Sentences with phrase «broader than production»

Now you have to decide what to preserve, preservation being broader than production.

Not exact matches

«Our results indicate that nurse / midwife production may be more sensitive to broader gender inequality issues than physicians,» said Dr. Squires.

It was baffling when distributor Broad Green Pictures pulled Lucy Walker's «Untitled Buena Vista Social Club Documentary» from the Sundance Film Festival on January 20, the same day as its intended premiere, with a press release that said the «post production process has taken longer than expected.»

Independent romantic comedies are generally more personal in their approach than mainstream commercial productions, but Hawley's screenplay and approach is stuck halfway in between, not really daring enough to be independent, and not really broad enough in its delivery to reel in audiences that love quirky comedic fare.

The show also looks a lot better than the garish low - grade digital video of past productions, such as «That's So Raven» and «Hannah Montana», shows it chooses to be less broad and obnoxious than.

And that could lead to, perhaps, production numbers coming down further than anticipated, which would lead to more exasperated inventory draws, which would be helpful to the broader commodity complex.

Despite its boosterish tone, the title of the show also brought into play the idea of import / export — approaching a thesis that, if teased out, would imply that the Southern California art world operates as a center for cultural production in way that simulates (rather than counters or negates) the machinery of the entertainment industry: Stuff gets made here, lots of it, in order to be sent out into the broader culture.

By invoking the personal information exemption under s. 21 (1), some tribunals appear to largely refuse or widely redact claims based on the broad definition of «personal information,» rather than utilizing the premise of production found under s. 10 (1).

The Court found that the Production Orders were overly broad and went well beyond what was reasonable to gather evidence concerning the jewelry story robberies such as requiring production of information on subscribers remotely located from the robbery sites, production of bank and credit card information and production of personal information on over 40,000 subscribers when the police really only sought information on the few individuals who may have been proximate to more than one of the robbProduction Orders were overly broad and went well beyond what was reasonable to gather evidence concerning the jewelry story robberies such as requiring production of information on subscribers remotely located from the robbery sites, production of bank and credit card information and production of personal information on over 40,000 subscribers when the police really only sought information on the few individuals who may have been proximate to more than one of the robbproduction of information on subscribers remotely located from the robbery sites, production of bank and credit card information and production of personal information on over 40,000 subscribers when the police really only sought information on the few individuals who may have been proximate to more than one of the robbproduction of bank and credit card information and production of personal information on over 40,000 subscribers when the police really only sought information on the few individuals who may have been proximate to more than one of the robbproduction of personal information on over 40,000 subscribers when the police really only sought information on the few individuals who may have been proximate to more than one of the robbery sites.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.