Sentences with phrase «brushwork create»

His vivid colors and the energetic brushwork create a sense of vibration — the bowl almost appears to spin, and the figure to rock.

Sometimes interruption of the surface brushwork creates the lines, and a work divided between red and gray seems consciously to mime Jasper Johns in ink on acetate.

Hovering in the center of the canvas, the energetic brushwork creates a weightless quality that only serves to enhance the work's impact.

A soft palette is met with the gorgeous contrast of unpredicted dark hues and vibrant colors, while his loose brushwork creates intricate textures.

A soft palette is met with the gorgeous contrast of unpredicted dark hues and vibrant colors, while his loose brushwork creates intricate textures He graduated in 1996 from the New World School of the Arts in Miami.

Not exact matches

The presentation acts as a step by step guide to painting, and covers skills such as layering tones to create depth, basic modulation and brushwork.

It was my work in watercolor where I learned to enjoy the quick mark making, brushwork and layering of colors necessary to create an effective watercolor work.

Thomas's patterned compositions, energetic brushwork and commitment to color created a singular and innovative body of work.

Patterns of delicate brushwork, poured paint, and a unique use of space and palette create a complex pathway made from vivid colors and rhythmic movement, inherent to the artist's work.

In the 1970s, Tworkov redefined his style again, creating ever more refined themes where rhythmic brushwork played against fields of muted color.

Though her brushwork became looser and heavier with time, Fine was always recognized for her ability to create visual rhythms using geometric forms, colors, and lines.

Whether in Guston's lush yet fragile impasto, Mitchell's fleet, tactile brushwork or Frankenthaler's lyrical oil washes that sketch myths and memories as they permeate the canvas, each artist created their own unique fusion of colour and gesture.

Nearby, Jennifer Nichols works with thin, bright acrylic, creating abstract tumults of transparent brushwork and, more recently, calmer arrangements of letterlike shapes.

A master of brushwork and color, Williams creates his paintings in series, working through a labor - intensive process that often includes drawings, watercolors, and prints.

«Portrait of Lydia Sewing» (1955), a simple but deeply felt work, displays Park's gift for creating stirringly down - to - earth imagery with gestural brushwork.

Guston created a lively cast of characters rendered in bold brushwork — sinister, hooded figures reminiscent of the Ku Klux Klan; cyclopean heads; and disembodied limbs.

With her primitive brushwork, she paints the world she has actually seen and experienced such as plants, trees and rivers she sees while walking, a house she used to live in, cats, the moon in the sky, and a dreamy girl, creating somewhat lonely and fleeting fantasy, yet recalling the sweet memories of the past in the paintings.

Created by layering thickly painted areas with fragments of found maps, the composition mixes mechanical reproductions with tactile brushwork to yield a central circular form edged by both paint and paper.

Some created visual diaries of life in downtown New York; others employed stains, drips, or obsessive brushwork to evoke visions of infinite space.

The partially erased graphite lines create a slight vibration, an optical pulse that can resemble the brushwork in his canvas works.

All show my joy and passion of creating with ink and brush but with differing levels of brushwork and spontanity.

Kote's trademarks are his bold brushwork, and sweeping strokes of vibrant colours applied - more often than not - with a pallet knife while other areas of the canvas are left monochromatic and devoid of detail creating a negative space that lets the eye drift to infinity.

Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large paintings merging abstract and narrative elements, as in Washington Crossing the Delaware (1953), where the general leads his men through a space defined by murky oil washes and broad gestural brushwork.

From the entirely gestural, slashing brushwork of the 1950s, Mitchell in these works introduced a more finely wrought formal manner, creating self - contained, vortex - like shapes centered away from the canvases» edges and working in more complex color schemes than ever before.

She creates vivid, dynamic paintings that revel in a harmonious balance between gestural brushwork, hard - edge geometric spatial arrangements and layered, architectural compositions.

Driving the brush through his body movements, his style of layered abstract ink - splashes and dynamic freehand brushwork in varying intensities of ink create forceful fields of darkness — «emotional explosions» that convey powerful feeling and give form to the artist's energy and exertion.

However the surface of the work is activated by Gimblett's masterful use of heavy brushwork to create texture.

Among the preeminent abstract painters of her generation, Heilmann creates works that are both formally adventurous and richly evocative, marked by loose brushwork and bold patterning.

The muscular brushwork and aggressive line for which Godwin is known are evident in even the earliest painting included here, created in 1950 before the artist had left her home state of Virginia for New York City.

While fellow artists like Jackson Pollock and Willem de Kooning created high drama with drips and bravura brushwork on billboard - size canvases, Mr. Seliger conjured up his own private worlds on canvases, and later Masonite boards, that rarely exceeded the dimensions of a cafeteria tray.

In 1963 De Kooning moved to Long Island, where the light and water caused him to modify his painting and create a new style of landscape painting with lighter colours and less frenzied brushwork.

With a distinctive style, her notable brushwork and detailed compositions create an impressive body of work.

Best known for her white paintings, Corse's application of the paint emphasizes the multi-chromatic visual effect created in the contrast between the glass beads and her textural brushwork.

Yolanda Sanchez incorporates expressionistic brushwork and calligraphic mark - making to create poetic, emotional works.

Contributed by Julia Gray / Painter Peter Schenck combines hard - edge abstraction with gestural brushwork and vivid color to create densely patterned scenes that capture a cast of characters caught in awkward moments.

The artist then creates digital studies on his computer in order to experiment with color, turning them into acrylic paintings on canvas through air - brushing and traditional brushwork.

His harmonious use of colour and tones in these contrasting outdoor scenes is repeated in his quiet interiors, in which his lush pigment and thick brushwork combine to create a sense of stillness and privacy that compels the viewer to take pause and reflect.

When seen from across the room, the canvas reveals a pair of those hard - edged panels as bookends to stacked bricks of roughened brushwork that creates its own shadows.

Turner creates imminence and movement through his use of thick painterly brushwork that leaps off of the canvass and engages the viewer.

Described by the curator John Elderfield as «think - tough, paint - tough» due to their imposing scale and vigorously expressive brushwork, the pieces from the series include First Creatures from 1959, an abstract, indeterminate landscape exhibited here for the first time, and Mediterranean Thoughts from 1960, in which Frankenthaler's looping skeins of poured paint create partitions of varying sizes, leaving very little exposed canvas.

It creates the point of departure for the exhibition The Gestural, which deals with brushwork in the contemporary context - the first show of its kind at the Belvedere.

Arntzen combines the compositional color and form dazzle of Edna Andrade with the rawer neo-expressionist brushwork of Ross Bleckner's canvases and Elizabeth Murray's cartoon - informed approach to coloring and line to create bold personalities on canvas.

In most, his brushwork is free, gestural and unplanned, while his use of colour creates an arena for for his squiggles, which contain more than a hint of a microscopic, molecular universe.

In «Sean Scully: The Eighties,» paintings like «By Night and by Day» show how Scully employed moody colors, overlapping layers of pigment and expressive brushwork to create sensual geometrics imbued with romantic explorations of color, light and texture.