underappreciated artists who interest me most these days: Steven Baris, Rob de Oude, Gabriele Evertz, Enrico Gomez, Gilbert Hsiao, Stephen Maine, Don Voisine, and (upstairs in a related installation) Gary Petersen.

We also exhibit in universities performing arts centres and galleries, which of course bring out other characteristics of the exhibition with visitors having a different mindset, and the programme around the exhibition then reflecting the particular needs of their local interests.

Stephen Shore will talk to David Campany about the evolution of his photography practice over the past forty years, from his early 1970s exhibitions at Light Gallery in New York, which brought new interest in colour photography and the use of the view camera for documentary work, to more recent exhibitions and his upcoming show at Sprüth Magers, London in November 2013.

Co-curated by Betti - Sue Hertz of Yerba Buena Center for the Arts, Ruijun Shen of GuangDong Times Museum in Guangzhou, China, and Xiaoyu Weng of Kadist Art Foundation, which has offices in Paris and San Francisco, the group exhibition is also a site to bring together three public art spaces and curators around a shared interest — though not in the forms one might first associate with the concept: traditional Chinese landscape and Bay Area figurative painting.

Be among the first to view Constant as the Sun, our third regional biennial exhibition which brings together works from artists interested in portraying, building and connecting communities.

An important new exhibition, Richard Serra: Early Works, at David Zwirner Gallery in New York, brings together an impressive selection of the artist's work from 1966 to 1971, showcasing Serra's early explorations with industrial materials and chronicling his interest in how action can become form.