Is the machine
oil leaching through the ceiling on the third floor — a consequence of the building's industrial past — and
staining the
brown - coat, Judd - designed walls a no?
Gilliam's red, blue, and green watercolor, Parade VII, employs color through
staining; Thompson's humorous
oil painting, The Golden Ass, features a more traditional application; McArthur Binion uses crayon and collage elements in his 2016
brown abstraction, DNA: Sepia II; Nathaniel Mary Quinn's Mean Ol' Teacher uses color as a way to bridge abstraction and figuration in a collaged face made up of many different harlequin features.