Jarrold and cinematographer Jess Hall help keep the material interesting with bold lighting and
broad camera moves, particularly drowning many of the scenes in tactful darkness.
Still, there are more than enough laughs and clever surprises in this
broad and sometimes violent farce to warrant a recommendation, thanks to a solidly funny script by Mark Perez, some pretty neat
camera moves and choreographed action / comedic sequences from directors John Francis Daley and Jonathan Goldstein — and a likable and talented ensemble cast, led by two of my favorites.