Sentences with phrase «brown paint shows»

Not exact matches

The original St Nick came from what is now Turkey, and paintings from that era show him as quite brown.

Asked if his book painted a flattering picture of New Labour, Lord Mandelson replied: «I do think it shows a very good and flattering picture of not just Gordon Brown and Tony Blair but others like me who helped them rescue the Labour party from what it was in the 1980s.»

Pettitt also questions whether the paintings show cave bears at all: brown bears lived in the area long after the cave bears were gone.

In this tutorial, I am going to show you how you can do a brown - black smokey eye with Profusion Cosmetics Smoky palette and a gorgeous red lip color with Fenty Beauty Stunna lip paint in Uncensored.

We see black occupying a great space at creative designer-less Dior up to painting the models» lips with black; at Zuhair Murad black lace and velvet are in abundance; black is the main color at Givenchy fall 2016 runway show as well with some brown and taupe in between and with a smattering of red to bring vibrancy around, while at Alexander McQueen black oversized coats are embellished with fuchsia embroidery for pretty contrast.

Brown walls were painted white, and brown - on - brown furniture was shown the Brown walls were painted white, and brown - on - brown furniture was shown the brown - on - brown furniture was shown the brown furniture was shown the door.

If you're still sailing around in your brown non-painted ship with white cloth as sails, it shows you have not experienced the game enough but when you're rolling up in a painted ship with an actual flag then you have the right to say this game has little content if you wish.

The «special» went on sale Aug. 25 in Japan.First shown as a design study at the last Tokyo Show, the V - Special comes with the classic British sports car specs of wood - rim steering wheel, shift lever and brake lever grip - not to mention a British racing green paint finish.Within the color - coordinated interior, the seats and panels are trimmed in light brown leather.

It is finished in show - quality green paint over a custom, western themed brown interior.

The combination of history, art, and impassioned commentary will draw kids in to the questions raised by Brown's narrative paintings that show what it was like to be a slave — the suffering, anger, defiance, endurance, and rebellion under unspeakable conditions.

Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.

A small survey at George Adams Gallery in New York last spring, Joan Brown: Major Paintings from the 50s, 60s, and 70s, gave shape to Brown's enthusiastic reception of Bischoff's example, showing how she searched her immediate environment for things to paint.

Ms. Owen's work was featured prominently at the Museum of Modern Art in the 2014 exhibition «The Forever Now: Contemporary Painting in an Atemporal World,» and she has long shown with the New York gallery Gavin Brown's Enterprise.

«I'm going to show a lot of painting and sculpture, with an emphasis on Bushwick artists and older artists who haven't been shown recently,» said Brown.

Ben Brown Fine Arts, Hong Kong presents a groundbreaking and unique show of thirteen paintings by Pablo Picasso.

The show will include three artworks by Mr. Thiebaud (including one bakery - counter style classic called «For Nan: Cake, Pie Slice and Olives») as well as paintings she acquired by Richard Diebenkorn, David Hockney and Joan Brown.

The ever - inventive artist and painter Scott Reeder first dabbled in miniature - sculpture paintings way back in 2004, around the time his famed «Drunk vs. Stoned» show at Gavin Brown's Enterprise, but he put the concept on the back burner until just recently picking it up again.

Shown is detail from a painting by American painter Mathes Brown.

Experience the first - ever exhibition of Brown's three - dimensional Virtual Still Life paintings shown with the extraordinary collections they evolved from.

The show is titled after a Benny Andrews painting (Witness, 1968) of a brown - skinned woman staring into the distance with a knowing gaze.

Curated by the Whitney's Chrissie Iles, Debra Singer and Shamim M. Momin, the show placed a Paul McCarthy blowup balloon atop the Cyclops building on Madison, and the Internet - age interest in materiality heralded the return of painting and drawing, with showings from David Hockney, Elizabeth Peyton, Julie Mehretu, Laura Owens, Amy Sillman, Laylah Ali, Cecily Brown, and James Siena.

2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich to expose, to show, to demonstrate, to inform, to offer, MUMOK, Vienna, Austria The Unknown Masterpiece, Meyer Kainer, Vienna, Austria Call and Response, Gavin Brown's Enterprise, New York, USA Works on Paper, Greene Naftali Gallery, New York, USA

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

1949 XXIV Venice Biennale, Venice, Italy Milestones of American Painting in our Century, Institute of Contemporary Art, Boston, MA; Art Association of Montreal, Montreal, Quebec; Colorado Springs Fine Arts Center, Colorado Springs, CO; M.H. de Young Memorial Museum, San Francisco, CA; Los Angeles County Museum, Los Angeles, CA; Cleveland Museum of Art, Cleveland, OH Annual Exhibition of Contemporary American Sculpture, Watercolors & Drawings, Whitney Museum of American Art, New York, NY Artists» Choice: Watercolor Show, St. Botolph Club, Boston, MA Morris Graves... Mark Tobey, Margaret Brown Gallery, Boston, MA The Intransubjectives, Samuel M. Kootz Gallery, New York, NY

There are artists in Abstract America who deserve to be there: Chris Martin's In Memory of James Brown «God - father of Soul» is a lovely picture, entirely absorbed in shape and form and bituminous shine; Mark Bradford's White Painting shows that there is life in Robert Ryman yet.

What's on view: A group show including dozens of works, mostly painting, by artists dealing with formal, spatial concerns; the exhibition has been split between Venus Over Manhattan and Gavin Brown's Enterprise

Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)

Dan Colen's trash painting in the exhibition Group Shoe curated by Joe Bradley, on show until June 30th at Gavin Brown's Enterprise, 620 Greenwich Street, NY 10014, New York.

Along with fantasy / abstract paintings by Melissa Brown, invited artists will wager their artwork in games of Texas Hold»Em, every Sunday night, throughout the show's run.

While a. number of the paintings in this show are unexceptional (such as Weekapaug or Prudhoe, with their blandly white or black central images and tailored edging vectors in neutral shades like plum brown, subdued orange, or yellow ochre), the series as a whole

It is exactly what a group show should encompass: twenty emerging and mid-career artists, including Rita Ackermann, Vince Aletti, Darren Bader, Gavin Brown, and Tom Burr, are given a 4 - foot - by -3-foot bulletin board to fill / destroy with photographs, postcards, paint, polyfiller, and anti-capitalist slogans.

Brown commented that the vertical black rectangle troubled her, so Rauschenberg suggested that they hang the painting as shown above, rotated 90 degrees counterclockwise from its gallery orientation.

French - Algerian painter Djamel Tatah makes a significant return to Ben Brown Fine Arts in London on 24 April with his second solo show, unveiling nine mesmerizing oil and wax paintings, produced over the last two years.

Frieze would later tap Stuart Morgan as lead writer in the assessment of up - and - coming artists such as Glenn Brown, whose M.F.A. degree show at Goldsmiths featured paintings imitating works by Salvador Dalí and Frank Auerbach.

Taking a step away from his initial paintings that used only the finest materials, oil and Belgian linen, this show is painted entirely on repurposed brown paper bags.

Joe Bradley — whose latest show is «Mouth and Foot Painting» at Gavin Brown Enterprise — sometimes can and sometimes can't.

Showing a range of sculptural and two dimensional work produced over a twelve year period, Brown harnesses a diverse range of mediums including digital image creation, model making, painting, print making and embroidery.

Cecily Brown «s The park is dark painting as part of a group show Black Cake (curated by Alex Gartenfeld), on view through February 16th at the Team Gallery, 83 Grand street, New York.

... Nice to Meet You, Kunstbunker, Nuremburg New Build, Platform, London Cave, Sali Gia London 297 x 210, Firestation, Dublin The Poster Show, Gavin Brown Enterprises, New York Heart & Soul, 60 Long Lane, London Painting Lab, Entwistle Gallery, London

The commission had its origins in the acquisition of another painting in this auction, Lot 35, shown at the top of this article, «Brown and Blacks in Reds,» by Phyllis Lambert, an architect and member of the Bronfman family that was the majority owner of Joseph E. Seagram & Sons.

Another de Kooning, Lot 37, «Brown Derby Road,» a 62 3/4 - by - 49 1/4 - inch oil on canvas, shown above, was painted in 1958 and sold for a hammer price of $ 640,000, not reaching its low estimate of $ 800,000.

Many of the artists in ««Bad» Painting,» Marcia Tucker's pioneering group exhibition at the New Museum in 1978, have faded from view, and those who haven't (Neil Jenney, Joan Brown, William Wegman) aren't often discussed in the context of that show.

There's been a resurgence of interest in Bernstein's work over the past several years, highlighted by a solo show in the New Museum's first - floor gallery in 2012, and she's back at full throttle with Birth of the Universe, an exhibition of black - light paintings at Gavin Brown's Enterprise.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

I think we are beginning to see a lot of sexy, bawdy painting as filtered through the psychedelic in the work of artists like Matthew Chambers, who recently was featured in the Untitled booth at Art Basel in Miami, and Ella Kruglyanskaya, who works with Gavin Brown and has a show currently at OKO in the East Village.

This exhibition will feature new works created by Brown, shown alongside his own rehang of the Laing's painting collection.

Geary Contemporary's latest show, Runaways, is a solo exhibition of recent paintings by Bushwick - based artist Deborah Brown.

For the fifteen mud - brown monochromes in this show, each titled «Debris Field,» the young New York artist created low - relief molds based on photographs of detritus found in his studio (wood, dirt, etc.), filled them with acrylic paint, and attached the hardened results to canvas.

Downtown, ** Gavin Brown» ** s Enterprise is showing a selection of luminous Maine landscapes, painted in quick, expansive strokes.