His palette lightens and brightens,
his brushwork becomes more feathery, and he turns his attention to the subject of Parisians having fun.
Her brushwork becomes increasingly all - over, as one used to say, but less dense.
After 2000,
brushwork becomes explicit.
Though
her brushwork became looser and heavier with time, Fine was always recognized for her ability to create visual rhythms using geometric forms, colors, and lines.
The exhibition demonstrates how, later in the decade, Godwin's
brushwork became considerably looser as she experimented with pours and stains in large - scale canvases, balancing painterly spontaneity with formal structure.
Thus, for the action painter, the canvas was in effect an extension of his mind, and
brushwork became his thoughts.
Not exact matches
We've only got two images to go on and since one of the two figurative works reminds us a little of careful
brushwork and delicate landscapes Echo Eggebrecht has
become known for (minus the figure), this show gets a nod.
Her work
became much calmer and relaxed, as evidenced both by her shades and
brushwork.
Through her loose
brushwork — which she uses to call attention to the sensuous nature of oil paint itself — forms
become imprecise but alluring.
With this use of drawing came the change in his
brushwork that made it seem, at first, as if he had
become another artist.
[iii] He would pin these shapes to supporting canvases, where they
became painterly elements, along with the vivid colors he applied through
brushwork and spattering.
The image may be visible from a distance, but upon closer inspection
becomes lost in the very
brushwork that defines its form: an experiential reality analogous to the difference between watching a crowd from a distance and being a participant in the action.
These modular forms
become units to be deployed; abutted, inset and interlocked against each other, whilst the choice of an aluminium ground keeps the
brushwork fluid, capturing the rhythm of the artist at work.
She began working on large - scale oil paintings containing expressive gestural
brushwork that foretold what would
become her signature voice.
There are none of the ironies in his touch that one sees in de Kooning's
brushwork — those recollections of academic training that he allows to
become visible, only to hold them up to question.
This can all take a mere 10 minutes, and if you do this often, your
brushwork will
become more reliant and your painting will
become more spontaneous and skilful.
The minotaur of Minotaurus
becomes, in Träumer, a more ambiguous, monstrous figure, its horns exchanged for a shock of black
brushwork.
Having one side comprised of the gestural
brushwork that has
become the sign of Abstract Expressionism and the other a stylized Pop rendition of them would be an easy send - up, a one - note parody of Action Painting's intent and incident.
The influence of calligraphy first
became apparent in the tangled
brushwork of his cityscapes of the 1930s, and Tobey went on to develop a unique style consisting of a web or network of calligraphic marks painted in white against a gray or coloured ground.
Well - known for covering everyday objects in thick, visible «Van Gogh -
brushwork» the objects often
become a painted image of themselves.
In the first group the grid of the Pictographs either takes over and dominates the painting, or
becomes transparent, revealing concealed
brushwork in the depths of the painting.
Influences of a Fauvist Matisse as well as the loose
brushwork and meaty angularity of early Diebenkorn
become apparent in this period.
From his first emergence as a mature artist, he eschewed the gestural
brushwork and the dense, painterly surfaces that
became celebrated in the work of De Kooning, Franz Kline, and others.
In the latter half of the decade, Thiebaud depicted the everyday objects and store windows that would
become his hallmark, often overlaying the subjects with broad, gestural
brushwork.
Also, he started using aluminum as the main support for his pictures, which
became more complex and flamboyant, thanks to Day - Glo colours, curved forms and gestural
brushwork.
The overall
brushwork and vertical striations disappeared and the figures
become concentrated sculptural forms isolated against flat fields of colour.
However, By the mid-1950s Bischoff's
brushwork and palette
became more assertive while his subject matter suggests close study of Edward Hopper and Edvard Munch.