Sentences with phrase «brown markings covering»
The coat should be at least 51 % white, with tan, black, or brown markings covering the rest.
http://www.puppy-training-solutions.com/ Not exact matches
I also covered the biscuits at the 20 min mark because they were brown enough and then cooked for another 15 — 25 min.
Cover the cake with foil if it seems to be browning too much (I did this at the 40 - minute mark).
If using honey, keep a close eye at the 25 minute mark and cover if the cake is browning too quickly.
The Judge Steps Out (Boris Ingster, 1949) Laughter in Hell (Edward L. Cahn, 1933) Afraid to Talk / Merry - Go - Round (Edward L. Cahn, 1932) Woman in Hiding (Michael Gordon, 1950) Mr. Skitch (James Cruze, 1933) Union Depot (Gentleman for a Day, Alfred E. Green, 1932) A House Divided (William Wyler, 1931) The Son - Daughter (Clarence Brown, 1932) Cover Up (Alfred E. Green, 1949) Le code a changé (Change of Plans, Danièle Thompson, 2009) Alina (Giorgio Pàstina, 1950) Parachute Jumper (Alfred E. Green, 1933) We Were Dancing (Robert Z. Leonard, 1942) Die Somme - Das Grab der Millionen (The Somme, Heinz Paul, 1930) Conrad in Quest of His Youth (William C. de Mille, 1920) Transatlantic (William K. Howard, 1931) Cry of the Hunted (Joseph H. Lewis, 1953) L'Engrenage (Louis Feuillade, 1919) No Man's Woman (Franklin Adreon, 1955) Time Table (Mark Stevens, 1956) The Lone Hand (George Sherman, 1953) The Threat (Felix E. Feist, 1949) Hotel Berlin / Vicki Baum's «Hotel Berlin» (Peter Godfrey, 1945) Confidential Agent (Herman Shumlin, 1945) Roger La Honte (Trap for the Assassin; Riccardo Freda, 1966) Pierrot Pierrette (Louis Feuillade, 1924) Getting Mary Married (Allan Dwan, 1919) The Idle Rich (William C. de Mille, 1929) Kiki (Clarence Brown, 1926) The Woman in White (Peter Godfrey, 1948) Yoru no tsuzumi (Night Drum, Imai Tadashi, 1958) She Couldn't Say No (Lloyd Bacon, 1954) Confession (Joe May, 1937) This Could Be the Night (Robert Wise, 1957) Ex-Lady (Robert Florey, 1933) Front Page Woman (Michael Curtiz, 1935) The Great Jewel Robber (Peter Godfrey, 1950) Deep Impact (Mimi Leder, 1998) Within the Law (Frank Lloyd, 1923) Prime (Ben Younger, 2005) Forged Passport (John H. Auer, 1939) So Young So Bad (Bernard Vorhaus & Edgar G. Ulmer, 1950) The Forbidden City (Sidney A. Franklin, 1918)
Absent any need for Sirkian quote marks, the less brightly stylized images in «Carol» more closely resemble those of «Mildred Pierce,» but the palette here seems even more deliberately muted — all dingy greens and nicotine browns, bathed in noirish shadows that seem to provide a cover under which the characters can at last reveal their true selves.
(1:57:47, 107mb) Introduction by the Master of Ceremonies Jonathan Llyr, assisted by Sarrah Young Hall of Fame induction for Serge Gaboury, presented by Robert Pincombe Harry Kremer Award for Outstanding Comic Book Retailer to The Beguiling, accepted by store manager Chris Butcher, presented by Mark Askwith Outstanding Comic Book Publisher Award for La Pastque, presented by Jeff Brown Hall of Fame induction for Dave Darrigo, presented by Joe Kilmartin Comics for Kids Award to Svetlana Chmakova for Night School Vol 1 & 2 (Yen Press), presented by Jennifer Stewart Gene Day Award for Self Publishing to Ethan Rilly for Pope Hats 1, presented by Jeff Lemire Hall of Fame induction for Deni Loubert, presented by Ty Templeton Outstanding Cover Award to Darwyn Cooke for Richard Stark's Parker: The Hunter (IDW), presented by Duane Murray Outstanding Comic Book Colourist to Nathan Fairbairn, presented by Robin Fisher, accepted by Mike, friend of Mr. Fairbairn Outstanding Comic Book Artist to Stuart Immonen, presented by David Okum Hall of Fame induction for Cloude St. Aubin, George Freeman and Richard Comely (The Captain Canuck team), presented by Kalman Andrasofszky, Leslie Livingston and Ron Kasman Outstanding Comic Book Writer Award to Maryse Dubuc for Les Nombrils, Tome 04: Duels de Belles (Dupris), presented by Robin Fisher Outstanding Web Comics Creator Award to Karl Kerschl, presented by Duane Murray Outstanding Comic Book Cartoonist Award to Michel Rabagliati for Paul, Tome 06: Paul A Quebec (La Plasteque), presented by Ty Templeton Closing by Jonathan Llyr.
St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.
, Art Guide Australia, June Pena, Anne Marie, A Terrible Beauty: Politics, Sex and the Decline of Empires, Cmagazine, issue 114, Summer Pollock, Barbara, Arthur Solway: Bringing the West to the East, Artnet, 22 May Artists to look out for at Frieze Art Fair New York 2012, Huffington Post, 5 May Little, Mandy, Ship art docks for exhibition, The Mercury, 2 May Guner, Fisen, The Arts Desk, 23 April Brown, Mark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, FebrMark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, Febrmark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, February
Since 2013 Glenn Brown has pursued drawing as an autonomous means of artistic expression, in graphic works whose surfaces are covered with an ensemble of marks and sinuous lines that interweave and reply to each other.
Each layer will remain a sketch, often visible through the one that covers it.33 Painting will create a whole from parts in an unsettled and unsettling relationship.34 The resonance between body and landscape will reverberate thorough choices of browns, pinks, reds, and whites.35 Painting will be irresponsible to gravity.36 A gestured brush drawing on top of painted forms will define and relocate specific contours.37 The painting will be waiting to be recognized.38 The painting will bear the marks of its making.39 The revolution will be painted.