Sentences with word «brushmarks»

Until then, Mr. Rosenquist had been making paintings consisting of allover fields of brushmarks in the spirit of Abstract Expressionism.

Expressive and impasto brushmarks in the artworks have been painted, peeled off, and re-located to other forms, thus confounding 2D and 3D.

Iconic works from his six - decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.

Quasi-geometric forms nuzzle together, long stripes come close without touching, and opaque rectangular brushmarks cluster in tenuous harmony.

It lays evenly and smoothly virtually without brushmarks.

The craggy surface will make it essential to load up your brush - perfect for Cezanne's slicing brushmarks.

«One knows that, by some accidental brushmarks, suddenly appearance comes in with a vividness that no accepted way of doing things would have brought about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new exhibition of -LSB-...]

In the late works it became hard to tell whether the magnificent brushmarks — increasingly gritty, nubbled and thick — were describing the sitter so much as Freud's ever - changing vision of what could be done with pigment.

Floating over the painterly erasures that mark their genesis, Mitchell's dense clusters of brushmarks meet the viewer with a lumpish and, at times, visceral matter - of - factness.

It is good, for instance, to see Franz Kline's snow - and - thunder paintings, with their fierce black brushmarks; except that the open view to Motherwell makes Kline look like a weak disciple (which he wasn't).

Brushmarks delicately sitting on the surface of the canvas attentively describe Hibba's eyes, eyebrows, lips; her self - assured expression and her gaze are simultaneously introspective and assertive.

For Brown it has come to mean fashioning clumps of illusionistic brushmarks that end up being behind the picture plane.

Brushmarks for Scully are like words: their value is both intimate and universal.

For Siân, each individual brushmark is a letter, and so a collection of them will make a word.

This painting shows his use of strong color and intense brushmarks, both characteristic elements of his early paintings.

And his sweeping brushmarks sold in part because his timing was right: In the 1950s, the U.S. and European art worlds were just embracing the post-World War II gestural works of abstract expressionist painters like Robert Motherwell.

Yet very often the action is all one sees — colossal brushmarks, vast expanses of colour, leviathan swirls, a tundra of impasto, the canvas like raw denim in places, or bearing pounds of pigment in others.

Early brushmark paintings by David Reed from 1975 are currently on view at Gagosian Gallery.

They tell a story, and they do it with lots of the sort of stuff painters hanker after nowadays — facture, washy brushmarks, pentimenti, painterly quiddity, etc., all wrapped up in a bold and semi-abstract style.

The value of this show lies in the opportunity to see such wildly beautiful art quite possibly for the first time — the flicks, drips and pourings, the veils, stripes and zips, the glowing oblongs and hanging gardens, the sheer perpetuum mobile of brushmarks.

Iconic works from his six decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.

While you're up close, you'll see that the subtlest of grids is formed by the trail of brushmarks and intentionally grainy elements within the paint.

The brushmarks give the masterpiece a shredded feel, but also a sense of movement.

Go back two years from these 1951 works to a nominally abstract painting like Number 3, 1949: Tiger — all yellow, black and auburn, the painting arm prowling across the surface, hints of green burning through the camouflage of brushmarks — and the wild beauty of the beast is so magnificently invoked that the painting amounts to something beyond metaphor.

The three new sculptures created by the artist for the exhibition Suffer Well may be read as 3D translations of the brushmarks of Frank Auerbach and of the misleading and dated colours of reproductions of works by Vincent van Gogh.

, Glenn Brown chose to make the brushmarks of earlier masters, such as Vincent van Gogh, the subject of his paintings.

His brushmarks became brusquer, and he began to paint blotches on skin, veins, fat and muscle.

He settled in New York in 1954 during the heyday of abstract expressionism, but he was not interested in the movement's gestural and expressive language, wanting instead to present the painting as an object free of brushmarks and content.

FR There are images in one way, and in another there aren't any at all, it could be a collection of brushmarks.

For an abstract take on painterly style, this wallpaper print leaves the brushmarks clearly defined.