Sentences with phrase «brown field projects»

Tags for this Online Resume: Chemical process engineering, Engineering procurement & construction (EPC), Process design in refinery, petrochemical, mineral processing & cement industry, Project management, Project coordination, documentation & planning, Chemical Unit Operation, Front end engineering, RFQ, Tender preparation, bid evaluation & vendor assessment, Feasibility & detailed bankable report including project cost estimation, financial analysis etc., Preparation and review of PFD, P&ID, DPTD, Line list, Process calculation, Heat & mass balance, Technical standard / procedure - technical work practice (TWP), Review engineering for green and brown field projects, Computer skill: Aspen Hysys, Auto CAD drawing, SPP&ID, Pipe flow, HTRI, Blueprint for requirement management, Microsoft Office (Word, Excel, PowerPoint), MS Projects, Lotus Notes, SharePoint, MS Visio, Languages: Fluent in English, Bengali, and Hindi, chemical Engineer, Process Engineer

Not exact matches

Brown and Jenkins are projected as high draft picks, if not first - rounders, and have looked like the most athletic players on the field when they've been out there.
A new field project, led by SLAC researchers and the DOE Office of Legacy Management, is using X-ray techniques to target long - lived groundwater contamination (large dark brown area) at former uranium ore processing sites in the floodplains of the upper Colorado River basin.
Being empowered is different than projecting an image of empowerment for girls, says Colby College Professor Lyn Mikel Brown, Ed.D.» 89, author of Powered by Girl: A Field Guide to Supporting Youth Activists.
AAL ALBA Alcott Allen Field Alliance High School Audubon Middle & HS Auer Barbee Montessori Barton Bay View High School Bethune Bradley Tech High School Bruce Brown Street Burbank Carson Clarke Street Clara Barton Clement Clemens Congress Cooper Craig Montessori Curtin Eighty - First Street Elm Fairview Fernwood Fifty - third Street Forest Home Fratney French Immersion Gaenslen Goodrich Grant Grantosa Greenfield Bilingual Hamilton High School Hartford Hawthorne Hi - Mount Honey Creek Howard Avenue Montessori Humboldt Park IDEAL Jackson James Madison Academic Campus (JMAC) Kagel Keefe Avenue Kilbourn Kluge Longfellow Lowell MLK Elementary MacDowell Manitoba Maryland Montessori Milwaukee High School of the Arts (MHSA) Milwaukee School of Languages Milwaukee Sign Language Morgandale Morse Marshall Neeskara New School North Division Parkside Pierce Project STAY Pulaski Reagan High School Riley River Trail Riverside University High School Rogers Street Academy Roosevelt MS of the Arts Rufus King High School Rufus King Middle School Sherman South Division High School Starms Early Childhod Center (ECC) Stuart Story Thoreau Trowbridge Victory Vieau Washington High School Westside I Zablocki
2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson
1991 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Alternative Museum Karole Armitage / The Armitage Foundation Jeffrey Arsenault Artists Space Robert Ashley Bang on a Can Martha Bowers Sean Bronzell Trisha Brown / Trisha Brown Company The California E.A.R. Unit Bruce Checefsky Rick Cluchey / San Quentin Drama Workshop Coffee House Press Company Appels Composers» Forum Crossings Cunningham Dance Foundation Dancing in the Streets Dixon Place The Drawing Center Douglas Dunn & Dancers Exit Art Phill Niblock / Experimental Intermedia Foundation Molissa Fenley The Field Erin Fitzgerald Ain Gordon David Gordon / Pick Up Performance Company Harvestworks Martine Joste Jin Hi Kim & Joseph Celli The Kitchen Shelley Lee Dance Company David H. Macbride / GAGEEGO Maxine Moerman Meredith Monk / House Foundation for the Arts Ken Montgomery / Generator Movement Research New York Studio School of Drawing, Painting & Sculpture Bruce Odland The Orchestra of the S.E.M. Ensemble The Poetry Project Real Art Ways Roulette Michael Rush and Co. / New Haven Artists» Theater Mercy Sidbury Spencer / Colton (Amy Spencer & Richard Colton) Telluride Institute Donna Uchizono Urban Bush Women Volunteer Lawyers for the Arts Dan Wagoner Dance Foundation ZONE
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Installation view of Gallery 1, showing L. Browner Hatcher's Remade model for City Sculpture Project: «Untitled (Colour Field Sculpture)» (1971-2/2016)
Public health experts who work on the «shale fields» among impacted citizens have been ringing alarm bells: «I don't know if I have ever seen a problem as widespread as this with as little information collected about it, and as relaxed an attitude in terms of the sense of urgency, in the sense of responsibility on the part of the state and federal governments, and for that matter, the drilling industry,» cautioned a seasoned public health toxicologist David Brown from Southwest Environmental Health Project in my interview for Gas Rush Stories.
We take a tour with Dennis Wilde, whom with fellow developers, is turning 130 acres of a former industrial brown field site in Portland, Oregon, into the largest, sustainable urban re-development project in the nation.
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