Sentences with phrase «brushstrokes seem»

His agitated brushstrokes seem to be their work as well as Aho's.

In fact, her brushstrokes seem to dance and flicker in front of the support rather than being fused to it.

Her gestural brushstrokes seem at once violent and poetic, capturing the energy and gesture of her signature calligraphic line caught and held in a quiet equilibrium.

His extended, predominantly vertical brushstrokes seem to confront the flat, usually vertical canvas with a quiet vehemence.

Kerlidou writes: «Bonnefoi's strategies seem to condense a few aspects of the work of his American contemporaries: the objectification and theatricalization of a gesture devoid of pathos of David Reed; the deconstructing strategies of Jonathan Lasker — even if Lasker's use of exaggeratedly thick brushstrokes seems closer to Dunoyer; the collaged elements in Philip Taaffe's paintings; and the interplay between the front and back in the work of Craig Fisher.

As in the paintings of Wayne Thiebaud, many of Oinonen's faces cast stark shadows; and also like Thiebaud, each brushstroke seems «hot» with the bright underpainting, while the thick brushstrokes on top are cool with soft, coastal light.

Bonnefoi's strategies seem to condense a few aspects of the work of his American contemporaries: the objectification and theatricalization of a gesture devoid of pathos of David Reed; the deconstructing strategies of Jonathan Lasker — even if Lasker's use of exaggeratedly thick brushstrokes seems closer to Dunoyer; the collaged elements in Philip Taaffe's paintings; and the interplay between the front and back in the work of Craig Fisher.

Not exact matches

The Inked Brushstroke Tank (now $ 60) is currently out of stock online, But I've seen it pop back many a time, Not to mention the store sale racks, Which seem to have this top in back.

In geometric abstraction, doesn't it seem as though the brushstrokes are either masked and tightly drawn, or loose and drippy these days?

While the mass of agitated brushstrokes initially seem like abstract marks, prolonged looking reveals a multitude of heads and figures populating the painting.

From close up the work seems abstract, as if the artist is concentrating on experiments with different colors and brushstrokes.

Not lines and not brushstrokes with any overly aggressive verve, Hughes's upright shafts of color replace the struggle that you see in so much abstract painting with an exuberance that seems soft and effortless.

Challenging the eye of the beholder, Reed's dynamic constellations never cease to open up new pictorial spaces: the energetic and singular gesture brushstroke of former works progressively condenses into structures of lines, waves or loops that often seem like edits from some other context, called into offer counterpoint in new visual arrangement.

Since the New York School were primarily abstract painters, there is no direct address to the subject of drink in their works, although the urgency of brushstroke and facture often seem to be invoking an internal drama of intoxication, disinhibition and released authenticity.

Looking instead to the Post-Impressionists, the Abstract Expressionists, and the De Stijl movement, Ding painted Taboo (1986) out of a limited palette of muted tones and bold, long brushstrokes depicting a dynamic combination of marks, its anxious, forceful energy seeming to mirror the turmoil of state and self in the aftermath of the revolution.

Bruce Helander (The Art Economist) writes, «Jill Krutick's gentle and gracious works add enchanting, soulful excitement every day for life... Krutick's unique formula that she follows in her distinctive paintings is to experiment with a variety of gestural brushstrokes, which seem to be in perfect harmony, like a complicated orchestra where a variety of musical components emit a certain collective sound, or in the case of Krutick, create a uniquely complicated gathering of disparate forms with a subliminal ambulatory feeling that makes them seem to skip off the canvas and into thin air.»

The bold brushstrokes and swirly shapes seem to hover between figuration and abstraction; vibrant, animated, and intense, they transcend their medium to introduce their own pictorial logic, at once contemporary and universal.

A series of white canvases are covered with what seems to be manipulated brushstrokes of color, foil wall pieces adorned with magnified horse hair prints, as well as an intriguing video projection complete a cohesive, yet truly pluralistic, critical commentary on the histories, conventions and vocabularies of the medium.

The brushstrokes, in their mutating blackness, seem to be moving.

The detailed creases, folds and planes within the paintings seem to anticipate the brushstroke.

In the studio at present are works that seem meditations on various kinds of brushstrokes: thin brushstrokes captured in monochrome; wave - like brushstrokes captured in modeling paste like water lapping on a sea shore; and black brushstrokes arching over fluorescent bleeds.

Carefully interlocked within the shallow space of wooden frames, each ceramic component seems to embody a painterly gesture, a brushstroke writ in 3D.

The striations can infuse the brushstrokes with volume, make them seem as if they are reflecting light, like a storm cloud passing overhead while the sun is setting on the horizon.

Expressive brushstrokes blend with hieroglyphic - style marks for works that seem to evoke aspects of landscape in the most distant ways.

Vigorous brushstrokes of pale color at the top of the canvas seem to melt onto the more vividly colored lower third.

Painted with raw brushstrokes in a spontaneous and exaggeratedly naïve style, her figures seem to carry the simplicity and innocence of children's art.

Painted segments seem almost applied with a printing block, dots or harlequin - like rhombus patterns seemingly stamped, and individual color fields that reveal no trace of a brushstroke and seem to be generated by a printing machine.

The big, bold brushstrokes, lively squiggles, and bright colors in Lasker's work seem to reveal an exuberant, playful approach to abstraction, but the paintings are anything but spontaneous.

Although the brushstrokes may seem random, each painting is methodically composed to generate potent color - field abstractions.

A preternaturally gifted painter whose continually surprising, psychologically attuned portraits (he worked as an aide in a mental clinic for years) are still only beginning to get their due, Henry Taylor often captures a sitter's character in unfussy - seeming brushstrokes.

Paint's fleshiness is the subject of both scrutiny and amusement in Postauthentic Times, in which neatly stitched linen strips, painted in navy - blue acrylic, seem to rise up and spill over at the edges — from a distance they look like the thick monochrome impasto brushstrokes of early Abstract Expressionism.

And in this case it seems to have delivered: a broad brushstroke analysis kindly provided by Nick Grant for this article shows that when re-calculated using the new PHPP, the Beehive's space heating demand dropped to 20 kWh / m2 / yr, comfortably inside the Enerphit target of 25, while the building appears to have avoided exceeding the overheating target (not to exceed 25C internally more than 10 % of the time) by the skin of its teeth.