Sentences with phrase «broom paintings»

Not exact matches

Nobody ever painted Jesus with a broom in his hand, even if the metaphor of sweeping is used several times by the prophets to refer to God.

But yeah, definitely code of paint, some brooms needed, new carpeting.

Rolling pin or paint roller Similar to a broom handle but even easier to use (which makes this especially great for older folks), a simple kitchen rolling pin can be a wonderful way to «roll» out sore quads and IT bands.

She was, after all, shown in 2008 on the cover of Time magazine, holding a broom, which infuriated educators who felt as if she were painting them all as ineffective.

Brooms laid across paint cans were my first jumps — be creative.

I mean, we had talking brooms and paint cans that made a whole scene about suicide in a joking manner.

In a video the artist shows the behind - the - scenes process that went into making Inhabited Painting — casting the floor, pouring the wet polymer, peeling back the skin - like sheets, cutting and folding this firm yet malleable material, and cleaning the surface (which he does with soapy water and a dust broom).

Unlike his figurative work, these paintings are larger in scale and made using a much different technique, utilizing a broom to paint and later flooding the surfaces with chlorine and water.

This was almost a decade after Clark first started using his push broom technique, which allows him to move paint swiftly across the canvas, creating broad bold strokes.

In 1987, Bannard began his «brush and cut» paintings, consisting of large - scale canvases in which he applied transparent tinted gel with large street brooms and industrial floor squeegees to make painted «drawings,» featuring vigorous brushwork and three - dimensional illusions.

Peacock was drawn to such Modernists as Jules Olitski and Lawrence Poons for their freedom from conventional techniques, and soon began applying paint with rollers and then brooms.

Emily Mae Smith's paintings feature a mischievous avatar modelled on the broom from Disney's Fantasia (1940); this animistic character stands in, by turns, for a paintbrush, a symbol for feminine domestic labour and a prankster revising male - dominated art history.

An early proponent of shaped canvases in the 50s, Ed Clark began using a large push - broom to push paint across the surface of the canvas in the 60s, creating subtly blended and thickly textured stripes of paint such as those in Yucatan Beige (1976), in which the stripes traverse beyond the central ellipse.

Rashid Johnson's voluptuous black paintings, whose thick graffitilike marks are scrawled into a mix of wax and black soap with a broom handle, confront the more delicate and colorful improvisations of Michaela Eichwald, which look impressive but more decorous than usual.

At the same time, knowing that African American artists had for years been largely expected to make works of social realism, and the ambition to make abstract works every bit as important as Helen Frankenthaler or Morris marked a equally revolutionary statement of artistic freedom, the abstractions of Bowling, Gilliam, Thomas and Ed Clark — who created shaped canvases, sweeping paint across them with push - brooms — are no less arresting.

The work ranged from drawings, to sculpted paintings on canvas to sculptures and paintings made of unusual materials: earth, shells, hair, doors, brooms, trees, shoes, mouse droppings.

Ed Clark (b1926) also experiments with the shape of his canvases, but his singular innovation is to paint with a broom.

Painted on aluminum, wood or plastic, his work has its origin in snapshot photographs taken of his environment both domestically and when travelling — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall.

Painted on aluminum, wood, or plastic, his practice has its origin in photographs taken of his immediate environment, both domestically and whilst traveling — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall.

Laying his canvas on the studio floor, Clark began using push brooms to apply paint.

While some pieces are gnarly tree formations isolated atop pedestals to illustrate their status, others are flat wall - mounted compositions made of cast broom clippings and quinoa, that create large color field paintings of, in fact, large colorful fields.

Kienholz first began incorporating found objects into his earlier work (wood constructions that were painted, mostly using brooms for brushes) around 1955.

Within Collis practice, everyday objects and surfaces are presented splattered and stained with the marks of wear and tear, and the viewer might, upon further investigation, realise that the timeworn flecks of paint that cover an old broom, are in fact delicate and precisely inlaid pearls, jasper, turquoise, garnets and black diamonds.

In June of 2011, she spearheaded the transformation of the broom closet next to her office into The ArtBridge Drawing Room, a jewel - box gallery that has played host to six exhibitions including MsBehavior, a three - woman painting exhibition named a Top NYC Show by Saatchi Online Magazine and reviewed by Hyperallergic and Hi / Lo, a multi-level interactive light installation that transformed the gallery into what ArtInfo called a «topsy turvy — yet strangely tranquil — immersive environment.

Inspired by their boldness, as well as by the slow, visceral nature of thick paint, Clark began to use a broom to push acrylic across unprimed canvas, which has been laid on the floor.

The absence of a human figure tasks the objects in the paintings with suggesting a narrative arc, imbuing them with a sense of mysterious drama — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall are the only evidence of the presence of a person, perhaps having moments before walked through the picture frame, or lingering just out of sight.

For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.

In 1987, he began his «brush and cut» paintings, consisting of large scale canvases in which he applied transparent tinted gel with large street brooms and industrial floor squeegees to make painted «drawings,» featuring vigorous brushwork and three - dimensional illusions.

With their fields of fine horizontal lines and textures, usually achieved by drawing a wide broom across the canvas, Mr. Whitten's 70's paintings present sauve, understated unities.

She pairs paint with gold and silver leaf, stereo headphones, beads, a pot holder, necklaces, thread, crystals, dried roses, sea shells, a huge palm frond, a broom, a flower vase, sand, string and glitter.

She says that she looks for innovative ways to apply the paint to canvas, and has used syringes, mops, and brooms.

wood, wool, artist's hair, iron, tin, hemp cord, plywood, plaster, plastic rope, buoy, pipe, aluminum, chicken wire, ceramics, broom, coins, sheep shit and red acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, flyers, cards, recipes, and steel pins on wall

Murillo Paints with a Broom: Mera Rubell: «What is dangerous for Oscar is that with all these accusations — he's copying this one, he's copying that one — is that he has to be careful that he doesn't give up territories which are uniquely his.

In the new YARD paintings at Gagosian Rue de Ponthieu, Ruby uses rollers and brooms to spread a soft palette of red, blue, green, and purple acrylic paints over unprimed canvases laid directly on the studio ground; incidental debris and textures beneath the canvas emerge as impressions during the frottage process.

Among works by the artists are geometric compositions painted by Don Voisine; a dusky painting of a broom and dustpan by Joshua Marsh; and loops and slender lengths of wood carved by Seth Koen.

First there was a dinner following yet another exhibition by Ruby — this time of paintings made with a broom — at the national hunting museum, of all places, where guests were greeted by a Walton Ford painting, part of the artist's current show in this eccentric place.

Olitski applied the paint by staining, then spraying, and later used unconventional tools such as brooms, mops, and leaf blowers, among other things.

In addition to his signature push - broom sweep paintings, he was also an innovator in the field of shaped canvases and one of the original artists in the Brata Gallery during New York's Tenth Street co-op gallery boom in the 1950s.

• Kept the facility neat and clean with the use of brooms and mops • Maintained inventory of supplies needed by custodial engineer • Painted areas of the garage and office building by following company - defined procedures • Washed vehicles, and maintained their oil changes and tire pressure • Repair items as necessary, including changing light bulbs when burned out • Maintain inventory of custodial supplies • Assist customers when needed and guide them to the appropriate area of the facility

Broom clean makes sense because it means the house is ready to be painted and cleaned.

She then used a roller attached to a broom handle to apply a coat of the white washed paint to all of the planks.

how interesting, to spray paint a broom!