Sentences with phrase «bronze hares»

Paul Kasmin Gallery presents an exhibition of sculpture by Barry Flanagan (1941 — 2009), bringing together a selection of the artist's iconic bronze hares from the 1980s — 1990s alongside his lesser - known works made with rope, sand, cloth, stone, ceramics and light as a sculptural component (largely from the 1960s — 70s).

The presentation, on view between April - June, 2018, will bring together a selection of the artist's iconic bronze hares from the 1980s - 1990s alongside his lesser - known works made with rope, sand, cloth, stone, ceramics and light as a sculptural component (largely from the 1960s - 70s).

His work is held in public collections worldwide and his bronze hares have been exhibited in many outdoor spaces, most notably on Park Avenue, New York, and at Grant Park, Chicago.

Barry Flanagan, Welsh - born sculptor (born Jan. 11, 1941, Prestatyn, North Wales — died Aug. 31, 2009, Ibiza, Spain), was best known for his series of monumental elongated bronze hares, which, though essentially figurative, convey an incredible sense of movement, energy, and irreverent whimsy.

A major exhibition of the work of the distinguished British - born sculptor Barry Flanagan, best known for his monumental bronze hares, opens to the public at the Irish Museum of Modern Art on Wednesday 28 June 2006.

Flanagan's bronze hares have also been exhibited in many outdoor spaces, most notably on Park Avenue in New York in 1995 — 96 and in Chicago's Grant Park in 1996.

Flanagan's bronze hares have also been exhibited in many outdoor spaces, notably on Park Avenue in New York in 1995 — 6 and at Grant Park, Chicago in 1996.

A bronze hare, a giant cigarette butt and a futuristic woodland chapel — we take a look at some of the curious works on display at this year's Frieze Sculpture Park.

Flanagan began to work in stone and bronze and in 1979 the first bronze hare was cast.

Not exact matches

But there was more to Mr. Flanagan than hares; his bronze menagerie included elephants, cougars and unusually graceful horses.

He is famous for his distinctive spontaneous animal bronze sculptures, with his most common motif the hare.

He later turned to permanent materials, bronze in particular and started creating sculptures of hares in the 1980's after the image of one «unveiled» itself to him.

The artist valued exploration and language over the weighty materials of conventional sculpture, that he would later lend weight to with the first of his trademark hares cast in bronze, in the late 70's.

His return to bronze with the hare, he had previously cast work in the foundry at Central School of Art with Henry Abercrombie in 1969, was part of his exploration into different media, from the sand, rope and cloth pieces, which focused on composition and challenged previous ideas of what sculpture might constitute, to the ceramics, stone, marble and sheet metal sculptures of the seventies.

For 1:54, he recreated his large - scale installation «Sad Man's Tongue», which is reminiscent of Keith Haring and combines black cardboard bronzes with white chalk on black board paint.

There are the drawings Sue Coe made in AIDS wards, and David Wojnarowicz's famous photo of Peter Hujar right after he passed, and Keith Haring's elegiac bronze altarpiece.