Sentences with phrase «bronze human figures»

It is composed of abandoned and forgotten bronze human figures crossed over by industrial beams.

Not exact matches

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations.

Back in 1993, on Park Avenue, there was a public exhibition of Fernando Botero's big, curvy bronze sculptures, monumental human and animal figures that sat fat and happy on the green median of one of the world's priciest streets.

Shapiro is mostly known for his works in bronze of linked cuboidal shapes, which read as abstract forms that play off of a likeness to the human figure.

At Pace Gallery, Northern Irish sculptor Kevin Francis Gray is exhibiting a series of new sculptures in bronze and marble, all of the human figure.

In her slumped, crouching and introverted figures made of beeswax and bronze, Ms. Smith broke not only from the lineage of the heroic human figure, but also from the example of her famous father, Tony Smith, who worked in an austere, Minimalist vein.

Additional works in the exhibition include Thirty - eight works by Andy Warhol, four bronze sculptures depicting figures who are part human, animal and machine by William Kentridge illustrating social and political life in South Africa; and Olafur Eliasson's Fivefold Sphere Projection Lamp which compels us to view ourselves in relation to space as well as time.

Rodin: The Human Experience SUArt Galleries August 16 through November 18, 2018 This exhibition presents 32 figures in bronze by Auguste Rodin (1840 - 1917), the French sculptor who left behind 19th century academic traditions to focus on conveying the passion and vitality of the human spHuman Experience SUArt Galleries August 16 through November 18, 2018 This exhibition presents 32 figures in bronze by Auguste Rodin (1840 - 1917), the French sculptor who left behind 19th century academic traditions to focus on conveying the passion and vitality of the human sphuman spirit.

The bronzes, along with a recent return to the discipline of life - drawing classes, have seen her tackle one of her most enduring subjects - the human figure, especially her own - with a renewed vigour.

Renowned for his bronze formations, the Swiss artist also utilised a variety of materials such as clay, paint and plaster to fashion an elegant group of elongated human figures.

Also present in the exhibition space are two sculptures of human figures cast in bronze.

One early reviewer commented on how «the series of bronze figures imparts that feeling of something more than human, the secret and self - contained power of the idol, which is of the immemorial essence in sculpture.»

The solo exhibition «Figures in Bronze» showcases 30 years of Richard Light's human and animal sculptures, from 1987 to 2017.

In conjunction with the installation of a large - scale bronze sculpture by Joel Shapiro in Grant Park at 300 South Lakeshore Drive on the Chicago lakefront, Pace will present a selection of Shapiro's sculptures composed of rectangular shapes, which allude to the human figure and dynamic movement in space.

The majority of his constructions, built from oblong rectangular blocks of wood or bronze, raise associations with human figures: some of them stand on one leg, others on two, others lie on the floor, some seem to climb the walls.

On a center table were seven new bronze sculptures with miniature hand molded human figures and animals while paintings on the walls depicted the passion and intimacy of a couple locked in mid to post coital embrace.

Abakanowicz's use of found burlap cloth in her first sculptures remains present as a shadow of texture on the rich, heavy bronze, a material rendering the figures as powerful forces of universal human kind.

His early practice of making bronze sculptures representing anguished figures eventually evolved into a process of making geometric human forms by piecing together aluminum and brass casting molds.