Sentences with phrase «brushstrokes evoke»

While his powerful yet controlled brushstrokes evoke major postwar painters, Aho also responds to specific scenes and situations from Old Master works by Velazquez and Titian.

On display will be an example of Yayoi Kusama's iconic Infinity Net paintings — seriality as a form of self - obliteration and self - definition — and a painting by the late US artist Mildred Thompson, who often found inspiration in scientific theories and universal systems, and whose buzzing palette of yellows and reds and calligraphic brushstrokes evoke the invisible forces of magnetic energy.

The large brushstrokes evoke the technique of pointillism and the viewer stands way back to capture the monumental pictures, and the endlessness of time spent in a studio.

Resembling small, imaginary landscapes or futuristic ruins, the surface of these sculptures are deliberately finished with patterns of brushstrokes evoking a poetic, painterly feel.

Not exact matches

Cornflowers are known for their rich blue color, and spike - shaped petals which evoke the lively texture within the brushstrokes that bring this seaside scene to life.

Soft brushstrokes and grand Art Deco — style architecture evoke a time long ago, but the story's immediacy and fantasy elements will appeal even to readers younger than the target audience, though they may miss many of the complexities.

Even Müller's hushed brushstrokes, though drier and less sensuous than Rothko's, evoke a similar weightless state.

Nehrling's work highlights the gaps between her individual staccato brushstrokes of lush, bright colors, allowing the viewer to explore the formal complexity of color and the emotional depths it evokes.

Paysage de mer, painted by Courbet in Normandy in 1869, with its vigorous application of paint and urgent, thickened brushstrokes is in ideal symbiosis with the depopulated sea and turbulent cloudscape he powerfully evokes.

Wonner is represented by «Nude and Indian Rug,» a 1961 oil featuring buttery brushstrokes that evoke the impasto style of David Park's late works.

Her practice began with her early studies of New York Abstract Expressionism and American Minimalism and developed into a highly refined vocabulary that merges traits normally thought to be irreconcilable: gestural brushstrokes reminiscent of early influences like Willem de Kooning; precise geometric compositions evoking Josef Albers; and a palette reduced through Donald Judd - like discipline.

His paintings evoke an awareness of the act of painting, namely by drawing attention to brushstrokes, surfaces, and materials, as well as to the edges of the image and the relationship between the painting and the wall it hangs upon.

Through the use of bold, gestural brushstrokes and colors, she attaches personal emotions to imagery like those of the animals or portraits of humans, evoking both simplicity and the complexity of expression.

Chase's rough and visible brushstrokes (in Dora Wheeler, for example) resemble strikes of chalk, while the velvety tones in many of his oil portraits (such as those in the Whistler likeness) evoke gently blended powdery pigment.

In addition to being done on aluminum, they do not rely on gestural brushstrokes; the one big splash of poured white paint I saw in one painting was a solid puddle spreading into tentacles of insubstantiality, while evoking the harsh, ghostly light of computer screens.

His vigorous brushstrokes and hectic use of paint evoke the energy of a storm, and echo the turmoil of Tracey Emin's My Bed.

This process allows for a surprisingly articulate and nuanced brushstroke that evokes, in places, a rudimentary photographic technique like cyanotype, and in others a more loose and painterly effect.

Expressive brushstrokes blend with hieroglyphic - style marks for works that seem to evoke aspects of landscape in the most distant ways.

Evoking a certain kind of delirium, the brushstrokes suggest Chinese calligraphy, then jungle undergrowth, then British tea garden.

With a few brushstrokes, Varga Weisz evokes the most prominent facial features, capturing eyes and expressive mouths within the void of the paper.

The paintings evoke abstract expressionism with their richly textured surfaces and layers of marks made by countless linear brushstrokes and extruded paint, but take it to a different level with their luminous colors and the way they capture and hold light.

Each painting creates a singular experience, one that roots the viewer in the moment of viewing and evokes the moment of creation — each brushstroke feels deeply considered and invites consideration.

Yet Mitchell did not wish to create a realistic view of nature, but rather to paint its effects, «what it leaves me with,» through the use of colors and brushstrokes that would evoke the sensations of landscapes.